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Hair colors literary, artistic
representations
Marilyn Marks
Princeton NJ -- Jonathan Swift and James Joyce first made
Anne Margaret Daniel see red.
Consider "Gulliver's Travels," where Swift notes that young,
female Yahoos are most dangerous to poor Gulliver when "the
hair of the Brute is of a red colour." Joyce topped that in
"Ulysses," where Buck Mulligan states simply: "Redheaded
women buck like goats."
That was enough for Daniel, a lecturer in English, to
begin a study of literary, artistic and cultural represen-
tations of redheads from about 1600 through today. In her
work, based primarily in English, Irish and American
literature, Daniel examines real redheads, fictional
redheads, and even redhead-wannabes who dye their hair a
coppery cast.
"It started when I became interested and repelled by
depictions of redheads in Irish literature, particularly in
Swift and Joyce," said Daniel, a redhead herself. She soon
found that throughout literature and the arts, redheaded
women typically are portrayed as smart but venal, amoral,
sexy, ill-tempered, unpredictable, and either evil or zany.
Redheaded men generally are depicted as large, noisy,
politically involved or great warriors.
Her subjects are mostly women, because when people think
of redheads, they don't think of men, she says. "We think of
the dizzy and dazzling Katharine Hepburn, or the lavish and
lustful Rita Hayworth," Daniel writes in a synopsis of her
work. "We think of copperheads and irresistible peril."
Daniel's subjects include Mary Magdalene ("the reformed
prostitute -- always a redhead"), Ludwig Bemelmans' Madeline
(smart and always in trouble, usually with young, suave
Pepito) and Queen Elizabeth I (a strong woman who sometimes
pretended to be weak and used her red hair to prove she was
not a bastard). Daniel also considers artistic
representations such as Michaelangelo's "The Temptation"
fresco on the ceiling of the Sistine Chapel, in which Eve's
hair changes from mousy brown to copper after she accepts
the apple from a red-headed serpent.
Daniel hopes to finish a book based on her research in
about a year.
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May 21, 2001
Vol. 90, No. 28
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Contents
New president
Professor
named 19th president
Time
is right for Tilghman
Reaction
enthusiastic for new leader
Family
comes first for new president
Shirley
Tilghman bio
Life sciences
Search
is on for genomics institute head
Silver:
Doubling not necessarily troubling
Landweber
tracks changes in genetic code
Virus
leaves trail in brain for researchers
Students and alumni
Thesis
sparks thriving teacher corps
Recent
grad's first novel attracts attention
Student
teaching builds bridges
New
program preps local students for
success
Other news
Merck
funds professorship to honor alumnus
Hair
colors literary, artistic
representations
Class
size makes a difference
People
Remaining
discretionary funds to increase staff
salaries
Doig
announces retirement
Barron
is new women's hoops coach
Spotlight
Briefs
Thirteen
faculty members transfer to emeritus
status
Sections
By
the numbers: Reunions
Nassau
Notes
Calendar
of events
The Bulletin is published weekly during the academic year, except
during University breaks and exam weeks, by the Office of
Communications, Princeton University, Princeton, NJ 08544. Permission
is given to adapt, reprint or excerpt material from the Bulletin for
use in other media.
Deadline. In general, the copy deadline for each issue is the
Friday 10 days in advance of the Monday cover date. The deadline for
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complete publication schedule is available at deadlines
or by calling (609) 258-3601.
Subscriptions. The Bulletin is distributed free to faculty,
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people over 65). Send a check to Office of Communications, Stanhope
Hall, Princeton University, Princeton, NJ 08544.
Editor: Ruth Stevens
Calendar editor: Carolyn Geller
Contributing writers: Jennifer Greenstein, Pam Hersh, Marilyn
Marks, Steven Schultz, Regina Tan
Photographer: Denise Applewhite
Design: Mahlon Lovett, Laurel Masten Cantor
Web edition: Mahlon Lovett
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