Gustave Moreau

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Gustave Moreau (6 April 1826 – 18 April 1898) was a French Symbolist painter whose main focus was the illustration of biblical and mythological figures. As a painter of literary ideas rather than visual images, Moreau appealed to the imaginations of some Symbolist writers and artists, who saw him as a precursor to their movement.

Contents

Biography

Moreau was born in Paris. His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau studied under François-Édouard Picot and became a friend of Théodore Chassériau, whose work strongly influenced his own. Moreau carried on a deeply personal 25-year relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times.[1] His first painting was a Pietà which is now located in the cathedral at Angoulême. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition.

Oedipus and the Sphinx, one of his first symbolist paintings, was exhibited at the Salon of 1864. Over his lifetime, he produced over 8,000 paintings, watercolors and drawings, many of which are on display in Paris' Musée national Gustave Moreau at 14, rue de la Rochefoucauld (IXe arrondissement). The museum is in his former workshop, and was opened to the public in 1903. André Breton famously used to "haunt" the museum and regarded Moreau as a precursor to Surrealism.

He had become a professor at Paris' École des Beaux-Arts in 1891 and counted among his many students the fauvist painters, Henri Matisse and Georges Rouault. Jules Flandrin also studied with Moreau.

Moreau died in Paris and was buried there in the Cimetière de Montmartre.

Gallery

Pietà (1852).

Orpheus (1865).

Prometheus (1868).

Europa and the Bull (1869).

Salomé (1876).

Hesiod and the Muse

Jupiter and Semele

Oedipus and the Sphinx

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