Paul Lansky (born June 18, 1944, in New York) is an American electronic-music or computer-music composer who has been producing works from the 1970s up to the present day (see discography, below).
A former student of George Perle, he is currently a professor of music composition at Princeton University, and in addition to his music is known as a pioneer in the development of computer music languages for algorithmic composition (see Real-Time Cmix). He is also a former student of Milton Babbitt and Edward Cone.
Lansky's first album, Smalltalk, was not released until 1990. It features four tracks, two covering aspects of the human voice, and two looking at two styles of music (metal and harmonica).
His second album, Homebrew (1992), contains five tracks, including the percussive and aural 18-minute piece "Table's Clear," which features samples of his children playing kitchen utensils. Following that came More Than Idle Chatter, the six compositions of which focus on processings of the human voice using linear predictive coding, granular synthesis, and plucked string synthesis; its three highlights are granular synth pieces called "Idle Chatter," "Just_more_idle_chatter," and "Notjustmoreidlechatter," which look at the same thing from multiple perspectives. In 1994, he released Fantasies and Tableaux, a collection of two earlier works, "Six Fantasies on a Poem by Thomas Campion" and "Still Time." 1995 brought Folk Images, Lansky's personal interpretation and reworking of a "good few folk songs."
At around this point there was a slight change in the style of Lansky's music that made it sound slightly more modern, and 1997 heralded a one-hour computer opera titled Things She Carried, a musical portrait about an unnamed woman in a series of eight movements. During the following year, Conversation Pieces was released.
In early 2001 the CD Ride was released, featuring a new addition to the Idle Chatter family: "Idle Chatter Junior" and the 19-minute title piece, which tries to simulate a ride through various towns and country. In the spring of 2006, Lansky took an old folk song and various ingredients of hip hop music and created "Chatter of Pins." In 2008 "Chatter of Pins" was included on the compilation album Crosstalk: American Speech Music (Bridge Records) produced by Mendi + Keith Obadike.
Recently, Lansky has shifted his focus away from electronic and computer music to invest more time in composing for acoustic instruments. He has written new acoustic works for David Starobin, So Percussion, Nancy Zeltsman, and the Alabama Symphony Orchestra.
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