Coding Sheet for Arts Controversies Study: Prototype based on Philadelphia Pilot
October 6, 1998
Paul DiMaggio, Wendy Cadge, Lynn Robinson, and Brian Steensland
Note: This coding sheet is not identical to the one used in the Philadelphia Pilot Project. Rather it is the prototype sheet that resulted from ongoing review and emendation of the coding instrument, produced for use by other researchers interested in studying community conflict over the arts. It contains changes that could not be incorporated in the actual coding sheet for the Philadelphia project due to pressures of time. Therefore, it may not be used to identify variables for analysis of the data set that the Philadelphia Pilot Project generated. (See Codebook for that purpose.)
Definitions:
A case consists of a set of events that begins with the presentation (or promised presentation) of some art work or set of art works (including genres); it includes some public airing of grievances against those art works or of grievances against actions taken against those art works; and usually but not necessarily some response to the actions or grievances. Note that although cases must include public controversy, not every event that occurs during the course of a case must be public --- many cases begin before anything becomes both controversial and public.
Every case must begin with an art work (or works, including genres and scheduled works) to which someone takes umbrage. The precipitating art event(s) entail the public exhibition, performance, broadcast, or offering for sale (or scheduling of same) of the arts work(s) to actors who ultimately take action (including bearing witness or expressing grievances) vis a vis those works. The art works and precipitating art events may be quite specific --- e.g., the works in the Maplethorpe exhibit --- or quite general (as in cases where actions are taken in opposition to rap music as a genre rather than to particular performances, artists, songs, or broadcasts).
A controversy refers that part of the case that involves public criticism of an art work that is recorded in the press. The case may include actions that are public in the ordinary sense, without receiving press attention (and therefore being part of the public controversy as that is defined here).
An action refers to any of the things that people with grievances against the art work do to express those grievances. An initiating action is the first action taken against the art work during the case. It is not necessarily the beginning of the public controversy --- the controversy may become public as a response to grievances expressed against the action itself (as when artists or civil liberties groups protest an instance of censorship that did not in itself attract press attention). The initiating actor is the person or organization primarily responsible for carrying out or organizing the initiating action. An opposing response to an action against an art work(s) is an action that expresses a grievance against, or in some other way critically responds to, action against the art work --- e.g., a claim of censorship, a law suit, a critical editorial, a public protest, etc. Participation in a neutral role refers to effort to mediate, arbitrate, or adjudicate disputes or to urge calm, counsel restraint, or seek common ground. Judges in their formal judicial roles are defined as occupying a "Neutral Role." Those same judges may be coded, if appropriate, as participating in actions or opposing responses as a consequence of what they do outside their courtrooms.
A. Sequence Number (based on date of first mention) _________________________ B. Case Short Name __________________________________________________________ C. List Sources of Information on which Coding Based (full reference: search type: specific source: date: author, title, section-page – e.g., Dialog: Inquirer, Feb. 14, 1991, Pat Smith, "Soprano Saxophonists Boycott Recording Session," New Jersey, C26.) (con. on reverse if necessary) ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ ____________________________________________________________ D. List Potential Sources of Information for Follow-Up: _______________________________________________________________ _______________________________________________________________ _______________________________________________________________ E. Provide a Brief Narrative Precis of the Controversy Including Dates, Cause, Initiating