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The following studies were not reviewed because they were not available, because we became aware of them too late to include them, or because they were written in a language other than English.
Dayanova, Liliana. 1990. Biographical Self-Evidences. International Sociological Association (ISA) Paper.
Ijdens, Teunis. 1999. Schots en Scheef: Artistiek Werk Tussen Markt en Organisatie. (Scattered and Skewed: Artistic Work between Market and Organization.) Doctoral dissertation, Erasmus University, Rotterdam.
Brighton, A. and Pearson, N. 1985. The Economic Situation of the Visual Artist. London: Calouste Gulbenkian Foundation.
Cantor, Muriel and Cheryl Zollars, ed. 1993. Creators of Culture: Occupations and Professions in Culture Industries (v. 8 of Current Research on Occupations and Professions). Greenwich, Connecticut: JAI Press.
Corse, Sarah M., and Victoria Alexander. "Education and Artists: Changing Patterns in the Training of Painters." Current Research in Occupations and Professions 8 (1993).
Csikszentmihalyi and Getzels. The 1963 Creative Vision Study of 300 students at the school of the art institute of Chicago. No bibliographical reference available. {1980, 250 of original 281 in which 208 responded.}
Faulkner, Robert R. 1971. Hollywood Studio Musicians. Chicago: Aldine.
Faulkner, Robert R. 1983. Music on Demand: Composers and Careers in the Hollywood Film Industry. New Brunswick, NJ: Transaction Books.
Fohrbeck, K. and Wiesand, A.J. 1980. The Social Status of the Artist In The Federal Republic Of Germany. Berlin: Inter Nationes.
ICO-UNESCO. 1977. The Status of the Artists. No bibliographical reference available.
Jackson, C., S. Honey, J. Hillage and J. Stock. 1994. Careers and Training in Dance and Drama. Brighton UK: Institute of Manpower Studies.
Moorehouse, Herbert, J. McInnes, and Angus MacGregor. 1995. A Socio-Economic Study of Artists in Scotland. Glasgow: Scottish Arts Council.
Mulkay, Michael and Elizabeth Chaplin. 1982. "Aesthetics and the Artistic Career: A Study of Anomie in Fine-Art Painting." The Sociological Quarterly 23: 117-38.
O’Brien, Jane and A. Feist. 1995. Employment in the Arts and Cultural Industries: An Analysis of the 1991 Census in Great Britain. London: Arts Council of England.
Peacock, Allen, and R. Weir. 1975. The Composer in the Market Place. London: Faber.
Plattner, Stuart. 1996. High Art Down Home: An Economic Ethnography of a Local Art Market. Chicago: Univ. of Chicago Press.
Ruttenberg, F. et al. 1981. A Survey of Employment, Unemployment, and Underemployment among Performing Artists, 1980. Washington: Labor Institute for Human Enrichment.
Towse, Ruth. 1996. The Economics of Artists' Labour Markets. ACE Research Report No 3. London: Arts Council of England.
Wellin, C. 1993. "Careers in Art Worlds: Dilemmas of Mobility in Theater Work." Pp. 247-76 in Muriel G. Cantor and Cheryl L. Zollars, eds., Creators of Culture: Occupations and Professions in Culture Industries. Greenwich, CT: JAI Press.
Woodmansee, Martha. 1994. The Author, Art and the Market. New York: Columbia University Press.
Irjala, A. 1993. Saveltaiteilijan toimeentulo. (The economic situation of composers and musicians in Finland). Helsinki: Painatuskeskus.
Heikkinen, M. 1989. Tilannekuva kirjailoista. (The social and economic position of Finnish writers in the 1980s). Helsinki: Valtion Painatuskeskus.
Heikkinen, M. 1996. Kuvien taitajat – taidepolitiikan marginaalit. (The position of graphic designers, illustrators, and comic artists in the 1980s). Helsinki: Edita and Taiteen Keskustoimikunta.
Karhunen, P. and Smolander, A. 1995. Tanssitaiteilija lahikuvassa. (The social and economic position of Finnish dance artists). Helsinki: Taiteen Keskustoimikunta.
Karttunen, S. 1988. Taide Pitka, leipa kapea. (The social and economic position of Finnish visual artists in the 1980s). Helsinki: Valtion Painatuskeskus.
Karttunen, S. 1993. Valokuvataieteilijan asema. (The position of photographic artists in finland). Helsinki: Valtion Painatuskeskus.
Heikkinen, Merja, and Tuulikki Koskinen, eds. 1998. Economics of Artists and Arts Policy: Selection of papers. Helsinki: Arts Council of Finland.
Bourdon, Jerome. 1993. Les Realisateurs de télévision: le déclin d'un groupe professionnel. Sociologie-du-Travail, 35(4): 431-445.
Menger, Pierre-Michel. 1989. "Rationalité et incertitude de la vie d’artiste." L’année sociologique 9:111-51.
Menger, Pierre-Michel. 1995. "Appariement, risque et capital humain: L’emploie et la carrières dans les professions artistiques. Pp. 219-38 in P.M. Menger and Jean-Claude Passeron (eds.), L’art de la recherche, essais en l’honneur de Raymonde Moulin. Paris: La Documentation francaise.
Minardi, Everardo, Mauro Blanchi, and Antonella Genersoa. 1986. Pittori e poeti: vita quotidiana e tempo artistico. Sociologia-del-Lavoro, 25: 109-131.
Moulin, R. et al. 1985. Les Artistes. Essai morphologie sociale. Ministre de la culture. Paris: Centre Georges Pompidou and Center de sociologie des arts.
Moulin, Raymonde, Jean-Claude Passeron, D. Pasquier and F. Porto-Vazques. 1985. Les Artistes: Essai de Morphologie Sociale. Paris: La documentation Francaise.
Observatoire de l’emploi culturel. 1998a. L‘emploi dan les professions culturelle en 1997. Note No. 13. Paris: Ministere de la Culture.
Paradeise, C., F. Vourch, and J. Charby. 1998. Les comediens, profession et marches du travail. Paris: Presses universitaires de France.
Elstad, J.I. and Pederson, K.R. 1996. Kustenernes okonomiske vilkar. INAS rapport 1996, 1. Oslo: Institut for Sosialforskning.
Elstad, Jon Ivar. 1997. "Collective Reproduction through Individual Efforts: The Location of Norwegian Artists in the Income Hierarchy." International Journal of Cultural Policy 3, 2.
Fria kulturarbetare (independent cultural workers). 1981. Stockholm: Konstnarsnamnden and Sveriges Forfattarfond.