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Faculty
Click on each name for a short bio
Assistant Professor
308 McCormick Hall
(609) 258-3732
19th Century European Art
Ph.D., University of California, Berkeley, 2008
Assistant Professor
309 McCormick Hall
(609) 258-1322
Classical Archaeology
Ph.D., University of California, Berkeley, 2010
Professor
404 McCormick Hall
(609) 258-3784
Early Chinese Art and Archaeology
Ph.D., Harvard University, 1981
Associate Professor
403 McCormick Hall
(609) 258-3789
History of Modern Architecture
Ph.D., Yale University, 1987
Associate Professor
307 McCormick Hall
(609) 258-3774
American Art
Ph.D., Johns Hopkins University, 2001
Associate Professor
223 East Pyne
(609) 258-7258
20th Century Art
Ph.D., University of California, Berkeley, 1996
Townsend Martin '17 Professor of Art & Archaeology
314 McCormick Hall
(609) 258-3790
20th Century Art
Ph.D., City University of New York, 1990
Assistant Professor
315 McCormick Hall
(609) 258-5319
Northern Renaissance Art
Ph.D., University of California, Berkeley, 2003
Frederick Marquand Professor of Art and Archaeology
313 McCormick Hall
(609) 258-3760
European Art and Architecture 1500-1800 in its Global Context; World Art History; Geography and Historiography of Art
Ph.D., Harvard University, 1977, Doctor phil. h.c. Technische Universität Dresden, 2010
Professor
401 McCormick Hall
(609) 258-9098
Roman Art and Architecture; Hellenistic Art; Renaissance Antiquarianism
Ph.D., Columbia University, 1991
Professor and Department Chair
371 McCormick Hall
(609) 258-1516
Islamic Art and Architectural History
Ph.D., University of Tübingen, Germany, 1992
David Hunter McAlpin Professor of the History of Photography and Modern Art
310 McCormick Hall
(609) 258-0914
History of Photography and Modern Art
Ph.D., Yale University, 1980
Professor
312 McCormick Hall
(609) 258-6313
Roman Art
Ph.D., Göttingen University, 1986
Assistant Professor
305 McCormick Hall
(609) 258-7456
African and African Diaspora Art
Ph.D., Emory University, 2004
Howard Crosby Butler Memorial Professor of Art & Archaeology
317 McCormick Hall
(609) 258-3799
Renaissance and Baroque Architecture
Ph.D., Harvard University, 1976
P. Y. & Kinmay W. Tang Professor of Chinese Art History
406 McCormick Hall
(609) 258-6249
Chinese Art and Archaeology
Ph.D., Stanford University, 1974
Professor, Director of Graduate Studies
316 McCormick Hall
(609) 258-9338
Japanese Art and Archaeology
Ph.D., Princeton University, 1994
Assistant Professor
304 McCormick Hall
(609) 258-8593
Medieval Art
Ph.D., University of Tübingen, Germany, 2001
Lecturer with Rank of Professor
Professor
Institute for Advanced Study
(609) 734-8000
Twentieth-century European and American Art
Director of the Art Museum
142 Art Museum
(609) 258-2870
18th-Century European Art
PhD, Oxford University, 1992
Lecturers
Lecturer
405 McCormick Hall
(609) 258-3795
Chinese Art
Ph.D., Princeton University, 2011
Lecturer in the Council of the Humanities and Art and Archaeology
204 Scheide Caldwell House
(609) 258-8858
Classic Maya Art and Society
Ph.D., University of California, Berkeley, 2007
Lecturer
Art Museum
(609) 258-7482
19th Century European Art
Ph.D., University of Virginia, 2004
Lecturer
Classical Art and Archaeology
Ph.D., University of Heidelberg
Peter Jay Sharp, *52, Curator and Lecturer
251 Art Museum
(609) 258-8805
Art of the Ancient Americas
Ph.D., Tulane University, 2006
Lecturer
Art Museum
(609) 258-9482
American Art History
Ph.D., Yale University, 2006
Lecturer
311 McCormick Hall
(609) 258-3797
Italian Renaissance Art
Ph.D., University of Chicago, 2008
The Janson-La Palme Visiting Professor
104 McCormick Hall
Renaissance Art History
Ph.D., Columbia University, 1965
Lecturer
402 McCormick Hall
(609) 258-8426
Byzantine/Medieval Art History and Architectural History
Ph.D., Princeton University, 2004
Research Staff
Associate Professional Specialist
370 McCormick Hall
(609) 258-1423
Eastern Mediterranean and Near Eastern Art and Archaeology
Ph.D., Bryn Mawr College, 1994
Emeriti
Professor
205 McCormick Hall
(609) 258-3798
Renaissance Art
Ph.D., University of California, Berkeley, 1983
Emeritus
301B McCormick Hall
(609) 258-3794
History of Photography and Modern Art
Professor
372 McCormick Hall
(609) 258-3778
Classical Art & Archaeology
Ph.D., Princeton University, 1971
Professor
(609) 258-3782
Early Christian/Byzantine Architecture and Monumental Decoration
Ph.D., New York University, 1971
Emeritus
(609) 258-3782
Chinese Art
Ph.D., Princeton, 1958
Emeritus
(609) 258-3782
20th-Century Art
Emeritus
(609) 258-3782
Northern Renaissance Art
Professor
205 McCormick Hall
(609) 258-3769
Classical Archaeology
Ph.D., Princeton University, 1966
Frederick Marquand Professor of Art and Archaeology
Japanese Art
Ph.D., Princeton University, 1974
Christopher B. Sarofim '86 Professor of American Art, Emeritus
205 McCormick Hall
(609) 258-3785
American Art
Ph.D., Harvard University, 1965
Anne McCauley
Anne McCauley
David Hunter McAlpin Professor
of the History of Photography and Modern Art
Anne McCauley
308 McCormick Hall
(609) 258-0914
History of Photography and Modern Art
Ph.D., Yale University, 1980

