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Assistant Professor
308 McCormick Hall
(609) 258-3732
19th Century European Art
Ph.D., University of California, Berkeley, 2008
Assistant Professor
309 McCormick Hall
(609) 258-1322
Classical Archaeology
Ph.D., University of California, Berkeley, 2010
404 McCormick Hall
(609) 258-3784
Early Chinese Art and Archaeology
Ph.D., Harvard University, 1981
372 McCormick Hall
(609) 258-0352
Early Christian, Byzantine and Post-Byzantine Art
Ph.D., Courtald Institute of Art, University of London, 1989
Professor, Director of Graduate Studies
403 McCormick Hall
(609) 258-3789
History of Modern Architecture
Ph.D., Yale University, 1987
Associate Professor
307 McCormick Hall
(609) 258-3774
American Art
Ph.D., Johns Hopkins University, 2001
Associate Professor
223 East Pyne
(609) 258-7258
20th Century Art
Ph.D., University of California, Berkeley, 1996
Townsend Martin '17 Professor of Art & Archaeology
314 McCormick Hall
(609) 258-3790
20th Century Art
Ph.D., City University of New York, 1990
Assistant Professor
315 McCormick Hall
(609) 258-5319
Northern Renaissance Art
Ph.D., University of California, Berkeley, 2003
Frederick Marquand Professor of Art and Archaeology
313 McCormick Hall
(609) 258-3760
European Art and Architecture 1500-1800 in its Global Context; World Art History; Geography and Historiography of Art
Ph.D., Harvard University, 1977; Doctor Philosophiae Honoris Causa, Technische Universität Dresden, 2010; Doctor Historiae Artium Honoris Causa, Masaryk University, Brno, 2013
401 McCormick Hall
(609) 258-9098
Roman Art and Architecture; Hellenistic Art; Renaissance Antiquarianism
Ph.D., Columbia University, 1991
David Hunter McAlpin Professor of the History of Photography and Modern Art
310 McCormick Hall
(609) 258-0914
History of Photography and Modern Art
Ph.D., Yale University, 1980
Associate Professor
305 McCormick Hall
(609) 258-7456
African and African Diaspora Art
Ph.D., Emory University, 2004
P. Y. & Kinmay W. Tang Professor of Chinese Art History
406 McCormick Hall
(609) 258-6249
Chinese Art and Archaeology
Ph.D., Stanford University, 1974
Assistant Professor
306 McCormick Hall
(609) 258-3771
Contemporary Art and Criticism
Ph.D., Yale University, 2008
316 McCormick Hall
(609) 258-9338
Japanese Art and Archaeology
Ph.D., Princeton University, 1994
Lecturer with Rank of Professor
Institute for Advanced Study
(609) 734-8000
Twentieth-century European and American Art
Director of the Art Museum
142 Art Museum
(609) 258-2870
18th-Century European Art
PhD, Oxford University, 1992
Perkins-Cotsen Postdoctoral Fellow in the Society of Fellows
304 McCormick Hall
European Art 1500-1800
Ph.D., University of Cambridge, 2012
Lecturer in the Council of the Humanities and Art and Archaeology
204 Scheide Caldwell House
(609) 258-8858
Classic Maya Art and Society
Ph.D., University of California, Berkeley, 2007
Peter Jay Sharp, *52, Curator and Lecturer
251 Art Museum
(609) 258-8805
Art of the Ancient Americas
Ph.D., Tulane University, 2006
Cotsen Postdoctoral Fellow in the Society of Fellows
205A Scheide Caldwell House
(609) 258-8860
Ph.D., University of Pennsylvania, 2012
311 McCormick Hall
(609) 258-3797
Italian Renaissance Art
Ph.D., University of Chicago, 2008
312 McCormick Hall
Medieval and/or Renaissance-Baroque Architecture
Ph.D., Princeton University, 2009
Associate Professional Specialist
302 McCormick Hall
(609) 258-1423
Eastern Mediterranean and Near Eastern Art and Archaeology
Ph.D., Bryn Mawr College, 1994
Research Staff
205 McCormick Hall
(609) 258-3798
Renaissance Art
Ph.D., University of California, Berkeley, 1983
205 McCormick Hall
(609) 258-3794
History of Photography and Modern Art
372 McCormick Hall
(609) 258-3778
Classical Art & Archaeology
Ph.D., Princeton University, 1971
(609) 258-3782
Early Christian/Byzantine Architecture and Monumental Decoration
Ph.D., New York University, 1971
(609) 258-3782
Chinese Art
Ph.D., Princeton, 1958
(609) 258-3782
20th-Century Art
(609) 258-3782
Northern Renaissance Art
Roman Art
Ph.D., Göttingen University, 1986
Howard Crosby Butler Memorial Professor of Art & Archaeology
205 McCormick Hall
(609) 258-3799
Renaissance and Baroque Architecture
Ph.D., Harvard University, 1976
205 McCormick Hall
(609) 258-3769
Classical Archaeology
Ph.D., Princeton University, 1966
Frederick Marquand Professor of Art and Archaeology
Japanese Art
Ph.D., Princeton University, 1974
Christopher B. Sarofim '86 Professor of American Art, Emeritus
205 McCormick Hall
(609) 258-3785
American Art
Ph.D., Harvard University, 1965
Christopher Heuer
Assistant Professor
Christopher P. Heuer
315 McCormick Hall
(609) 258-5319
Northern Renaissance
Ph.D., University of California, Berkeley, 2003

