Nick Nesbitt received his PhD in Romance Languages and Literatures (French) with a Minor in Brazilian Portuguese from Harvard University. He has previously taught at the University of Aberdeen (Scotland) and at Miami University (Ohio), and in 2003-4 he was a Mellon Fellow at the Cornell University Society for the Humanities. He is the author of Caribbean Critique: Antillean Critical Theory from Toussaint to Glissant (Liverpool 2013); Universal Emancipation: The Haitian Revolution and the Radical Enlightenment (Virginia 2008); and Voicing Memory: History and Subjectivity in French Caribbean Literature (Virginia 2003). He is also the editor of Toussaint Louverture: The Haitian Revolution (Verso 2008) and co-editor with Brian Hulse of Sounding the Virtual: Gilles Deleuze and the Philosophy of Music (Ashgate 2010).
Nick Nesbitt's work in Francophone Studies focuses on the intellectual history of the black Atlantic world. Such a project envisages the recovery, narration, and critique of discontinuous events and concepts as concrete universals.
Teaching and Research Interests
• Haitian, French-Caribbean and African Studies
• Postcolonial and Critical Theory
• Political Philosophy
• African Diasporic Music and Cinema
• Special interest in the work of Aimé Césaire, Althusser, Fanon, Badiou, John Coltrane, and Gilles Deleuze
'Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music'
1. Caribbean Critique