Audio timescale-pitch modification

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Time stretching is the process of changing the speed or duration of an audio signal without affecting its pitch. Pitch scaling or pitch shifting is the opposite: the process of changing the pitch without affecting the speed. There are also more advanced methods used to change speed, pitch, or both at once, as a function of time.

These processes are used, for instance, to match the pitches and tempos of two pre-recorded clips for mixing when the clips cannot be reperformed or resampled. (A drum track containing no pitched instruments could be moderately resampled for tempo without adverse effects, but a pitched track could not). They are also used to create effects such as increasing the range of an instrument (like pitch shifting a guitar down an octave).

Contents

Resampling

The simplest way to change the duration or pitch of a digital audio clip is to resample it. This is a mathematical operation that effectively rebuilds a continuous waveform from its samples and then samples that waveform again at a different rate. When the new samples are played at the original sampling frequency, the audio clip sounds faster or slower. Unfortunately, the frequencies in the sample are always scaled at the same rate as the speed, transposing its perceived pitch up or down in the process. In other words, slowing down the recording lowers the pitch, speeding it up raises the pitch, and the two effects cannot be separated. This is analogous to speeding up or slowing down an analog recording, like a phonograph record or tape, creating the chipmunk effect.

Phase vocoder

One way of stretching the length of a signal without affecting the pitch is to build a phase vocoder after Flanagan, Golden, and Portnoff.

Basic steps:

The phase vocoder handles sinusoid components well, but early implementations introduced considerable smearing on transient ("beat") waveforms at all non-integer compression/expansion rates, which renders the results phasey and diffuse. Recent improvements allow better quality results at all compression/expansion ratios but a residual smearing effect still remains.

The phase vocoder technique can also be used to perform pitch shifting, chorusing, timbre manipulation, harmonizing, and other unusual modifications, all of which can be changed as a function of time.

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