Cleopatra VII

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Roman Republic, Mark Antony, Cleopatra VII, Assassination of Julius Caesar, Pompey,

Cleopatra VII Philopator (in Greek, Κλεοπάτρα Φιλοπάτωρ; (Late 69 BC[1] – August 12, 30 BC) was an ancient Greek[2][3] queen and the last pharaoh of Ancient Egypt.

She was a member of the Ptolemaic dynasty, a Greek[4][5][6][7] royal family which ruled Egypt after Alexander the Great's death during the Hellenistic period. The Ptolemies, throughout their dynasty, spoke Greek[8] and refused to learn Egyptian, which is the reason that Greek as well as Egyptian languages were used on official court documents like the Rosetta Stone.[9] By contrast, Cleopatra did learn Egyptian and represented herself as the reincarnation of an Egyptian goddess Isis.

Cleopatra originally ruled jointly with her father Ptolemy XII Auletes and later with her brothers, Ptolemy XIII and Ptolemy XIV, whom she married as per Egyptian custom, but eventually she became sole ruler. As pharaoh, she consummated a liaison with Julius Caesar that solidified her grip on the throne. She later elevated her son with Caesar, Caesarion, to co-ruler in name.

After Caesar's assassination in 44 BC, she aligned with Mark Antony in opposition to Caesar's legal heir, Gaius Iulius Caesar Octavianus (later known as Augustus). With Antony, she bore the twins Cleopatra Selene II and Alexander Helios, and another son, Ptolemy Philadelphus. Her unions with her brothers produced no children. After losing the Battle of Actium to Octavian's forces, Antony committed suicide. Cleopatra followed suit, according to tradition killing herself by means of an asp bite on August 12, 30 BC.[10] She was briefly outlived by Caesarion, who was declared pharaoh, but he was soon killed on Octavian's orders. Egypt became the Roman province of Aegyptus.

To this day, Cleopatra remains a popular figure in Western culture. Her legacy survives in numerous works of art and the many dramatizations of her story in literature and other media, including William Shakespeare's tragedy Antony and Cleopatra, Jules Massenet's opera Cléopâtre and the 1963 film Cleopatra. In most depictions, Cleopatra is put forward as a great beauty and her successive conquests of the world's most powerful men are taken to be proof of her aesthetic and sexual appeal. In his Pensées, philosopher Blaise Pascal contends that Cleopatra's classically beautiful profile changed world history: "Cleopatra's nose, had it been shorter, the whole face of the world would have been changed."[11]

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