Professor McCauley is a specialist in the history of photography and nineteenth-century French visual culture. She is particularly interested in the sociology of art and the formation of networks of elite patronage, criticism, and marketing during the modern period. She is also concerned with the ways that photography and changing photographic technologies responded to and in turn shaped discourses on scientific objectivity, subjecthood, and originality. She is the author of A.A.E. Disdéri and the Carte de Visite Portrait Photograph; Industrial Madness: Commercial Photography in Paris,1848-1871; The Museum and the Photograph (co-authored with Mark Haworth-Booth), as well as numerous studies on the historiography of photography, the cultural contexts of the medium's invention, and the careers of Thomas Eakins, the Aguado brothers, and the Bisson frères, among others. Her current research projects include a study of American photography and the First World War, and an investigation of the impact of the medium on the development of art history as a discipline. She recently co-curated an exhibition on Isabella Stewart Gardner in Venice and was a co-author of the catalogue, Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle (Isabella Stewart Gardner Museum, 2004). At Princeton, she has taught seminars on the Stieglitz circle; the invention of photography; American museum history and theory; photography and World War I; the photographic nude photography during the collodion era, and French and British caricature from 1776 to 1914.

Recent Publications:

The Steerage and Alfred Stieglitz (co-authored with Jason Francisco) (Berkeley: University of California Press, 2012).

“Sneak Previews: Nude Photographs by Pierre Bonnard and George Henrik Breitner.” In Snapshot: Painters and Photography, Bonnard to Vuillard, ed. Elizabeth Easton, 46-57 (Yale University Press, 2011).

“Epouses des hommes et épouses de l’art: la ‘question de la femme’ dans les années 1860 et la photographie de Julia Margaret Cameron”/“Brides of Men and Brides of Art: The ‘Woman Question’ of the 1860s and the Photographs of Julia Margaret Cameron,” Etudes photographiques (November 2011): 7-50 (French); 51-75 (English).

“Fawning over Marbles: Robert and Gerardine Macpherson’s Vatican Sculptures and the Role of Photographs in the Reception of the Antique.” In Art and the Early Photographic Album, ed. Stephen Bann, 94-122 (Yale University Press, CASVA Studies in the History of Art, Vol. 77, 2011).

“Francis Bruguiere and Lance Sieveking’s Beyond This Point (1929): An Experiment in Abstract Photography, Synaesthesia, and the Cinematic Book.” In More Than One: Photographs in Sequence, ed. Joel Smith, 46-65 (New Haven: Yale University Press, 2009).

“`Merely Mechanical’: On the Origins of Photographic Copyright in France and England,” Art History (February 2008): 57-78.

“Overexposure: Thoughts on the Triumph of Photography.” In The Meaning of Photography, Robin Kelsey and Blake Stimson, eds., 159-162.(New Haven: Yale UP, 2008).

“The Trouble with Photography.” In Photography Theory . ed. James Elkins, 403-30 (London: Routledge, 2007).