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Stanley Corngold

Department/Program(s):
  • German
Title: Professor of German and Comparative Literature, Emeritus
Field: Modern German Literature and Thought, Literary Criticism, Kafka Studies
Office: Dillon Court West 28
Phone: 609-258-4137



Profile

Publications

The Commentators' Despair: The Interpretation of Kafka's “Metamorphosis,” National University Publications (New York and London: Kennikat  Press, 1973). 267 pp.                                                 
 
The Commentators' Despair: The Interpretation of Kafka's “Metamorphosis,” National      University Publications, paperback edition (New York and London: Associated Faculty Press, 1975). 267 pp.    
 
The Fate of the Self: German Writers and French Theory (New York: Columbia University Press, 1986). 279 pp.          
 
The Fate of the Self: German Writers and French Theory, revised paperback edition (Durham, NC: Duke University Press, 1994). 312 pp. 
 
Franz Kafka: The Necessity of Form (Ithaca, NY: Cornell University Press, 1988). 322 pp. 
 
Franz Kafka: The Necessity of Form, paperback edition, Ithaca, NY: Cornell University Press, 1990). 322 pp.
 
Borrowed Lives (with Irene Giersing) (Albany: State University of New York Press,  1991). 189 pp.  
 
Borrowed Lives (with Irene Giersing), paperback edition Albany: State University of  New York Press, 1991). 189 pp. 
 
Complex Pleasure: Forms of Feeling in German Literature (Stanford: Stanford University Press, 1998). 243 pp.   
 
Complex Pleasure: Forms of Feeling in German  Literature, paperback edition (Stanford: Stanford University Press, 1998). 243 pp.
  
Lambent Traces: Franz Kafka (Princeton: Princeton University Press, 2004). 262 pp.

Lambent Traces: Franz Kafka, revised paperback edition (Princeton: University Press, 2006). 262 pp.
  
Franz Kafka: the Office Writings (with Jack Greenberg and Benno Wagner) (Princeton: Princeton University Press, 2008). ca. 440 pp.  

Ausgewählte Prosa by Max Frisch, ed. with introduction, notes, and vocabulary (New York: 
Harcourt, Brace and World, 1968). 126 pp.                                 

The Metamorphosis by Franz Kafka, ed. and trans. with introduction, notes, and critical apparatus (New York: Bantam Books, 1972). 201 pp.   

Thomas Mann: 1875 1975, with Richard Ludwig (Princeton: Princeton University Library, 1975). 54 pp.  

Aspekte der Goethezeit, with Michael Curschmann and Theodore Ziolkowski (Göttingen and Zurich: Vandenhoeck and Ruprecht, 1977). 311 pp.

The Metamorphosis by Franz Kafka, Norton Critical Edition, with preface, notes and critical apparatus, ed. and trans. by Stanley Corngold (New York: Norton, 1996). 218 pp.

Kafka’s Selected Stories, Norton Critical  Edition, with preface, notes and critical apparatus, ed. and trans. by Stanley Corngold (New York: Norton, 2007). 362 pp. (appeared in 2006).

“The Rhythm of Memory: Mood and Imagination in The Confessions of Rousseau,” in The Novel and its Changing Form, ed. R.G. Collins and Kenneth McRobbie (Winnipeg: Univ. of Manitoba Press, 1972), 215 225. (*reprint of IV.2.)
    
“Mann and the German Philosophical Tradition,” in Thomas Mann: 1875 1975, ed. S. Corngold and Richard Ludwig (Princeton: Princeton University Library, 1975), 9-16.

“The Mann Family,” ibid., 46 53.

“The Question of Law, the Question of Writing,” in Twentieth Century Interpretations of “The Trial, “ ed. James Rolleston (Englewood Cliffs, NJ: Prentice -Hall, 1976), 100-104.

“The Hermeneutic of `The Judgment',” in The Problem of “The Judgment” :  Eleven Approaches to Kafka's Story, ed. Angel Flores (New York: The Gordian Press, 1977), 39 62.
 
“Recent Kafka Criticism: From ‘Groundless Subjectivity’ to ‘Homme Rhizome,’” in The Kafka Debate: New Perspectives for Our Time, ed. Angel Flores (New York: The Gordian Press, 1977), 60-73.
 
"Angst und Schreiben in einer frühen Erzählung Kafkas, in Franz Kafka Symposium, ed. Maria Luise Caputo-Mayr (Berlin: Agora Verlag, 1978), 59-70.

Sein und Zeit: Implications for Poetics,” in Martin Heidegger and the Question of Literature: Toward a Post modern Literary Hermeneutics, ed. William Spanos (Bloomington: Indiana University Press, 1979), 99-112. (*reprint of IV.7).

“An American Rilke?” with Howard Stern, in Yearbook of Comparative and General Literature (Bloomington, in: University of Indiana, 1980), 57-60.