Action, Subsequent Actions, Responses, Participants, and Sequence – State What Types of Participants Participated in What Types of Actions Using Categories of Coding Sheets with Enough Detail to Reconstruct Later (type and paste in if more space needed – continue on back if even more needed) ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ F. Other Cases to which this Case May be Linked (discursive – optional) _______________________________________________________________ ________________________________________________________________ G. Arresting metaphors or analogies (and who used them in what context), if any ________________________________________________________________ ________________________________________________________________ H. Role of religion/religious organizations/clergy, etc. in case ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ ________________________________________________________________ I. Other comments (optional): ________________________________________________________________ ________________________________________________________________ 1. Sequence Number _____ //V001 2. Case Short Name (alphabetic) _________________//V002 3. Date of first mention in press (yy/mm/dd) _____ //V003 4. Coder (1=Cadge, 2=Robinson, 3=Steensland, 4=DiMaggio, 5=Other)_____ //V004 5. Source of first mention of incident (how found): 1=Dialog 2=Lexis nexis 3=spot sampling Inquirer 4=Inquirer morgue 5= Phila. On-Line 6=interviews 7=People American Way 8=Other org source _______ 9=Other______________ _____ //V005 6. Information Sources (binary) Inquirer article from Dialog (0=no, 1=yes) _____ //V006 Inquirer from Morgue (0=no, 1=yes) _____ //V007 Inquirer from other source (0=no, 1=yes) _____ //V008 Daily News from Morgue (0=no, 1=yes) _____ //V009 Bulletin from Morgue (0=no, 1=yes) _____ //V010 Philadelphia On-Line (0=no, 1=yes) _____ //V011 Lexis Nexis (0=no, 1=yes) _____ //V012 Other newspaper or magazine _______________ (0=no, 1=yes) _____ //V013 Interview (0=no, 1=yes) _____ //V014 Other _____________ _____ //V015 7. How many newspaper articles were found covering the controversy (not simply alluding to it in passing) _____ //V016 8. In what year did the case begin? (4-digit year, 19__) _____ //V017 (insufficient basis for inference = -99) 9. In what year/month did case begin (2-digit year + 2-digit month – e.g., August 1977 would be 7708; March 1989 would be 8903; December 1995=9512) _____ //V018 (insufficient basis for inference= -99) 10. What was the duration of the case in weeks (rounded) from initiating action to resolution or last action mentioned in
any source? _____ //V019 (-99=not enough information to draw conclusion) 11. Location of Precipitating Arts Event – short _____ //V020 (include prospective location of cancelled events wherever applicable in Q10-13) 1=Philadelphia 2=Philadelphia’s Pennsylvania suburbs 3=Philadelphia’s New Jersey suburbs 4=Outside of Philadelphia area 5= Arts event was uninstantiated genre – so no specific location 6= Other ____________________________ -9 = insufficient basis for inference 12. Location of Precipitating Arts Event – detailed town – write below for coding later _____ //V021 __________________________________________ 110=Washington; 111=Harrisburg 112=specific other place outside of Philadelphia 113=multiple locations within the Philadelphia area 114=multiple locations outside the Philadelphia area 115=no specific location (e.g., general criticism of genre) -999=insufficient basis for inference 13. Location of Precipitating Arts Event – detailed county – county code from Appendix A: also 10=Washington; 11=Harrisburg 12=specific other place outside of Philadelphia 13= multiple locations within the Philadelphia area 14=multiple locations outside the Philadelphia area 15=no specific location (e.g., general criticism of genre) -99= insufficient basis for inference _____ //V022 14. Brief description 1 – Precipitating Art Event -- Nature _____ //V023 (including anticipated events) 1= Exhibition of art works 2= Performance (live) 3= Material in school or public library 4= Material on broadcast media or film 5= Sale of materials to individuals 6= General opposition to a genre 7=Other -9= No basis for inference 15. Status of Precipitating Event 1= specific event or events, at least one of which actually took place 2= specific event or events that were prevented from taking place 3= genre, not any specific or prospective event 8= other ___________________ -9= insufficient information for inference _____ //V024 16. Medium of Art Work(s) in precipitating event (including anticipated events)? _____ //V025 1= Sculpture 2= Photograph 3= Painting or mixed medium graphic art work 4= Dance performance 5= Theatre performance 6= Opera or musical theatre 7=Performance art performance 8= Comedy performance 9=Pageant 10= Pop music performance 11= Fine art music performance
