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Assistant Professor
308 McCormick Hall
(609) 258-3732
19th Century European Art
Ph.D., University of California, Berkeley, 2008
Assistant Professor
309 McCormick Hall
(609) 258-1322
Classical Archaeology
Ph.D., University of California, Berkeley, 2010
404 McCormick Hall
(609) 258-3784
Early Chinese Art and Archaeology
Ph.D., Harvard University, 1981
372 McCormick Hall
(609) 258-0352
Early Christian, Byzantine and Post-Byzantine Art
Ph.D., Courtald Institute of Art, University of London, 1989
Professor, Director of Graduate Studies
403 McCormick Hall
(609) 258-3789
History of Modern Architecture
Ph.D., Yale University, 1987
Associate Professor
307 McCormick Hall
(609) 258-3774
American Art
Ph.D., Johns Hopkins University, 2001
Associate Professor
223 East Pyne
(609) 258-7258
20th Century Art
Ph.D., University of California, Berkeley, 1996
Townsend Martin '17 Professor of Art & Archaeology
314 McCormick Hall
(609) 258-3790
20th Century Art
Ph.D., City University of New York, 1990
Assistant Professor
315 McCormick Hall
(609) 258-5319
Northern Renaissance Art
Ph.D., University of California, Berkeley, 2003
Frederick Marquand Professor of Art and Archaeology
313 McCormick Hall
(609) 258-3760
European Art and Architecture 1500-1800 in its Global Context; World Art History; Geography and Historiography of Art
Ph.D., Harvard University, 1977; Doctor Philosophiae Honoris Causa, Technische Universität Dresden, 2010; Doctor Historiae Artium Honoris Causa, Masaryk University, Brno, 2013
401 McCormick Hall
(609) 258-9098
Roman Art and Architecture; Hellenistic Art; Renaissance Antiquarianism
Ph.D., Columbia University, 1991
David Hunter McAlpin Professor of the History of Photography and Modern Art
310 McCormick Hall
(609) 258-0914
History of Photography and Modern Art
Ph.D., Yale University, 1980
Associate Professor
305 McCormick Hall
(609) 258-7456
African and African Diaspora Art
Ph.D., Emory University, 2004
P. Y. & Kinmay W. Tang Professor of Chinese Art History
406 McCormick Hall
(609) 258-6249
Chinese Art and Archaeology
Ph.D., Stanford University, 1974
Assistant Professor
306 McCormick Hall
(609) 258-3771
Contemporary Art and Criticism
Ph.D., Yale University, 2008
316 McCormick Hall
(609) 258-9338
Japanese Art and Archaeology
Ph.D., Princeton University, 1994
Lecturer with Rank of Professor
Institute for Advanced Study
(609) 734-8000
Twentieth-century European and American Art
Director of the Art Museum
142 Art Museum
(609) 258-2870
18th-Century European Art
PhD, Oxford University, 1992
Perkins-Cotsen Postdoctoral Fellow in the Society of Fellows
304 McCormick Hall
European Art 1500-1800
Ph.D., University of Cambridge, 2012
Lecturer in the Council of the Humanities and Art and Archaeology
204 Scheide Caldwell House
(609) 258-8858
Classic Maya Art and Society
Ph.D., University of California, Berkeley, 2007
Peter Jay Sharp, *52, Curator and Lecturer
251 Art Museum
(609) 258-8805
Art of the Ancient Americas
Ph.D., Tulane University, 2006
Cotsen Postdoctoral Fellow in the Society of Fellows
205A Scheide Caldwell House
(609) 258-8860
Ph.D., University of Pennsylvania, 2012
311 McCormick Hall
(609) 258-3797
Italian Renaissance Art
Ph.D., University of Chicago, 2008
312 McCormick Hall
Medieval and/or Renaissance-Baroque Architecture
Ph.D., Princeton University, 2009
Associate Professional Specialist
302 McCormick Hall
(609) 258-1423
Eastern Mediterranean and Near Eastern Art and Archaeology
Ph.D., Bryn Mawr College, 1994
Research Staff
205 McCormick Hall
(609) 258-3798
Renaissance Art
Ph.D., University of California, Berkeley, 1983
205 McCormick Hall
(609) 258-3794
History of Photography and Modern Art
372 McCormick Hall
(609) 258-3778
Classical Art & Archaeology
Ph.D., Princeton University, 1971
(609) 258-3782
Early Christian/Byzantine Architecture and Monumental Decoration
Ph.D., New York University, 1971
(609) 258-3782
Chinese Art
Ph.D., Princeton, 1958
(609) 258-3782
20th-Century Art
(609) 258-3782
Northern Renaissance Art
Roman Art
Ph.D., Göttingen University, 1986
Howard Crosby Butler Memorial Professor of Art & Archaeology
205 McCormick Hall
(609) 258-3799
Renaissance and Baroque Architecture
Ph.D., Harvard University, 1976
205 McCormick Hall
(609) 258-3769
Classical Archaeology
Ph.D., Princeton University, 1966
Frederick Marquand Professor of Art and Archaeology
Japanese Art
Ph.D., Princeton University, 1974
Christopher B. Sarofim '86 Professor of American Art, Emeritus
205 McCormick Hall
(609) 258-3785
American Art
Ph.D., Harvard University, 1965
Michael Koortbojian
Michael Koortbojian
Michael Koortbojian
401 McCormick Hall
(609) 258-9098
Roman Art and Architecture; Hellenistic Art, Renaissance Antiquarianism
Ph.D., Columbia University, 1991

