Cecilia Beaux

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Cecilia Beaux (May 1, 1855 – September 7, 1942) was an American society portraitist, in the nature of John Singer Sargent. She was a near contemporary of better-known American artist Mary Cassatt and also received her training in Philadelphia and France. Her sympathetic renderings of American ruling class made her one of the most successful portrait painters of her era.



Early life

Cecilia Beaux was born in Philadelphia, Pennsylvania, the youngest daughter of French silk manufacturer Jean Adolphe Beaux and teacher Cecilia Kent Leavitt, daughter of prominent businessman John Wheeler Leavitt of New York City and his wife Cecilia Kent of Suffield, Connecticut.[1] Cecilia Kent Leavitt died from puerperal fever twelve days after giving birth at age thirty-three.[2] Cecilia “Leilie” Beaux and her sister Etta were subsequently raised by their maternal grandmother and aunts, primarily in Philadelphia.[3][4] Her father, unable to bear the grief of his loss, and feeling adrift in a foreign country, returned to his native France for sixteen years, with only one visit back to Philadelphia.[5] He returned when Cecilia was two, but left four years later after his business failed. As she confessed later, “We didn’t love Papa very much, he was so foreign. We thought him peculiar”. Her father did have a natural aptitude for drawing and the sisters were charmed by his whimsical sketches of animals. Later, Beaux would discover that her French heritage would serve her well during her pilgrimage and training in France.[6]

In Philadelphia, Beaux’s aunt Emily married mining engineer William Foster Biddle, whom Beaux would later describe as ‘after my grandmother, the strongest and most beneficent influence in my life.” For fifty years, he cared for his nieces-in-law with consistent attention and occasional financial support.[7] Her grandmother, on the other hand, provided day-to-day supervision and kindly discipline. Whether with housework, handiwork, or academics, Grandma Leavitt offered a pragmatic framework, stressing that “everything undertaken must be completed, conquered.” The Civil War years were particularly challenging but the extended family survived despite little emotional or financial support from Beaux’s father.[8] After the war, Beaux began to spend some time in the household of “Willie” and Emily, both proficient musicians. Beaux learned to play the piano but preferred singing. The musical atmosphere later proved an advantage for her artistic ambitions. Beaux recalled, “They understood perfectly the spirit and necessities of an artist’s life.”[9] In her early teens, she had her first major exposure to art during visits with Willie to the nearby Pennsylvania Academy of the Fine Arts, one of America’s foremost art schools and museums. Though fascinated by the narrative elements of some of the pictures, particularly the Biblical themes of the massive paintings of Benjamin West, at this point Beaux had no aspirations of becoming an artist.[10]

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