12=Other live music _________________ 13=Other non-music live performance ____________ 14= Film or films
15= Book or books 16= combination of film/books/magazines 17= Radio
broadcast (music) 18= Radio broadcast (other) 19= Television broadcast of music 20= Television broadcast of dramatic work (inc. regular entertainment programming) 21=recorded music (NOT
broadcast) 22=multiple types (not elsewhere specified) 23= Other (not elsewhere specified) _____________________________________ -99=no basis for inference 17. Location of Art Work(s) in Precipitating Event (including cancelled events) _____ //V026 1= public space (no limit to public access – e.g., airport, street, shopping mall) 2= broadcast media, open access (over the air, basic cable) 3= broadcast media, restricted access (e.g., premium or pay cable) 4= enclosed space (access voluntary, all admitted, inc. government office building, concert hall, museum, etc.) 5= enclosed space (access voluntary, only adults admitted) 6= enclosed space (access to members only [inc. schools, corporate offices]) 7= other ____________ -99=inference not possible on basis of available information 18. Who Made Available the Art Work(s) in Precipitating Event (inc. cancelled events)? _____ //V027 1=Government agency (not library or school) 2= Public library 3= Public elementary, middle, or high school 4= Private elementary, middle, or high school 5= Public college, university, or other school (excluding art schools) 6= Private college, university or other school (excluding art schools) 7= School of the Arts (private) (Phila. Academy of Arts, Boyer School of Music, etc.) 8= School of the Arts (public) (Tyler) 9= Philadelphia Art Museum 10= Other noncommercial exhibition space (inc. nonprofit art galleries, museums) 11= Commercial exhibition space (gallery etc.) 12=Commercial "adult" bookstore or film/video store) 13= Commercial "adult" movie theatre 14= Commercial "adult" live performance venue 15=Multiple adult venues 16 = Commercial sales location: other [non-"adult"] bookstore, film store) 17= Commercial movie theatre: non-"adult" 18= Nonprofit live performance venue (musical, non-"adult") 19= Commercial recorded-music dealer 20=Nonprofit live performance venue (theatrical, non-"adult") 21=Nonprofit live performance venue (other)
22 = Nonprofit community org.(NOT primarily arts org.) 23 = Commercial live performance venue (musical) 24 = Commercial live
performance venue (theatrical) 25 = Commercial live performance venue (other) 26= Radio broadcaster 27= Television broadcaster (network or independent noncable) 28= Television broadcaster (cable programmer)
29= Multiple (non-adult)_____________________ 30= Other __________________ -99= No basis for inference 19. Was Art Work in Precipitating Event Identified Publicly as Sponsored (inc. funded) by Any of the Following? NEA (0=no, 1=yes) _____ //V028 NEH (0=no, 1=yes) _____ //V029 State arts or humanities agency (0=no, 1=yes) _____ //V030 Local private foundation (Pew, William Penn, etc.) (0=no, 1=yes) _____ //V031 National private foundation (Ford, Rockefeller, etc.) (0=no, 1=yes) _____ //V032 Private Company (corporate sponsorship or donation) (0=no, 1=yes) _____ //V033 N.A. (genre, no specific event) (0=no, 1=yes) _____ //V034 No sponsor (0=no, 1=yes) _____ //V035 20. Was Art Work in Precipitating Event Described as Undertaken as Part of a National Political Movement (e.g., war protest, civil liberties tests, etc.)? (0=no, 1=yes) _____ //V036 21. Where Art Work in Precipitating Event Originate? _____ //V037 1= Work by Philadelphia area artists, organized in Philadelphia area 2= Work by wider range of artists, but presentation organized in Phila. area 3= Material produced elsewhere, distributed to Philadelphia area (traveling exhibition or road play, network feed of radio or TV, concert tour, film in movie theatre, book in bookstores or libraries) 4= Philadelphia area participation in controversy based elsewhere 5= Other ____________________ -99= No basis for inference ____________________ 22. Did Controversy Phase Begin with Grievances over Art
