Christopher P. Heuer specializes in early modern European art and theory, with an emphasis upon Northern painting, architecture, and print culture. He is currently working on a book examining German art and kinesis, and a second about Renaissance icebergs. In Fall of 2011 he and a group of collaborators curated Vision and Communism at the University of Chicago, and authored an accompanying book. Before coming to Princeton, Heuer taught at Columbia, Berkeley and the University of Washington, Seattle. He has held Getty, Kress, Humboldt, and Clark Fellowships, and in Fall 2009 he was Gerda Henkel Stiftung Fellow at the Humboldt Universität Berlin. Since 2010 Heuer has held Princeton University's Class of 1931 Bicentennial Preceptorship, and is currently Northern European book review editor for caa.reviews. He remains a continuing participant in the Selma-based Our Literal Speed.

RECENT PUBLICATIONS:

“Envious Destroyer of All Things.” in Urban Artefacts: Triumphal Arches and the Paragone between the Arts. Ed. Alina Payne forthcoming

"Peripatetics of the Sixteenth-Century Sketchbook" The Schilder-Architect in the Netherlands (Architectura Moderna 12) (2013), in press

"Ornamental Defacement" in Alina Payne, ed. Ornament as Portable Culture: Between Globalism and Localism (New Haven and London: Yale University Press, 2014), forthcoming

Response to Questionnaire on “The Contemporary” (With Matthew Jesse Jackson and Andrew Perchuk) October 130, pp. 84-7.

http://www.ourliteralspeed.com/ Contributor.

"The Scrawl of Thought" in: Luke Morgan, ed. Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference, Melbourne, 2011 (Monash UP, 2013), pp. 229-232.

"Entropic Segers" Art History (Summer 2012), forthcoming.

Translation and commentary of Alois Riegl, "Jakob van Ruisdael" (1902), Art in Translation (Summer 2012).

“Delirious New Amsterdam” in P. Lombaerde (ed.) New Urbanism and the Grid (Turnhout: Brepols, 2011), pp. 177-186.

“Dürer’s Folds” Res: Anthropology and Aesthetics (2011), pp. 249-265.

“Raum” in: Stefan Jordan and Jürgen Müller, eds. Lexikon Kunstwissenschaft: Hundert Grundbegriffe (Ditzingen: Verlag Philipp Reclam (June 2011), pp. 286-290.

Vision and Communism (with R. Bird, M. Jackson, T. Mosaka, S. Smith) (New York: New Press 2011).

“A Different Mode of Disjunction (review article on C. Wood, Forgery Replica, Fiction)” Oxford Art Journal 33:1 (2010), pp. 103-108

“Raumbild’s Aporia,” in Alexander Nagel and Lorenzo Pericolo (eds.), Subject as Aporia in Early Modern Art (Aldershot, Ashgate, 2010), pp. 141-158.

The City Rehearsed: Object, Architecture, and Print in the Worlds of Hans Vredeman de Vries (New York and London, 2009). Click here for a review of this book.

“Difference, Repetition, and Utopia: European Print’s New Worlds” in Crossing Cultures: Proceedings of the 31st International Congress of the History of Art, Melbourne, 13-18 January 2008 (Melbourne UP, 2009), pp. 244-250.

“Hieronymus Cock’s Aesthetic of Collapse” Oxford Art Journal 32:3 (2009), pp. 387-408.

“The Perpetual Mécanicien: Isaac de Caus as Author” Studies in the History of Gardens and Designed Landscapes 29:3 (2009), pp. 192-199.

(with Matthew Jesse Jackson) “Slow Difficulty: An Exchange with Charles Harrison,” InterReview 8 (Spring 2008), pp 3-12.

“Drawing Influence,” Biuletyn Historii Sztuki 69:2 (Fall 2007).

“A Copperplate for Hieronymus Cock” The Burlington Magazine vol. CXLIX, no. 1247 (February 2007), pp. 96-99.

“A Show of Hands: Hendrick Goltzius” Artforum XLI: 5 (January 2003.)

"Perspective as Process in Vermeer" Res: Anthropology and Aesthetics 38 (2000): 82-100.