“Error in Paul de Man,” in The Yale Critics: Deconstruction in America, ed. Jonathan Arac, Wlad Godzich, and Wallace Martin (Minneapolis: University of Minnesota Press, 1983), 90 108. (*reprint of IV. 14).   
  
“La doble espiral de Kafka,” in Franz Kafka: Homenaje en su centenario (1833 1924), ed. Rodolfo E. Modern (Buenos Aires, 1983), 113-123. (*trans. of IV.15).

“Kafka's Challenge to Literary History,” in Rewriting Literary History, ed. Tak Wai Wong and M.A. Abbas   (Hong Kong: Hong Kong University Press, 1984), 198-218
 and 26-27, 64, 158, 186 188, 227-228, 276, 307, 311, passim.

 “The Question of the Self in Nietzsche during the Axial Period (1882-1888),” in Why Nietzsche Now?, ed. Daniel O'Hara (Bloomington: Indiana University Press, 1985), 55-98. (*reprint of IV.12).

“Consternation: The Anthropological Moment in Literature,” [on Cervantes, Flaubert, Nietzsche, and Kafka] in Literature and Anthropology, ed. Jonathan Hall and M.A. Abbas (Hong Kong: Hong Kong University Press, 1986), 156-188 and 111-112, 190, 193-195, passim.
          
“Hölderlin's Poetry and the Persistence of the Self,” in Literature as Philosophy, Philosophy as Literature, ed. Donald Marshall (Iowa City: University of Iowa Press, 1987), 205-231. (*revision of IV.16).

“Kafka's Other Metamorphosis,” in Kafka and the Contemporary Critical Performance:  Centenary Readings, ed. Alan Udoff (Bloomington: University of Indiana Press, 1987), 41-57.

“Kafka's Challenge to Literary History,” in Change in Language and Literature:  Proceedings of the 16th Congress of FILLM, ed. Miklos Szabolcsi and Jozsef  Kovacs (Budapest: Akademiai Kiado, 1987), 350-351.

“The Life of the Author in the Margin of His Breaks:  On Kafka's Perspective,” in The Dove and the MoleKafka's Journey into Darkness and Creativity, ed. Moshe Lazar and Ronald Gottesman (Malibu, CA: Udena, 1987), 179-197.

 “Nietzsche, Kafka, and the Question of Literary History,” in Nietzsche: Literature and Values, ed. Volker Duerr, Reinhold Grimm, and Kathy Harms, Monatshefte Occasional Volume No. 6 (Madison:  University of Wisconsin Press, 1988), 153-66.

 “The Curtain Half Drawn: Prereading in Flaubert and Kafka,” in The Comparative Perspective on Literature:  Approaches to Theory and Practice, ed. Clayton Koelb (Ithaca, NY: Cornell University Press, 1988), 263-283.

“Kafka's Die Verwandlung: Metamorphosis of the Metaphor,” in Franz Kafka's The Metamorphosis, Modern Critical Interpretations, ed. Harold Bloom (New York: Chelsea House, 1988), 37-52 (*reprint of IV.1)   
    
 “On Paul de Man's Collaborationist Writing,” in Responses: On Paul de Man's Wartime Journalism (Lincoln, NEB: University of Nebraska Press, 1989), 80-84.  (*revision of IV. 22)

“Kafka's Narrative Perspective,” in Allen Thiher, Franz Kafka:  A Study of the Short Fiction (Boston: G. K. Hall, 1989), 126-129 (*reprint of IV. 8).

“Paul de Man on the Contingency of Intention,” in (Dis)Continuities:  Essays on Paul de Man, eds. Luc  Herman, Kris Humbeeck, and Geert Lernout (Amsterdam:  Rodopi, 1989), 27-42.  
   
“Freud as Literature?” in Critical Essays on Franz  Kafka, ed. Ruth V. Gross (Boston: G.K. Hall, 1990), 173-191 (*reprint of I. 2., Chapter 6, 181-195).

“Patterns of Justification in Young Törless,” in Neverending Stories:  Toward a Critical Narratology,  eds. Ann Fehn, Ingeborg Hoesterey, and Maria Tatar  Princeton:  Princeton University Press, 1991),  138-159. 

 “Hölderlins `Schneller Begriff,'“ Bad Homburger Hölderlin-Vorträge 1990 (Bad Homburg v.d. Höhe: Stadt  Bad Homburg v.d. Höhe in Zusammenarbeit mit der Hölderlin-Gesellschaft, 1991), 65-82.

“Paul de Man's Confessional Anarchy,” in Textuality and Subjectivity, Vol. 2:  The Poetics of Reading, eds. Eitel Timm and Kenneth Mendoza (Columbia, SC: Camden House, 1992), 36-50. [Reviewed in Philosophy and Literature *** 1994 (18:3?*, 398-399.]

“Remembering Paul de Man:  An Epoch in the History of Comparative Literature,” Building a Profession:  Autobiographical Perspectives on the Beginnings of  Comparative Literature in the United States, eds. Lionel Gossman and Mihai Spariosu (Albany: State University Press of New York, 1994), 177-192.

