Johann Pachelbel

related topics
{album, band, music}
{@card@, make, design}
{language, word, form}
{work, book, publish}
{son, year, death}
{church, century, christian}
{system, computer, user}
{math, number, function}

Johann Pachelbel (pronounced /ˈpækəlbɛl/, /ˈpɑːkəlbɛl/, or /ˈpɑːkəbɛl/; German: [ˈjoːhan ˈpaxɛlbəl], [ˈpaxəlbɛl], or [paˈxɛlbəl];[1] baptized September 1, 1653 – buried March 9, 1706[2]) was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.[3]

Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.[4]

Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.

Contents

Full article ▸

related documents
Coda (album)
X (American band)
Indie rock
Coldcut
The Cramps
Damon Albarn
Paul Kelly (musician)
Latin hip hop
Post-punk
Rahsaan Roland Kirk
Fatboy Slim
Otis Redding
George Clinton (musician)
Houses of the Holy
David Byrne
Psychedelic trance
Buzzcocks
Aquemini
NBC Symphony Orchestra
Rick Wakeman
Nobuo Uematsu
KRS-One
Dave Brubeck
George Martin
Wire (band)
Veruca Salt (band)
Renaissance music
Goran Bregović
SST Records
Deicide (band)