Work or over Censorship _____ //V038 1= Controversy began with public airing of grievances over work 2= Controversy began with public airing of grievances over actions against work 3= Other ___________________________________ 23. How did Actor Who First Called Attention to the Art Work Become Aware of the Art Work? _____ //V039 01= Encountered it in public place 02= Encountered it in nonprofit cultural institution 03= University or other nonprofit location 04= Encountered it in commercial venue 05= Encountered it while viewing or listening to broadcast medium 06= Parent encountered it through child’s school (child, teacher, PTA, school bulletin, etc.) 07= Made aware by news stories publicizing art work 08= Made aware by promotional materials of presenting organizations 09= Became aware through ongoing monitoring efforts of local actors 10= Became aware through participation in national organization 11= Found out through friend or relative 12= "Citizen complaints" not further specified as to source 13= Other ________________________________ -99= insufficient basis for inference 24. Location of Initiating Action – short _____ //V040 (include prospective location of cancelled events wherever applicable in Q10-13) 1=Philadelphia 2=Philadelphia’s Pennsylvania suburbs 3=Philadelphia’s New Jersey suburbs 4= Newspaper editorial (not op-ed) about event from outside of area 5= Philadelphia initiated legislative action in Harrisburg or Washington 6= Other criticism of uninstantiated genre 7= Other ____________________________ -9 = No basis for inference 25. Location of Initiating Action – detailed town – write below for coding later _____ //V041 __________________________________________ 110=Washington 111=Harrisburg 112=specific other place outside of Philadelphia 113= multiple locations within the Philadelphia area 114=multiple locations outside the Philadelphia area 115=other -999= insufficient basis for inference 26. Location of Initiating Action – detailed county _____ //V042 county code from Appendix A: also 10=Washington 11=Harrisburg 12=specific other place outside of Philadelphia 13= multiple locations within the Philadelphia area 14=multiple locations outside the Philadelphia area 15=other -99=insufficient basis for inference 27. Did Initiating Actor (person or representative of organization) Consume (View, Read, Hear, etc.) Work Before Making Grievance? _____ //V043 (1=no 2=yes -9= no basis for inference) 28. Nature of Initiating Action Against Offending Work _____ //V044 1= Complaint by elected public official 2= Complaint by appointed public official 3= Complaint by newspaper editorial (not op-ed column) 4= Termination of Work by responsible public official (i.e., in presenting organization, inc. public school teachers or principals) 5= Termination of Work by responsible private administrator (inc. private school teachers or principals). 6= Restriction of Access to work by responsible public official (i.e. in presenting organization) 7= Restriction of Access to work by responsible private administrator 8= Police action 9=Civil action by public authority 10 = Private law suit 11= Public meeting: speeches but no demonstration 12=Public information campaign 13 = Petition drive 14=Public demonstration (outside venue) 15= Physical confrontation of customers or employees 16=Destruction of property (not artwork) 17=boycott 18=secondary boycott against businesses dealing with presenter 19= Spontaneous mass action (unplanned congregating around artwork, walkout, jeering, unplanned riot, etc.) 20=Defacement/vandalization/theft of work 21= Other ________________ 22=Multiple initial actions – cannot determine priority ________________________ -99= Insufficient basis for inference 29. At how many locations did the Initiating Action Occur _____ //V045 (1=1, 2=2, 3=between 3 and 5, 4=>5 but < 10, 5=>9) (-9=no basis for inference) 30. Was there Police Involvement at Initiating Action? _____ //V046 (code highest applicable value) 0= No police involvement 1= Police were present in course of normal duties but made NO arrests 2= Police took part in an educational program 3= Police monitored compliance with court order or civil agreement 4= Police were present to monitor action or to preserve order but made NO arrests 5 = Initiating action was an informal police action (e.g., refusal to provide security or some other kind of job action) 6= Police were present