 “On Death and the Contingency of Criticism:  Schopenhauer and de Man,” Intersections: Nineteenth-Century Philosophy and Contemporary Theory, eds. David Clark and Tilottama Rajan (Albany:  State University of New York Press, 1995), 363-377. 

 “The Subject of Nietzsche: Danto, Nehamas, and Staten,” Nietzsche in American Literature and Thought, ed. Manfred Pütz (Columbia, SC: Camden House, 1995).263-277.
  
“The Melancholy Object of Consumption,” Violence and Mediation in Contemporary Culture, eds. Ronald Bogue and Marcel Cornis-Pope (Albany: State University of  New York Press, 1995), 19-38.

“Kafka's Die Verwandlung: Metamorphosis of the Metaphor,” in Franz Kafka, The Metamorphosis, ed. Stanley Corngold, Norton Critical Edition (New York: Norton, 1996), 79-107 (*reprint of IV.1.). 
        
“On Translation Mistakes, with Special Attention to  Kafka in Amerika,” in Ulrich Stadler, ed., wiesprache:  Theorie und Geschichte des Übersetzens (Stuttgart: Metzler, 1996), 143-157.

“Nietzsche, Kafka, and Literary Paternity,” Nietzsche and Jewish Culture, ed. Jacob Golomb (London and New York: Routledge, 1996), 137-157. 

“Nietzsche, Kafka und die literarische Vaterschaft,”  Nietzsche und die jüdische Kultur [(Wien: WUV-Universitätsverlag, 1998), 145-164 (*trans. of  III.35)].   

“Fürsorge beim Vorlesen:  Bernhard Schlink's Novel Der  Vorleser,” Signaturen der Gegenwart:  Festschrift für  Walter Hinderer, ed. Dietrich Borchmeyer (Würzburg: Königshausen und Neumann, 1999), 247-255. 
  
“Disowning Contingencies in Hölderlin's Empedokles,”  The Solid Letter: Readings of Friedrich Hölderlin, ed.  Aris Fioretos (Stanford: Stanford University Press,  2000), 215-236.

“Anmerkungen zu Hölderlin und Hegel in Frankfurt,” Hölderlin-Jahrbuch 31 (1998/99) (Eggingen: Isele, 2000), 73-74.   

“`Nu Bleu aux Bas Vers': Reiner Aufrechter Südlicher Sezuan,” Henri Matisse/Raoul Dufy/Correspondances (Bad Homburg: Michael Blaszczyk, 2001), 67-69.
   
“Some Theoretical and Historical Complications in Hegel’s Aesthetics of Comedy,” After     Poststructuralism: Writing the Intellectual History of Theory, ed. Michael O'Driscoll and Tilottama Rajan (Toronto: University of Toronto Press, 2001), 25-42.

“Von wegen der Wahrheit: Kafkas späte Aphorismen und Erzählungen,” trans. by May Mergenthaler with the author, Franz Kafka. Zur ethischen und ästhetischen Rechtfertigung, ed. Beatrice Sandberg and Jakob Lothe (Freiburg i. Br.: Rombach, 2002), 17-31.
   
“Kafka's Later Stories and Aphorisms,” The Cambridge Companion to Kafka, ed. Julian Preece (Cambridge: Cambridge University Press, 2002), 95-110.

“Genuine Obscurity Shadows the Semblance Whose Obliteration Promises Redemption:  Reflections on Benjamin's `Goethe's Elective Affinities,'“ in Benjamin's Ghosts: Interventions in Contemporary Theory and Cultural Studies, ed. Gerhard Richter (Stanford: Stanford University Press, 2001?), 154-168.

“Medial Allusions at the Outset of Der Proceß; or, res in media,” A Companion to the Works of Franz Kafka, ed. James Rolleston (Rochester, NY: Camden House, 2002), 161-184. 
   
“Implications of an Influence: On Hölderlin’s Reception of Rousseau”, in Romantic Poetry, ed. Angela Esterhammer. [Series title: Comparative History of Literatures in European Languages] (Amsterdam: John Benjamins, 2002), 457-473.

(with Geoffrey Waite): “A Question of Responsibility:  Nietzsche with Hölderlin at War, 1914-1946,” in Nietzsche: Godfather of Fascism?: On the Uses and  Abuses of a Philosophy, ed. Jacob Golomb and Robert S. Wistrich (Princeton: Princeton University Press, 2002), 196-214. 

“Origine: The Force of the Origin,” Bruno Freddi Skulptur Origine (Bad Homburg: Galerie Michael Blaszczyk, 2003), 23-25.

“Origine: Die Macht des Ursprungs,” Bruno Freddi  Skulptur Origine,” (Bad Homburg: Galerie Michael Blaszczyk, 2003), 11-13.

“Origine: La forza dell'origine,” Bruno Freddi Skulptur Origine (Bad Homburg: Galerie Michael  Blaszczyk, 2003), 17-19.
    
