Otto Rank (April 22, 1884 – October 31, 1939) was an Austrian psychoanalyst, writer, teacher and therapist. Born in Vienna as Otto Rosenfeld, he was one of Sigmund Freud's closest colleagues for 20 years, a prolific writer on psychoanalytic themes, an editor of the two most important analytic journals, managing director of Freud's publishing house and a creative theorist and therapist. In 1926, Otto Rank left Vienna for Paris. For the remaining 14 years of his life, Rank had an exceptionally successful career as a lecturer, writer and therapist in France and the U.S.
In the Vienna Psychoanalytic Society
In 1905, at the age of 21, Otto Rank presented Freud with a short manuscript on the artist, a study that so impressed Freud he invited Rank to become Secretary of the emerging Vienna Psychoanalytic Society. Rank thus became the first paid member of the psychoanalytic movement, and Freud's "right-hand man" for almost 20 years. Freud considered Rank, with whom he was more intimate intellectually than his own sons, to be the most brilliant of his Viennese disciples.
Rank was one of Freud's six collaborators brought together in a secret "committee" or "ring" to defend the psychoanalytic mainstream as disputes with Adler and then Jung developed. Rank was the most prolific author in the "ring" besides Freud himself, extending psychoanalytic theory to the study of legend, myth, art, and other works of creativity. He worked closely with Freud, contributing two chapters on myth and legend to later editions of The Interpretation of Dreams. Rank's name appeared underneath Freud's on the title page of Freud's greatest work for many years. Between 1915 and 1918, Rank served as Secretary of the International Psychoanalytical Association which Freud had founded in 1910. Everyone in the small psychoanalytic world understood how much Freud respected Rank and his prolific creativity in expanding psychoanalytic theory.
In 1924, Rank published Das Trauma der Geburt (translated into English as The Trauma of Birth in 1929), exploring how art, myth, religion, philosophy and therapy were illuminated by separation anxiety in the “phase before the development of the Oedipus complex” (p. 216). But there was no such phase in Freud’s theories. The Oedipus complex, Freud explained tirelessly, was the nucleus of the neurosis and the foundational source of all art, myth, religion, philosophy, therapy – indeed of all human culture and civilization. It was the first time that anyone in the inner circle had dared to suggest that the Oedipus complex might not be the supreme causal factor in psychoanalysis. Rank was the first to use the term “pre-Oedipal” in a public psychoanalytic forum in 1925 (Rank, 1996, p. 43). In a 1930 self-analysis of his own writings, Rank observes that "the pre-Oedipal super-ego has since been overemphasized by Melanie Klein, without any reference to me" (ibid., p. 149n). In the next edition of the Oxford English Dictionary, Rank will be credited with coining the term "pre-Oedipal", which was previously mistakenly thought to have been introduced by Freud or Klein.
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