Prior to coming to Princeton, Michael Koortbojian was the Nancy H. and Robert E. Hall Professor in the Humanities at Johns Hopkins, a position that followed over a decade of teaching at the University of Toronto.

Koortbojian has been a Fellow of the Warburg Institute in London, Kings' College Cambridge, and the American Academy in Rome, and he has been awarded research grants by the Kress Foundation, the British Academy, the Mellon Foundation, and the Social Sciences and Humanities Research Council of Canada. He is currently a member of the Executive Committee of Princeton's Program in Hellenic Studies, as well as a member of the Advisory Board of the Center for Advanced Study in the Visual Arts at the National Gallery in Washington. In the past he has served as a member of the Editorial Board of the Art Bulletin, and as a consultant for the John T. and Catherine D. MacArthur Foundation, The Kress Foundation, and the Social Science Research Council of Canada.

His scholarship has focused, not only on various aspects of Roman art, but on its study by Renaissance antiquarians. Among the former have been investigations of the relationships between texts and images, and the role of historical imagery as an aspect of ideology; among the latter, the rise of the systematic study of the Classical past, and, in particular, the early collecting of ancient inscriptions as an aspect of a new conception of historical method. His book Myth, Meaning, and Memory on Roman Sarcophagi, appeared in 1995 from the University of California Press; another book, tentatively entitled Making Men Gods, devoted to problems surrounding the institution of the divinization of the Roman emperor, will be published next year by the Cambridge University Press.

Recent Publications:

“Renaissance Spolia and Renaissance Antiquity (One Neighborhood, Three Cases),” in Reuse Value – Twelve Critical Views on Spolia and Appropriation from Constantine to Sherrie Levine, edd. D. Kinney and R. Brilliant (Ashgate, 2011), 149-65. "Crossing the Pomerium. The Armed Ruler at Rome", in The Emperor and Rome, edd. B. C. Ewald and C. Norena (Cambridge 2010), 247-74. "The Double Identity of Roman Portrait Statues", in Roman Dress and the Fabrics of Roman Culture, edd. J. Edmondson and A. Keith (Toronto 2008), 71-93. Forthcoming: “The Repertory of Ritual and the Representation of Sacrifice,” in Materiality and visibility of rituals in the ancient world, ed. I. Mylonopoulos (Stuttgart, 2013). “Roman Sarcophagi,” in The Blackwell Companion to Roman Art, ed. B. Borg (Oxford, 2013). “Standardization and Transformation. Some Observations on the Sarcophagus Trade and Sarcophagus Production,” in Flesheaters, ed. C. Hallett (Berlin, 2012/13?). “The Mythology of Everyday Life,” in Iconographie funéraire romaine et société : corpus antique, approches nouvelles? Ed., M. Galinier (PUF, 2013).