“`Wie ein Fallbeil': Kafka über Kunst und Ethik,” Skepsis und literarische Imagination, ed. Bernd Huppauf and Klaus Vieweg (Munich: Fink, 2003), 217-             229.
 
“The Radical Modernist: Franz Kafka,” Cambridge Companion to the Modern German Novel, ed. Graham Bartram and Philip Payne (Cambridge: Cambridge University Press, 2004), 62-76. 

“Kafka and the Dialect of Minor Literature,” Debating  World Literature, ed. Christopher Prendergast (New York & London: Verso, 2004), 272-290(*revised reprint           of IV. 24).

“Kraus and Nietzsche: Frères semblables?” Nietzsche and the Austrian Culture, ed. Jacob Golomb (Vienna: Wien Universitataets Verlag, 2004) 191-212.

“1900: Sigmund Freud, Die Traumdeutung,”  The New History of German Literature, ed. David Wellbery  (Cambridge, MA: Harvard University Press, 2004), 647-          

“1914: Franz Kafka, Der Prozess,”  The New History of German Literature, ed. David Wellbery (Cambridge, MA: Harvard University Press, 2004), 703-08.
 
“The Great War and Modern German Memory,” Cambridge Companion to the Literature of the First World War, ed. Vincent Sherry (Cambridge, Cambridge University  Press,(2004), 191-216

“The Thought of Don Juan,” From Wordsworth to Stevens: Essays in honour of Robert Rehder, ed. Anthony Mortimer (Bern: Peter Lang, 2004), 91-103.  

“The Natural Enemy of Comparative Literature is Translation,” Nation, Language, and the Ethics of  Translation, eds. Sandra Bermann and Michael Wood  (Princeton:  Princeton University Press, 2005), 139-45.(*revision of IV. 28).

“Kafkas Schloß: Das Amt des Schreibens,” Odrade Lachen: Fremdheit bei Kafka, eds. Hansjörg Bay and Christof Hamann (Freiburg i. Br.: Rombach, 2006), 205-229. 

“Preface to an Understanding of Kafka,” “In the Circle of ‘The Judgment,’” Kafka’s Selected Stories, Norton Critical Edition (New York: Norton, 2006), 217-235. (Reprint of I.6, Lambent Traces: Franz Kafka, pp. 1-36.

“Bookkeeping in the Modernist Novel,” Modernism [Series title: Comparative History of                         Literatures in  European Languages] ed. Astradur  Eysteinsson and Vivian Liska (Amsterdam: John Benjamins, 2007), 367-381.

“Sebald’s Tragedy,” Rethinking Tragedy, ed. Rita Felski (Baltimore: Johns Hopkins University Press, 2008), 218-240 [appeared in 2007].

“Hegel, Schopenhauer, and Cannibalism,” Hegel-Studien, vol. 41, eds. Walter Jaeschke and Ludwig Siep (Hamburg: Felix Meiner, 2006), 309-310 [appeared in 2007]. 

“Kafkas Schreiben,” in Franz Kafka. Leben-Werk-Wirkung, ed. Oliver Jahraus & Bettina von Jagow(Göttingen: Vandenhoeck & Ruprecht, 2008), 150-64.

CHAPTERS IN BOOKS (IN PRESS) 

“Due/In Indue: zwei Bozette von Bruno Freddi,” (Bad Homburg: Galerie Michael Blaszczyk, 2008?), **-**.

“Remarkable Acts of Narration in Kafka’s ‘Forschungen eines Hundes,’” ed. by Jakob Lothe and Beatrice Sandberg (Columbus: Ohio State U P, 2008?) 

(with Jennifer Hirsh), “Platz-Denken,” in Katalog ***, ed. Michael Blaszczyk (Bad Homburg: Galerie Michael Blaszczyk (2008?),  ** - **.
 
“Nietzsche (with Kafka) as Neo-Gnostic Thinkers,” in “Für alle und für keinen”: Lektüre, Schrift und Leben bei Nietzsche und Kafka, ed. Friedrich Balke, Joseph Vogl, and Benno Wagner (Berlin: Diaphanes, 2008?). ** - **.

“Kafka’s ‘A Report for an Academy’ with Adorno,” Aesthetics and the Work of Art, ed. Peter de Bolla and Stefan Hoesel-Uhlig (London: Palgrave Macmillan,    2008?), ** - **. 

“Nietzsche: neo-Gnosticism and Nihilism,” in Nietzsche, Nihilism and the Philosophy of the Future, 
ed. by Jeffrey Metzger (London: Continuum, 2009?)

“Allegory in Doktor Faustus: A Reconsideration,” Festschrift für Gerhard Kurz (2009?)

ARTICLES

“Kafka's Die Verwandlung: Metamorphosis of the  Metaphor,” Mosaic 3, no. 4 (1970): 91 106. (*reprinted  in III.21).       

