Carol Martin, Ph.D. is an Associate Professor of Drama at Tisch School of the Arts, New York University and is currently a Senior Fulbright Specialist. Martin is the General Editor of In Performance devoted to post 9/11 plays from around the world and published by Seagull Books. Her books include: The Dramaturgy of the Real on the World Stage, Global Foreigners (co-edited with Saviana Stanescu in English and Romanian), Brecht Sourcebook (co-edited with Henry Bial); A Sourcebook of Feminist Theatre: On and Beyond the Stage, and Dance Marathons: Performing American Culture of the 1920s and 1930s. She is the guest editor of an issue of TDR devoted to the subject of documentary theatre in the U.S., U.K., Israel, Lebanon, and Germany. Her essays and interviews have appeared in numerous anthologies, academic journals in the U.S. and abroad and The New York Times and have been translated into Turkish, French, Polish, Chinese, Romanian, and Japanese. Awards include: Visiting Professor Fellowship at Tokyo University, Komaba; Best Issue of the Year by Professional/Scholarly Publishing Division of the Association of American Publishers for a special issue of TDR on Japanese performance (co-edited with Nanako Kurihara); and the De La Torre Bueno for her book, Dance Marathons; Fulbright, National Endowment for the Humanities, and Mellon. She was the curator of A Series of Evenings on Documentary Theatre at the Martin E. Segal Theatre at CUNY's Graduate Center, May 2006 (including Igal Ezrati, Emily Mann and Marc Wolfe). Currently Martin is a board member of Crossing Jamaica Avenue and Witness Relocation Company and a contributing editor to both TDR and Assaph: Studies in the Theatre.