George Buck

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Sir George Buck (or Buc) (1560 – 1622) was an antiquarian who served as Master of the Revels to King James I of England.

George Buck was educated at the Middle Temple, and served on the successful Cádiz expedition of 1596 under Robert Devereux, 2nd Earl of Essex. He had some connection with the powerful William Cecil, Lord Burghley.[1] In the mid-to-late 1590s Buck was in competition with playwright John Lyly for the reversion of the office of the Master of the Revels, then held by Buck's relation Sir Edmund Tilney ("reversion" meaning that the candidate would obtain the office when the present office-holder vacated it — usually by death). Many sources, depending on the Dictionary of National Biography, identify Tilney and Buck as uncle and nephew, but their true familial relationship seems to have been more distant.[2]

Lyly was vocal in his distress at facing competition for an office he thought he'd been promised; his letters of protest and supplication to Queen Elizabeth and to Cecil are still extant.[3] Heartfelt thought they may have been, Lyly's complaints had no effect. Sometime in this period, Buck also obtained the office of Esquire of the Body (likely an honorary distinction for him); it was an office he held when Elizabeth died in 1603.

Upon the start of the new Stuart dynasty in 1603, Buck was knighted (on 23 July) and formally received the reversion to the office of Master of the Revels with an appointment as Deputy Master, by a royal patent (on 23 June). He worked as Tilney's assistant until his predecessor's death in 1610, when Buck assumed the office.[4] Unfortunately for posterity's knowledge of English Renaissance theatre, neither Tilney nor Buck kept the detailed records that would be produced by their successor, Sir Henry Herbert.

The Master of the Revels was responsible for supervising and censoring the plays performed in the public theatres, and for arranging performances of those plays at Court. (Curiously, he had relatively little to do with the sumptuous performances of masques that were such noteworthy features of the Stuart court.) Scholars have disagreed about Buck's role during the years he was Tilney's assistant, 1603–10. It has been argued that Buck had no role in censoring plays prior to 1610.[5] Yet starting in 1606, Buck licensed plays for publication, a function that had not previously been the responsibility of the Master's office. George Chapman's The Conspiracy and Tragedy of Charles, Duke of Byron (1608) was censored when it appeared on the stage, and caused a scandal when the players violated that censorship; Buck has been associated with the scandal,[6] and it is certainly true that Buck licensed the publication of the censored text later in that year.

Once he assumed the full office in 1610, Buck clearly was the primary censor for public drama. The extant manuscript for The Second Maiden's Tragedy (1611) shows censorship notes in Buck's hand, as do a few other surviving manuscripts from the era, like that of Sir John van Olden Barnavelt (1619).[7]

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