Joan Miró

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Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: [ʒuˈan miˈɾo]) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona.

Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting.[1]



Born to the families of a goldsmith and watchmaker, the young Miró was drawn towards the arts community that was gathering in Montparnasse and in 1920 moved to Paris, but continuing to spend the summers in Catalonia[2]. There, under the influence of the poets and writers, he developed his unique style: organic forms and flattened picture planes drawn with a sharp line. Generally thought of as a Surrealist because of his interest in automatism and the use of sexual symbols (for example, ovoids with wavy lines emanating from them), Miró's style was influenced in varying degrees by Surrealism and Dada,[3] yet he rejected membership to any artistic movement in the interwar European years. André Breton, the founder of Surrealism, described him as "the most Surrealist of us all." Miró confessed to creating one of his most famous works, Harlequin's Carnival, under similar circumstances:

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