The White Goddess

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The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay upon the nature of poetic myth-making by author and poet Robert Graves. First published in 1948, based on earlier articles published in Wales, corrected, revised and enlarged editions appeared in 1948, 1952 and 1961. The White Goddess represents an approach to the study of mythology from a decidedly creative and idiosyncratic perspective. Graves proposes the existence of a European deity, the "White Goddess of Birth, Love and Death," much similar to the Mother Goddess, inspired and represented by the phases of the moon, who lies behind the faces of the diverse goddesses of various European and pagan mythologies.

Graves argues that "true" or "pure" poetry is inextricably linked with the ancient cult-ritual of his proposed White Goddess and of her son.

Contents

History

Graves first wrote the book under the title of The Roebuck in the Thicket in a three-week period during January 1944, only a month after finishing The Golden Fleece. He then left the book, to focus on King Jesus, a historical novel about the life of Jesus. Returning to The Roebuck in the Thicket, he renamed it The Three-Fold Muse, before finishing it and retitling it as The White Goddess. In January 1946 he sent it to the publishers, and in May 1948 it was published in the UK, and in June 1948 in the US, as The White Goddess: a Historical Grammar of Poetic Myth.[1]

Poetry and myth

Graves described The White Goddess as "a historical grammar of the language of poetic myth." The book draws from the mythology and poetry of Wales and Ireland especially, as well as that of most of Western Europe and the ancient Middle East. Relying on arguments from etymology and the use of forensic techniques to uncover what he calls 'iconotropic' redaction of original myths, Graves, argues for the worship of a single goddess under many names, an idea that came to be known as "Matriarchal religion" in feminist theology of the 1970s.

In response to critics, Graves has accused literary scholars of being psychologically incapable of interpreting myth[2] or too concerned with maintaining their perquisites to go against the majority view. (See Frazer quote below.)

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