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Post-rock is a subgenre of alternative rock characterized by the use of instruments commonly associated with rock music, but using rhythms, harmonies, melodies, timbres, and chord progressions not traditionally found in rock. Post-rock musicians typically produce instrumental music.[1][2][3]

Don Caballero and Tortoise were among the more prominent bands described as post-rock in the 1990s, but their styles are very different, despite being instrumental bands centered on guitars and drums. As such, the term has been the subject of backlash from listeners and artists alike.[4]

Although firmly rooted in the indie or underground scene of the 1980s and '90s, post-rock's style often bears little resemblance musically to that of indie rock.[2][3]



Origin of the term

The term "post-rock" is believed to have been coined by critic Simon Reynolds in his review of Bark Psychosis' album Hex, published in the March 1994 issue of Mojo magazine.[5] Reynolds expanded upon the idea later in the May 1994 issue of The Wire.[1][6]

He used the term to describe music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbre and textures rather than riffs and power chords". He further expounded on the term,

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