Compact Discs

When the Smoke Clears (2002).  CRI 893.
Now available at the Database of Recorded American Music.  (access through subscribing institution required).  [Or email me if you are looking for a hard copy.]

Apocryphal Stories (2004), Albany/TROY 626.
 

Articles and Essays

“In Search of Silence.”  Open Space Magazine, Fall 2008.

“‘I Am Not Making This Up!’—Part 2: ‘No, thanks, I’ll just listen,’ Or, a Reception of Sorts (with a couple of lies, some— boundary—issues, and a little too much information).” Open Space Magazine 8/9, Fall 2006/Winter 2007.

“'As if they didn’t hear the music,’ Or: How I Learned to Stop Worrying and Love Mickey Mouse.”  Opera Quarterly, 2006; doi: 10.1093/oq/kbi108.

"Save You’re Money [sic], Spend Your Art: Cultivating Imaginative Space on Campus."   Invited Essay, The Creative Campus, American Assembly, February 2004. 

“’I Am Not Making This Up!’—Part 1: A Gender Identity Remix in the Form of Some Appropriations, Avowals, Denials, and Inquiries (Or, On Second Thought, a Palimpsest or Two).”  Open Space Magazine, Fall 2004.

"Music Drama on the Concert Stage: Voice, Character and Performance in Judith Weirís 'The Consolations of Scholarship,'" Cambridge Opera Journal, vol. 12, no. 1 (March 2000).  Online version available here. 

"Making Mischief in the Melting Pot: The Eclectic Music of Don Byron," in Akin Euba and Cynthia Tse Kimberlin, eds., Intercultural Music 3 (Point Richmond, CA: MRI Press, 2001). 

"Difference or Silence? Women Composers Between Scyllaand Charybdis," Indiana Theory Review 17, no. 1 (Spring 1996), 77-85. 

Reviews, Smaller Pieces
 

"Beyond Crossover: Akin Euba's Intercultural Opera" (review of compact disc recording of the opera Chaka). Intercultural Musicology, October 1999. 

 Review of "The Music of 'Star Trek': Profiles in Style," by Jeff Bond.  Notes, June 2000. 

Review of "Songs in the Key of Z: The Curious Universe of Outsider Music," by Irwin Chusid. Music Library Association Notes, September 2002.

Review Essay: "Audible Traces: Gender, Identity, and Music," ed. Elaine Barkin and Lydia Hamessley.  Open Space Magazine, September 2002. 

"Thank you, David Lewin."  Editorial, Perspectives of New Music, Vol. 42, No. 1 (Winter 2004).