 “The Rhythm of Memory: Mood and Imagination in the Confessions of Rousseau,” Mosaic 6, no. 3 (1972): 215 225. (*reprinted in III.1). 

“Jerzy Kosinski's The Painted Bird: Language Lost and Regained,” Mosaic 6, no. 4 (1973): 153 167.

“`”You,” I Said . . .': Kafka Early and Late,” European Judaism (Summer 1974): 16 21.

“Perspective, Interaction, Imagery and Autobiography: Recent Approaches to Kafka's Fiction,” Mosaic 8, no. 2 (Winter 1975): 149 166.

“Where Babylon Ends:  Nathaniel Tarn's Poetic Development,” boundary 2 4, no. 1 (Fall 1975): 57 75.

“Sein und Zeit:  Implications for Poetics,” boundary  2, 4, no. 2 (Winter 1976): 439 454. (*reprinted in III.8). 

“Kafka's Narrative Perspective,” Newsletter of the Kafka Society of America 2, no. 1 (June 1978): 8 10.

“Freud as a Literary Text?” Diacritics 9, no. 1, Spring 1979): 84 94.

“Mann as a Reader of Nietzsche,” boundary 2 9, no. 1 (Fall 1980), 47 74.

“Dilthey's Essay The Poetic Imagination:  A Poetics of Force,” Interpretation: A Journal of Political    
Philosophy 9, nos. 2 and 3 (September 1981): 301 337.

“The Question of the Self in Nietzsche during the Axial Period (1882 1888),” boundary 2 9, no. 3 and 10, no. 1 (Spring/Fall 1981): 55 98. (*reprinted in III.13).

“Metaphor and Chiasmus in Kafka,” Journal of the Kafka Society of America 5, no. 2 (December 1981): 23 31.

“Error in Paul de Man,” Critical Inquiry 8, no. 3 (Spring 1982): 489 507. (*reprinted in III.10).

“Kafka's Double Helix,” The Literary Review 26, no. 4 (Summer 1983): 521 533.

“Hölderlin and the Interpretation of the Self,” Comparative Criticism (Cambridge, England) 5 (1983): 187 200. (*reprinted in III.15).

“Kafka's `The Judgment' and Modern Rhetorical Theory,” Journal of the Kafka Society of America 7, no. 1 (June 1983): 15 21.

(with Michael Jennings) “Walter Benjamin/Gershom Scholem Briefwechsel, 1933 1940,” Interpretation: A  Journal of Political Philosophy 12, nos. 2/3 (May and September 1984): 357 366.

“Restoring the Image of Death: On Death and the Figure of Chiasm in Kafka,” Journal of the Kafka Society of America 9 (June/December 1985): 49-68.  

(with Michael Jennings) “Walter Benjamin in Recent Critical Perspective,” Modern Language Studies 16, no. 3 (Summer 1986): 367-373.  

“Wit and Judgment in the Eighteenth Century: Lessing and Kant,” Modern Language Notes 102, no. 3 (April 1987): 461-482.
       
“Potential Violence in Paul De Man”: a review-article of Paul de Man: Deconstruction and the Critique of Aesthetic Ideology by Christopher Norris, Critical Review 3 (1989): 117-137.

“Nietzsche's Moods,” Studies in Romanticism 29 (Spring 1990): 67-90. 
        
“Kafka and the Dialect of Minor Literature,” College Literature, Special Issue:  Critical Theory in Post-Communist Cultures 21, no. 1 (February 1994): 89-                101. 

“Kafka's Zarathustra,” Journal of the Kafka Society of  America, 19, nos. 1 & 2 (1995), 9-15. (appeared in 1997).

“Notes toward a Romantic Phenomenology of Poetic Mind: Rousseau, Wordsworth, Hölderlin, and Hegel,”Colloquium Helveticum, 1997 (25), 25-40.
   
“Notes Toward a Phenomenology of e-mail,” Reading in the Media, Computer and Internet Age, June 2000, http://liternet.bg/publish1/scorngold/mail en.htm

“The Natural Enemy of Comparative Literature is Translation,” Literary Research/Recherche littéraire 17, no. 33(Spring/Summer 2000), 22-28.   

“In the Circle of Kafka's `Das Urteil,'“ Skrift (Oslo), 12, no. 24 (1-2/2000), 39-62.

“Allotria and Excreta in `In the Penal Colony.'“ Modernism/Modernity, 8, no. 2 (April 2001), 281-293.
   
“Adorno's `Notes on Kafka': A Critical Reconstruction,” Monatshefte, 94, no. 1 (Spring 2001), 
24-42.   

“Aesthetic Will: Rethinking the Drive to Art from the Perspective of Hölderlin's Hyperion,” Eighteenth Century Studies 35, no. 3 (2002), 497-509.

“Tropes in Stendhal and Kafka,” Literary Imagination: The Review of the Association of Literary Scholars and Critics, vol. 4, no. 3 (Fall, 2002), 275-290.
   
