Harold Pinter

related topics
{film, series, show}
{son, year, death}
{work, book, publish}
{theory, work, human}
{black, white, people}
{government, party, election}
{day, year, event}
{war, force, army}
{group, member, jewish}
{law, state, case}
{disease, patient, cell}
{country, population, people}
{woman, child, man}
{math, energy, light}
{school, student, university}
{album, band, music}

Harold Pinter, CH, CBE (10 October 1930 – 24 December 2008), was an English playwright, screenwriter, actor, theatre director, left wing political activist[1][2][3] and poet. He was among the most influential British playwrights of modern times.[citation needed] In 2005, he was awarded the Nobel Prize for Literature.[4][5] Pinter's writing career spanned over 50 years and produced 29 original stage plays, 27 screenplays, many dramatic sketches, radio and TV plays, poetry, one novel, short fiction, essays, speeches, and letters. His best-known plays include The Birthday Party (1957), The Caretaker (1959), The Homecoming (1964), and Betrayal (1978), each of which he adapted to film. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1970), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He directed almost 50 stage, television, and film productions and acted extensively in radio, stage, television, and film productions of his own and others' works.[6]

Pinter's dramas often involve strong conflicts between ambivalent characters who struggle for verbal and territorial dominance and for their own versions of the past. Stylistically, these works are marked by theatrical pauses and silences, comedic timing, irony, and menace. Thematically ambiguous, they raise complex issues of individual identity oppressed by social forces, language, and vicissitudes of memory.[7][8] In 1981, Pinter stated that he was not inclined to write plays explicitly about political subjects; yet in the mid-1980s he began writing overtly political plays. This "new direction" in his work and his left-wing political activism stimulated additional critical debate. Pinter, his work, and his politics have been the subject of voluminous critical commentary.[9]

Pinter received a number of awards, including the Tony Award for Best Play in 1967 for The Homecoming, the BAFTA awards, the French Légion d'honneur and 20 honorary degrees. Festivals and symposia have been devoted to him and his work. In awarding the Nobel Prize, the Swedish Academy noted, "That he occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: 'Pinteresque'".[10]

Full article ▸

related documents
Sharon Tate
Romeo and Juliet
Laurence Olivier
Norma Shearer
In the Heat of the Night (TV series)
Katharine Hepburn
Vivien Leigh
Padmé Amidala
Audrey Hepburn
Gwen Stacy
George Burns
Joan Crawford
Stephen King
Hercule Poirot
Buster Keaton
Mary Poppins (film)
Christopher Reeve
Fred Astaire
Ben Hecht
Nancy Drew
J. Jonah Jameson
Andy Griffith
Gaston (comics)
Nero Wolfe
Green Arrow
The Lone Ranger
Song of the South
Battlestar Galactica
Last of the Summer Wine
Roseanne (TV series)