Kapellmeister (pronounced [kaˈpɛlmaɪstɐ]) is a German word designating a person in charge of music-making. The word is a compound, consisting of the roots Kapelle (“choir”, “orchestra”, or literally, “chapel”) and Meister (“master”). Kapelle derives from the Latin word capella. Thus, originally, the word was used to refer to somebody in charge of music in a chapel. However, the term has evolved considerably in its meaning in response to changes in the musical profession.
In German-speaking countries during the approximate period 1500-1800, the word Kapellmeister often designated the director of music for a monarch or nobleman. This was a senior position and involved supervision of other musicians. Johann Sebastian Bach worked from 1717 to 1723 as Kapellmeister for Prince Leopold of Anhalt-Cöthen. Joseph Haydn worked for many years as Kapellmeister for the Eszterházy family, a high-ranking noble family of the Austrian Empire. George Frideric Handel also served as Kapellmeister for George, Elector of Hanover (who eventually became George I of Great Britain).
A Kapellmeister might also be the director of music for a church. Thus, Georg Reutter was the Kapellmeister at St. Stephen's Cathedral in Vienna, where his young choristers included both Joseph and Michael Haydn.
Becoming a Kapellmeister was a mark of success for professional musicians of this time. For instance, Joseph Haydn once remarked that he was glad his father (a wheelwright) had lived long enough to see his son become a Kapellmeister. As society evolved and the prestige of the nobility declined, composers came to value their freedom more highly, and being a Kapellmeister became less prestigious. For example, Beethoven never worked as a Kapellmeister, instead pursuing a career as a freelance musician.
For English speakers, it is this historical sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries.
The case of Mozart
Mozart never was a Kapellmeister in the sense given above. In 1787 he was given a paid position in the court of the Austrian Emperor, as Kammercompositeur ("chamber composer"), but authority in matters musical at the court was exercised primarily by Antonio Salieri. However, in reviews, diaries, and advertising, Mozart was commonly referred to as "(Herr) Kapellmeister Mozart". It seems that Mozart's prestige, along with the fact that he frequently appeared in public directing other musicians, led to the use of "Kapellmeister" as a term of respect.
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