“Bruno Freddi's `Vissuto,’” Arcadia (Berlin: de Gruyter, 2003), 299-303. 
                
“The Death of the Author: The Case of Paul de Man,” Literary Research/Recherche littéraire 20.39-
40(2003):11-27 (appeared Fall 2004). 

“Statement zu Text und Wirklichkeit,” Ästhetik & Kommunikation 126 (2004), 43-44.  

“Hegel, Schopenhauer, and Cannibalism,” Qui Parle 15.1, Fall/Winter (2004), 1-10.  

“Thirteen Ways of Looking at a Vermin: Metaphor and Chiasmus in Kafka's Die Verwandlung,” Literary Research/Recherche littéraire 21. 41-42 (2004), 59-80. 

“Dreams of Kafka,” apropos Kafka’s Novels: An Interpretation, by Patrick Bridgwater, The  European Legacy: Toward New Paradigms, Journal of the  International Society for the Study of European Ideas (ISSEI) vol. 10, no. 3, (2005), 215-18.

“Kafka & Sex,” Daedalus (2007) 

“Nietzsche (with Kafka) as neo-Gnostic Thinkers,” 2007 Archive of the American Political Science Association http://64.112.226.77/one/apsa/apsa07/index.php?click_key=4&cmd=Load+Proceeding+Submission&publication_id=212019&PHPSESSID=275e4aa87d4163eaca200ab4b8f35196

Articles in Press

“Kafka and the Philosophy of Music; or, des Kommas Fehl Hilft,” Journal of the Kafka Society of America.(2008?)

Shorter Pieces

“The Intelligible Mood:  A Study of Aesthetic Consciousness in Kant and Rousseau,” Dissertation Abstracts, XXXIX/12, pt. 1 (June 1969): 4452 A.

“The Young Humanists,” Princeton Alumni Weekly (Feb. 17, 970): 6 7.

“Über Paul de Man,” text for German radio stations DLFKH,   HR, SFB, SWFK¬A, ed. Sven Dellinger, broadcast June 27, 1988. 
 
“Paul de Man,” Times Literary Supplement (Aug 26-Sept 1, 1988), 931. (*reprinted in V.8.) 
      
“Letter to the Editor,” The New York Times Magazine (Sept **, 1988), ** (contains my views on Paul de Man).

“Setting the Record Straight on Paul de Man,” The  Chronicle of Higher Education (Sept 1, 1988), B4.

“Paul de Man,” Times Literary Supplement, (Nov 11-Nov 18, 1988), 1251. (*reprinted in V.8.)
 
Contemporary Literary Criticism, Yearbook 1988 (Detroit:   Gale Research Inc.: 1989), 408-411. (*reprint of V.4.      and V.7.)

“Forum: “Stanley Corngold's Response to Michael T. Jones's review of The Fate of the Self,” The German Quarterly (Winter 1990), 165-167.

“Forum: Defining Interdisciplinarity,” PMLA 111, no. 2  (1996), 286-88.
 
“Thoughts on Having Sold a Million Copies of The Metamorphosis,” Princeton Alumni Weekly (Jan. 27, 1999), 24-25.         

“The Ending of The Trial,” radio broadcast, National Public Radio, MLA, recorded April, 1999 

“Interview” with Dr. Kristina Pfoser concerning “Nietzsche in America” (ORF: Österreichischer 
 Rundfunk 01), 19:22, June 19, 2002. 

“The Professor Hour,” interview, PRB.

“A Short Paean to David Halliburton,” festschrift for David Halliburton, privately published.

“‘Kafka Up Close’: An Exchange,” New York Review of  Books (vol. 52, no. 6), April 7, 2005.
 
Princeton Report on Knowledge, I:1, “[Un]published: Stanley Corngold on Frederick Crews,” “4Q + 4A,” http://www.princeton.edu/~prok/

(contributor) “Thomas Mann’s War,” BBC Radio 4, December 1, 2005.

Princeton Report on Knowledge, 1:1,“Comptes Rendus: “[Un]published,” “Stanley Corngold on Frederick Crews,” http://www.princeton.edu/~prok/

Princeton Report on Knowledge, 1:1,“4Q + 4A,” on terror, etc. http://www.princeton.edu/~prok/

Princeton Report on Knowledge, 1:3,“4Q + 4A,” on politics, etc. http://www.princeton.edu/~prok

Princeton Report on Knowledge, 2:1, “Forum on Current Events,” “The Concept of Security,”   
http://www.princeton.edu/~prok/
  
Princeton Report on Knowledge, 3:1,“4Q + 4A,” on models, http://www.princeton.edu/~prok/

Princeton Report on Knowledge, 3:2,“4Q + 4A,” on magic, http://www.princeton.edu/~prok/

Translations

“Portrait,” trans. of Rainer Maria Rilke, “Bildnis,” in Modern European Poetry, ed. Willis Barnstone (New York: Bantam Books, 1966), 113 114.

