Nicolas Slonimsky

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Nicolas Slonimsky (April 27 [O.S. April 15] 1894 – December 25, 1995) was a Russian born American composer, conductor, musician, music critic, lexicographer and author. He described himself as a "diaskeuast" (from Greek διασκευαστής); "a reviser or interpolator."

Contents

Life

He was born Nikolai Leonidovich Slonimsky in Saint Petersburg. He was of Jewish origin, but his parents adopted the Orthodox faith after the birth of his older brother, and Nicolas was baptized in the Russian Orthodox Church.[1] His maternal aunt, Isabelle Vengerova, was his first piano teacher.

Slonimsky was brought to the United States in 1923 by Vladimir Rosing to work as an accompanist in the newly formed Opera Department at the Eastman School of Music in Rochester, New York, where he continued his composition and conducting studies. He also accompanied Rosing at many of his vocal recitals, including a performance at Carnegie Hall in October 1924. After two years, Slonimsky moved to Boston to work as an assistant for Boston Symphony Orchestra conductor, Serge Koussevitsky, for whom he had earlier worked as a rehearsal pianist in Paris. During this time, Slonimsky taught music theory at Boston Conservatory and the Malkin Conservatory and began to write music articles for The Boston Evening Transcript, The Christian Science Monitor and the magazine, The Etude.[2]

In 1927, Slonimsky formed the Boston Chamber Orchestra, for which he solicited music from contemporary composers. Slonimsky was a great champion of contemporary music.[2] He conducted the world premieres of Edgard Varèse's Ionisation for thirteen percussionists in 1933; of Charles Ives' Three Places in New England in 1931; and various other works.

In 1958, Slonimsky took over the supervision of Baker's Biographical Dictionary of Musicians and worked as head editor until 1992. He also wrote Music Since 1900, a survey of almost every important musical event in the 20th century and The Lexicon of Musical Invective, a compilation of hilariously bad reviews by critics of composers since Beethoven's time. One of his best-known books is the Thesaurus of Scales and Melodic Patterns (ISBN 0-8256-1449-X), which has influenced many jazz musicians and composers (including Frank Zappa, John Coltrane, John Adams, guitarist Buckethead, Paul Grabowsky, Jaco Pastorius, and Allan Holdsworth).

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