John Updike

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John Hoyer Updike (March 18, 1932 – January 27, 2009[1]) was an American novelist, poet, short story writer, art critic, and literary critic.

Updike's most famous work is his Rabbit series (the novels Rabbit, Run; Rabbit Redux; Rabbit Is Rich; Rabbit At Rest; and the novella "Rabbit Remembered") which chronicled the life of Harry "Rabbit" Angstrom over the course of several decades, from young adulthood to his death. Both Rabbit Is Rich (1981) and Rabbit At Rest (1990) received the Pulitzer Prize. He is one of only three authors (the others being Booth Tarkington and William Faulkner) to win the Pulitzer Prize for Fiction more than once. Updike published more than twenty novels and more than a dozen short story collections, as well as poetry, art criticism, literary criticism and children's books. Hundreds of his stories, reviews, and poems appeared in The New Yorker, starting in 1954. He also wrote regularly for The New York Review of Books.

Describing his subject as "the American small town, Protestant middle class", Updike was well recognized for his careful craftsmanship, his unique prose style, and his prolificness. He wrote on average a book a year. Updike populated his fiction with characters who "frequently experience personal turmoil and must respond to crises relating to religion, family obligations, and marital infidelity."[4] His fiction is distinguished by its attention to the concerns, passions, and suffering of average Americans; its emphasis on Christian theology; and its preoccupation with sexuality and sensual detail. His work has attracted a significant amount of critical attention and praise, and he is widely considered to be one of the great American writers of his time.[5] Updike's highly distinctive prose style features a rich, unusual, sometimes arcane vocabulary as conveyed through the eyes of "a wry, intelligent authorial voice" that extravagantly describes the physical world, while remaining squarely in the realist tradition.[6] Updike famously described his own style as an attempt "to give the mundane its beautiful due."[7]


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