“The Judgment,” trans. of Peter Beicken, “Das Urteil,” in   The Problem of “The Judgment,” [see III.5], 238 251.

“The Botched Ending of `In the Penal Colony,'“ trans. of   Richard Thieberger, “La fin gachée de la 
Strafkolonie,” in The Kafka Debate, [see III.6],  304 310.
  
German Romantics, trans. of Gunnar Kaldewey, German Romantics [sic] (Hamburg: Gunnar Kaldewey, 1979). 120 pp.  

The Metamorphosis, trans. of Franz Kafka Die Verwandlung, in The Norton Anthology of World Masterpieces, 4th, 5th, 6th ed., vol. 2 (New York: Norton, 1979, 1985, 1992). 1689 1725. (*reprint of II.2).

The Metamorphosis, trans. of Franz Kafka Die Verwandlung, in World Masterpieces, Student's Edition and Annotated Teacher's Edition (Englewood Cliffs, NJ: Prentice Hall, 1991). (*reprint of II.2).

The Metamorphosis, trans. of Franz Kafka, Die Verwandlung, in Introduction to World Literature, Pupil's   Edition (Austin, TX: Holt, Rinehart and Winston. 1993). (*reprint of II.2). 
   
(with Anthony Northey) “Parable as Problem: Formal Aspects of Kafka's `Before the Law,'“ trans. of Hartmut Binder, “Parabel als Problem: Eine Formbetrachtung zu Kafkas `Vor dem Gesetz,'“ in Journal of the Kafka Society of America 10, nos. 1 and 2 (June/December 1986): 26-45.
   
“`The Judgment,' `Letter to his Father,' and the Bourgeois Family,' trans. of Gerhard Neumann, “Das `Urteil' und der  `Brief an den Vater,'“ from Gerhard Neumann, Franz Kafka: Das Urteil: Text, Materialien, Kommentar, Hansa Literatur-Kommentare (Munich: Hanser, 1981) in Reading Kafka: Prague, Politics, and the Fin de   Siècle, ed. Mark Anderson (New York: Pantheon, 1989), 215-228.     

(with Michael Metteer) Writing Networks, 1800-1900  (Chapter I), trans. of Friedrich Kittler,                  Aufschreibesysteme 1800 . 1900 (Kapitel I) (Stanford: Stanford University Press, 1990), 3-24.

Essays and letters by Auden, Brecht, and Chester Kallmann in The Complete Works of W.H. Auden, Libretti and Other Dramatic Writings, 1939-1973, ed. Edward  Mendelson (Princeton: Princeton University Press, 1993), 449, 675-678, 707-712. 

The Metamorphosis, trans. of Franz Kafka, Die Verwandlung,   in The Harper Collins World Reader, ed.     Mary Ann Caws and Christopher Prendergast (New York:  Longman, 1994).(*reprint of II.2).

The Metamorphosis, trans. of Franz Kafka Die Verwandlung, in Franz Kafka, “The Metamorphosis,” ed. Stanley Corngold, Norton Critical Edition (New York: Norton, 1996?), 2-42. (*reprint of II.2)

Letters and Diary Entries, in Franz Kafka, “The Metamorphosis,” ed. Stanley Corngold, Norton Critical Edition (New York: Norton, 1996), 61-75.
          
“[The Metamorphosis]: The Long Journey into Print,” trans. of Hartmut Binder, “Der lange Weg zum Druck,” in (New York: Norton, 1996), 172-94.
     
“Two Poems of Friedrich Hölderlin: `The Poet's Courage'  and `Timidity,' trans. of Walter Benjamin, “Zwei Gedichte von Friedrich Hölderlin.`Dichtermut'-- `Blödigkeit,'“ in Walter Benjamin, Selected Writings, ed.  Marcus Bullock and Michael Jennings (Cambridge, MA: Harvard University Press, 1996), 1:18-36.       

“Goethe's Elective Affinities,” trans. of Walter  Benjamin, “Goethes Wahlverwandtschaften,” in Walter  Benjamin, Selected Writings, ed. Marcus Bullock and Michael Jennings (Cambridge, MA: Harvard University  Press, 1996), 1:297-360.

“The Cosmopolitan Classicist Martin Wieland (1733-1813),” trans. of Walter Hinderer, “Der cosmopolitanische  Klassiker Martin Wieland (1733-1813),” The New History of  German Literature, ed. David Wellbery (Cambridge, MA:  Harvard University Press, 2004), 381-86.

“Schiller's Philosophical Aesthetics in Anthropological Perspective,” trans. of Walter                     Hinderer's “Schillers philosophisch-ästhetische  Anthropologie,” A Companion to the Works of Friedrich Schiller, ed. Steven Martinson (Rochester: Camden House, 2005), 27-46.

30 stories of Franz Kafka, Kafka’s Selected Stories, Norton Critical Edition (New York: Norton, 
2005), 3-189.
 
