Deutsch-Amerikanische Freundschaft

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Deutsch-Amerikanische Freundschaft (German pronunciation: [ˈdɔʏtʃ ameʁiˈkaːnɪʃə ˈfʁɔʏntʃaft]) is an influential German electropunk/NDW band from Düsseldorf, formed in 1978 featuring Gabriel "Gabi" Delgado-López (vocals), Robert Görl (drums, percussion, electronic instruments), Kurt "Pyrolator" Dahlke (electronic instruments), Michael Kemner (bass-guitar) and Wolfgang Spelmans (guitar). Kurt Dahlke was replaced by Chrislo Haas (electronic instruments, bass-guitar, saxophone) in 1979.

D.A.F.'s most famous songs[clarification needed] are "Kebabträume" and the grimly sarcastic "Der Mussolini" from the album "Alles ist gut", a pulsing dance song. The lyrics "Dance the Mussolini, move your behind, clap your hands, and now the Adolf Hitler, and now the Jesus Christ", caused a scandal[citation needed].

In interviews they claimed to not target anything or anyone specific while creating lyrics to be taken as a parody of words and phrases floating around in the public media. "Sato-Sato" and "Der Mussolini" are both examples of songs written around Delgado-López's fascination with the sound of a particular word. A few months before the 2003 invasion of Iraq D.A.F. released "The Sheriff (An Anti-American Song)".

The album "Alles ist gut" (Everything is fine) received the German "Schallplattenpreis" award by the "Deutsche Phono-Akademie", an association of the German recording industry.

In 2007 DAF partially reformed under the name DAF.Partei with Thoralf Dietrich (from Jäger 90) replacing Gabi Delgado as lead singer.[1]

In 2010 the band, consisting of Gabi Delgado-López and Robert Görl, has returned with the new single 'Du Bist DAF', limited to 2010 copies.[2] The sound snippet is available via Soundcloud.[3]



The first two D.A.F. albums featured the original four-piece line-up and a range of styles. Some songs on Die Kleinen und die Bösen (The Small Ones and the Evil Ones), featured thrashed guitars, electronic screeching, and hammered drums while Gabi screamed and ululated. The record was widely lauded by the British music press, and earned the group an early cult following in the UK.

As their sound crystallized into a more rhythmically intense and minimalistic style, Gabi and Robert ejected the other members, who had become superfluous both musically and in terms of the chemistry within the band. On the later albums recorded by the remaining duo, the arrangements were sparse and heavily electronic, the singing evolved from abstract screams and mumbles to a very direct, rhythmic vocal style, and their live performances were delivered with such intensity that a 1980 concert in Düsseldorf had to be stormed by the police to bring the crowd under control.

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