Jean-Pierre Rampal

related topics
{album, band, music}
{son, year, death}
{theory, work, human}
{work, book, publish}
{day, year, event}
{food, make, wine}
{god, call, give}
{church, century, christian}
{@card@, make, design}
{school, student, university}
{company, market, business}
{film, series, show}
{rate, high, increase}
{water, park, boat}

Jean-Pierre Louis Rampal (7 January 1922 – 20 May 2000) was a French flautist. He has been personally "credited with returning to the flute the popularity as a solo classical instrument it had not held since the 18th century."[1]

Contents

Biography

Early years

Born in Marseille,[nb 1] the only child of Andrée (née Roggero) and flautist Joseph Rampal, Jean-Pierre Rampal became the first exponent of the solo flute in modern times to establish it on the international concert circuit, and to attract acclaim and large audiences comparable to those enjoyed by celebrity singers, pianists, and violinists. As it was unusual for solo flute to be featured widely in orchestral concerts, this was not easily done in the immediate years after World War II; however, Rampal's flair and presence—he was a big man to wield such a slim instrument—paved the way for the next generation of flautist superstars such as James Galway and Emmanuel Pahud.

Rampal was a player in the classical French flute tradition, although behind his superior technical facility lay the cavalier 'Latin' temperament of the Mediterranean south, rather than the more formal character of the elite north Parisian institutions. His father was taught by Hennebains, who also taught Rene le Roy and Marcel Moyse.[3][nb 2] His playing style was characterised by a bright sound, a sonorous elegance of phrasing lit up by a rich palette of subtle tone colours. He exuded a dashing, lightly-articulated virtuosity that thrilled audiences in his heyday, and his natural vibrato varied according to the emotion of the music he played. Additionally, Rampal was able to breathe in the middle of extended rapid passages without losing the sweep of his rendition. His upper register and wide dynamic range were particularly notable, and the lightness and crispness of his staccato articulation (his "détaché"), heard on his early recordings, was the envy of many.[nb 3]

Full article ▸

related documents
Cat Stevens
Duke Ellington
Eagles
The Smiths
Frankie Goes to Hollywood
Philip Glass
Concerto
The Vandals
Sun Ra
The Rolling Stones
The Verve
Rammstein
Slash (musician)
Nine Inch Nails
Reggae
Jazz guitar
Styx (band)
Music of Japan
Elliott Smith
Bon Jovi
Grunge music
Psyche (band)
Hawkwind
The Clash
Donna Summer
Aerosmith
Rod Stewart
Country music
Nightwish
Opera