“Backgrounds and Contexts: Letter, Diaries, and Conversations,” 193-213  Kafka’s Selected 
Stories, Norton Critical Edition (New York: Norton, 2005), 193-213.
           
“An Anecdote by Kafka: ‘A Fratricide,’” trans. of  Walter Hinderer, “‘Der Kleist bläst in mich, wie in eine alte Schweinsblase’:  Anmerkungen zu einer komplizierten Verwandtschaft,” in Kafka’s Selected Stories, ed. Stanley Corngold (New York: Norton,  2006), 246-52.

Reviews

Das Kafka Bild in England by Dieter Jakob, Monatshefte (Winter 1973): 436 37.  

Franz Kafka by Ronald Gray, Criticism (Summer 1974): 270 72.

Thomas Mann: The Uses of Tradition by T.J. Reed, University: A Princeton Quarterly 65 (Summer 1975): 23-24.

Franz Kafka:  An Anthology of Marxist Criticism, ed. Kenneth Hughes, German Quarterly 36:3 (May 1983): 521-22.

Begegnungen mit Nietzsche, ed. Sander Gilman, Seminar  (Sept. 1983): 223 25.
   
Heidegger's Estrangements by Gerald Bruns, German Quarterly (Fall 1991), 590-92.     

Kafka's Rhetoric: The Passion of Reading by Clayton Koelb, JEGP, April 1992 (91:2), 299-301.

Mimesis, Semiosis and Power.  Mimesis in Contemporary Theory:  An Interdisciplinary Approach, ed. Ronald  Bogue, Philosophy and Literature, April 1993 (17:1), 38-39. 

Toward a Radical Theory of Origin, by John Pizer,  Yearbook of Comparative and General Literature 43  (1995), 140-44.

Heidegger's Crisis: Philosophy and Politics in Nazi Germany, by Hans Sluga, German Quarterly 69:2 (1996),  206-08. 

Poetic Process, by W. G. Kudszus, Monatshefte. Summer 1997 (89:2), 243-45.  

Franz Kafka: the Jewish Patient, by Sander Gilman, Shofar: An Interdisciplinary Journal of Jewish Studies, Summer 1997 (15:4), 110-12.

Franz Kafka:  Gender, Class, and Race in the Letters  and Fictions, by Elizabeth Boa. Journal of English and Germanic Philology (1998) 410-12.
   
Heidegger's Silence, by Berel Lang, German Quarterly  71:4 (1998), 405-07.
      
Economy of the Unlost (Reading Simonides of Keos with  Paul Celan), by Anne Carson,  Modernism/Modernity, 7:2 (April 2000), 322-324.

The Way of Oblivion: Heraclitus and Kafka, by David Schur. German Quarterly 73:1 (Winter 2000), 100-102.

The Distinction of Fiction, by Dorrit Cohn. German Quarterly 75:1 (Winter 2002), 89-91.

The Myth of Power and the Self: Essays on Franz Kafka, by Walter Sokel. Modernism/Modernity (September 2003), 587-89.  Reprinted in http://www.nietzschecircle.com/nietzsche_reviews_archive.html

Decadent Subjects: The Idea of Decadence in Art, Literature, Philosophy, and Culture of the Fin-de  siècle in Europe, by Charles Bernheimer. Comparative  Literature 56.4 (Fall 2004), 365-67.

Kafka, by Nicholas Murray. Slavic Review 64.4 (Winter 2005), 881-82.

Kafka, Zionism, and Beyond, ed. Mark H. Gelber. The European Legacy: Toward New Paradigms, Journal of the International Society for the Study of European Ideas (ISSEI) 13.4 (June 2008), **. 

The First World War as a Clash of Cultures, ed.  Fred Bridgham, German Quarterly (2008).
 

STANLEY CORNGOLD graduated from Columbia and Cornell Universities and has been professor of German and Comparative Literature at Princeton since 1981. He has published on the intersections of literature and theory, most recently in books on Franz Kafka. His research interests center on topics in German literary aesthetics and intellectual history, such as philosophical aesthetics in the age of Goethe; Hölderlin and his critics: Heidegger, Benjamin, Adorno, and Celan; and lyric poetry at the turn of the twentieth century.  His critical study of Franz Kafka is titled Lambent Traces, and he has translated and edited 30 Kafka stories for a Norton Critical Edition of Kafka’s Selected Stories. A new book on Kafka’s legal writings, Franz Kafka: The Office Writings, will appear in 2008.  Some of his articles deal with Hölderlin and Rousseau, Hölderlin’s tragedy Empedokles, Hegel’s aesthetics, the Hölderlin-Nietzsche nexus, Karl Kraus and Nietzsche, the figure of Zarathustra in Nietzsche and Kafka, Walter Benjamin’s essay on Goethe’s Wahlverwandtschaften, the Great War and modern German memory, Adorno on Kafka, Nietzsche and Kafka as neo-Gnostic writers, the phenomenology of e-mail, the discourse of bookkeeping in modernist literature, and translation as the enemy of comparative literature. 


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