Christopher P. Heuer specializes in early modern European art and theory, with an emphasis upon Northern painting, architecture, and print culture. He is currently working on a book examining German art and kinesis, and a second about Renaissance icebergs. In Fall of 2011 he and a group of collaborators curated Vision and Communism at the University of Chicago, and authored an accompanying book. Before coming to Princeton, Heuer taught at Columbia, Berkeley and the University of Washington, Seattle. He has held Getty, Kress, Humboldt, and Clark Fellowships, and in Fall 2009 he was Gerda Henkel Stiftung Fellow at the Humboldt Universität Berlin. Since 2010 Heuer has held Princeton University's Class of 1931 Bicentennial Preceptorship, and is currently Northern European book review editor for He remains a continuing participant in the Selma-based Our Literal Speed.


“Envious Destroyer of All Things.” in Urban Artefacts: Triumphal Arches and the Paragone between the Arts. Ed. Alina Payne forthcoming

"Peripatetics of the Sixteenth-Century Sketchbook" The Schilder-Architect in the Netherlands (Architectura Moderna 12) (2013), in press

"Ornamental Defacement" in Alina Payne, ed. Ornament as Portable Culture: Between Globalism and Localism (New Haven and London: Yale University Press, 2014), forthcoming

Response to Questionnaire on “The Contemporary” (With Matthew Jesse Jackson and Andrew Perchuk) October 130, pp. 84-7. Contributor.

"The Scrawl of Thought" in: Luke Morgan, ed. Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference, Melbourne, 2011 (Monash UP, 2013), pp. 229-232.

"Entropic Segers" Art History (Summer 2012), forthcoming.

Translation and commentary of Alois Riegl, "Jakob van Ruisdael" (1902), Art in Translation (Summer 2012).

“Delirious New Amsterdam” in P. Lombaerde (ed.) New Urbanism and the Grid (Turnhout: Brepols, 2011), pp. 177-186.

“Dürer’s Folds” Res: Anthropology and Aesthetics (2011), pp. 249-265.

“Raum” in: Stefan Jordan and Jürgen Müller, eds. Lexikon Kunstwissenschaft: Hundert Grundbegriffe (Ditzingen: Verlag Philipp Reclam (June 2011), pp. 286-290.

Vision and Communism (with R. Bird, M. Jackson, T. Mosaka, S. Smith) (New York: New Press 2011).

“A Different Mode of Disjunction (review article on C. Wood, Forgery Replica, Fiction)” Oxford Art Journal 33:1 (2010), pp. 103-108

“Raumbild’s Aporia,” in Alexander Nagel and Lorenzo Pericolo (eds.), Subject as Aporia in Early Modern Art (Aldershot, Ashgate, 2010), pp. 141-158.

The City Rehearsed: Object, Architecture, and Print in the Worlds of Hans Vredeman de Vries (New York and London, 2009). Click here for a review of this book.

“Difference, Repetition, and Utopia: European Print’s New Worlds” in Crossing Cultures: Proceedings of the 31st International Congress of the History of Art, Melbourne, 13-18 January 2008 (Melbourne UP, 2009), pp. 244-250.

“Hieronymus Cock’s Aesthetic of Collapse” Oxford Art Journal 32:3 (2009), pp. 387-408.

“The Perpetual Mécanicien: Isaac de Caus as Author” Studies in the History of Gardens and Designed Landscapes 29:3 (2009), pp. 192-199.

(with Matthew Jesse Jackson) “Slow Difficulty: An Exchange with Charles Harrison,” InterReview 8 (Spring 2008), pp 3-12.

“Drawing Influence,” Biuletyn Historii Sztuki 69:2 (Fall 2007).

“A Copperplate for Hieronymus Cock” The Burlington Magazine vol. CXLIX, no. 1247 (February 2007), pp. 96-99.

“A Show of Hands: Hendrick Goltzius” Artforum XLI: 5 (January 2003.)

"Perspective as Process in Vermeer" Res: Anthropology and Aesthetics 38 (2000): 82-100.