BA, Yale University
MBA, Stanford University
PhD, Graduate Center, City University of New York
Affiliations: Dept. of East Asian Studies, Program in Latin American Studies, Program in American Studies.
Noriko Manabe conducts research on the relationships between music and social movements, language, new media, and the music business. She works primarily on popular music and on the musics of Japan and Latin America. Her publications have addressed the impact of the Japanese language on rap; the aesthetics of hip-hop DJs; the differences in the online radio markets in the United States and Japan; propaganda in Japanese children's songs; the interaction of text and music in the songs of Cuban singer-songwriter Silvio Rodríguez; and the reflection of vernacular musics in works by Cuban composers. Her articles have appeared in Ethnomusicology, Popular Music, Asian Music, Latin American Music Review, Transcultural Music Review, two Oxford Handbooks, and several edited volumes. Her PhD was a double concentration in ethnomusicology and music theory, and she uses methods from both fields. In her research on new media and the music business, she draws from her experience as an analyst of technology and media companies in Japan, for which she was ranked highly in Institutional Investor.
Her monograph, The Revolution Will Not Be Televised: Music and the Antinuclear Movement in Japan Post-Fukushima Daiichi (under contract with Oxford University Press, forthcoming), addresses the role of musicians in (self-)censored environments and the ways they choose to convey their political messages in music in four different performance spaces—cyberspace, demonstrations, festivals, and recordings. It won the Book Subvention Award from the Society for Ethnomusicology’s Diversity Committee in 2013. Her second monograph, The Revolution Remixed: A Typology of Intertextuality in Protest Songs (Oxford, forthcoming), constructs a classification of intertextuality as it pertains to protest songs and analyzes cases drawn from the Japanese antinuclear movement. In addition, she is working on a monograph on Japanese children's songs from the Meiji Era to the Allied Occupation and another on transnational popular music scenes in Japan, including hip-hop, reggae/dancehall, and electronic dance music.
Manabe's research has been funded by the NEH Fellowship for Advanced Social Science Research on Japan, Kluge Fellowship, the Japan Foundation Fellowship, the SSRC/JSPS Fellowship, Princeton, and CUNY. Her sponsors have included the International Research Center for Japanese Studies in Kyoto and Tokyo University of the Arts. In addition to Japan, she has conducted archival research and fieldwork in Cuba, Spain, Mexico, and Indonesia.
Manabe teaches courses in nonwestern music and popular music from ethnographic and analytical perspectives:
MUS 250/ANTH 250 Musical Cultures of the World
MUS 254/EAS 254 Popular Music in Japan
MUS 255/EAS 255 Japanese Taiko Drumming in Transpacific Perspective
MUS 259/LAS 259 Music in the Caribbean
MUS 265 History of Rock, R&B, and Hip-Hop
MUS 509a Analysis of Popular Music
MUS 509b Issues in Global Popular Music
MUS 509c Analysis of Protest Music
Manabe co-organizes the Popular Music and Non-Western Music Colloquia with graduate students.
Manabe plays keyboards, sings, and writes songs for Wayside Shrines , a Princeton-based collective of musicians performing original songs based on lyrics by Princeton poet Paul Muldoon.
The Revolution Will Not Be Televised: Music and the Antinuclear Movement in Japan Post-Fukushima Daiichi (under contract with Oxford University Press, forthcoming).
The Revolution Remixed: A Typology of Intertextuality in Protest Songs (Oxford University Press, forthcoming).
"Globalization and Japanese Creativity: Adaptation of Japanese Language to Rap ." Ethnomusicology 50, no. 1 (Winter 2006): 1–36
"Representing Japan: 'National' Style among Japanese Hip-hop DJs. " Popular Music 32, no. 1 (2013): 35–50.
"Music in Japanese Antinuclear Demonstrations: The Evolution of a Contentious Performance Model." The Asia-Pacific Journal, 11/42 (October 21, 2013).
“A Tale of Two Countries: Online Radio in the United States and Japan.” In The Oxford Handbook of Mobile Music Studies, ed. Sumanth Gopinath and Jason Stanyek, vol. 1, 456–95. New York: Oxford University Press, 2014.
"Songs of Japanese Schoolchildren During World War II." In Oxford Handbook of Children's Musical Cultures, ed. Patricia Campbell and Trevor Wiggins, 96–113. New York: Oxford University Press, 2012.
"Going Mobile: The Mobile Internet, Ringtones, and the Music Market in Japan ." In Internationalizing Internet Studies: Beyond Anglophone Paradigms, ed. Gerard Goggin and Mark McLelland (New York:Routledge, 2009): 316–32.
"Reinterpretations of the Son: Versions of Guillén's Motios de son by Grenet, Caturla, and Roldán ." Latin American Music Review 30, no. 2 (Fall 2009): 1–44.
"Lovers and Rulers, the Real and the Surreal: Harmonic Metaphors in Silvio Rodríguez's Songs ."Transcultural Music Review 10 (2006).
Additional publications can be viewed at https://princeton.academia.edu/NorikoManabe .
Appointments with Prof. Manabe can be scheduled here: https://wass.princeton.edu/pages/viewcalendar.page.php?cal_id=1856