and made arrests (but this was not a raid) 7= The action itself was a police action (raid or other law enforcement) -99=No basis for inference 31. What Actors Organized Initiating Action Against the Work _____ //V047 1= Individuals in presenting organization 2= Elected government officials (not police or D.A.); 3= Appointed government officials (not police or D.A.) 4= Police or D.A.’s office (citizen complaints mentioned) 5= Police or D.A.’s office (complaints not mentioned) 6=State or federal law enforcement 7= Neighborhood association (formal or informal) emerging to oppose this art work 8= Pre-existing neighborhood organization or association 9= Pre-existing association organized around arts/cultural issues 10=Church or church-related association (Catholic) 11= Church or church-related assoc. (Jewish) 12= Church/Church-related assoc, (Protestant) 13=Church/church-related assoc. (other faith) 14= Church or church-related association (Interfaith) 15=Church/church-related assoc. (unspecified) 16=Individual clergy 17= Political party organization 18= Civil liberties organization 19= Artists organization 20= Artists acting as individuals or in informal assoc. 21=racial or ethnic organization 22= Women’s organization 23= Parents assoc. 24= The press 25= Coalition of several of above 26 = Other _______________ -99=No basis for inference 32. Which of the Following Actors Participated in the Initiating Action? Individuals in presenting organization (0=no, 1=yes) _____ //V048 Elected Government officials (not police or D.A.) (0=no, 1=yes) _____ //V049 Appointed Government officials (not police or D.A.) (0=no, 1=yes)_____ //V050 Police or D.A.’s office (0=no, 1=yes) _____ //V051 State or federal law enforcement (0=no, 1=yes) _____ //V052 Neighborhood assoc. (formal or informal) arising to oppose work (0=no, 1=yes) _____ //V053 Pre-existing neighborhood organization or association (0=no, 1=yes) _____ //V054 Pre-existing association organized around cultural issues (0=no, 1=yes) _____ //V055 Church or church-related association (Catholic) (0=no, 1=yes) _____ //V056 Church or church-related association (Jewish) (0=no, 1=yes) _____ //V057 Church/church-related association (Protestant) (0=no, 1=yes) _____ //V058 Church or Church-related association (other faith) (0=no, 1=yes) _____ //V059 Church or church-related association (interfaith) (0=no, 1=yes) _____ //V060 Church or church-related association (unspecified) (0=no, 1=yes) _____ //V061 Individual clergy (0=no, 1=yes) _____ //V062 Political party organization (0=no, 1=yes) _____ //V063 Civil liberties organization (0=no, 1=yes) _____ //V064 Artists organization (0=no, 1=yes) _____ //V065 Artists as individuals or informal association (0=no, 1=yes) _____ //V066 Racial or ethnic organization (0=no, 1=yes) _____ //V067 Women’s organization (0=no, 1=yes) _____ //V068 Parents association (0=no, 1=yes) _____ //V069 The press (0=no, 1=yes) _____ //V070 Formal coalition of several types of organizations _____ //V071 Other A _____________________ (0=no, 1=yes) _____ //V072 None (0=no, 1=yes) _____ //V073 No basis for inference (0=no, 1=yes) _____ //V074 33. How many actors were involved in Initiating Action? _____ //V075 (count of "1"s checked in response to previous question, other than "none" or "no basis for inference") (-99=no basis for inference) 34. Nature of Remedy Sought by Initiating Action (code highest applicable value) _____ //V076 1= Criminal penalties against sponsors or artists 2= End or prevention of public access to work 3= Restriction of access to work 4= Alteration of individual behavior (boycott, etc.) 5= Public awareness of reasons for concern 6= Other ________________________________________________ -9=No inference possible 35. Do Accounts of Case Refer to Background Organizing of the following kinds before the Initiating Action? Complaints by citizens (inc. parents or students) to appointed or elected officials (inc. school administrators) (0=no, 1=yes)_____ //V077 Private informal discussions among neighbors or other citizens (0=no, 1=yes) _____ //V078 Informal private meetings between private persons and public officials (0=no, 1=yes) _____ //V079 36. If Background Organizing was mentioned, which of the following kinds of actors were involved? Individuals in presenting organization (0=no, 1=yes) _____ //V080 Elected Government officials (not police or D.A.) (0=no, 1=yes) _____ //V081 Appointed Government officials (not police or D.A.) (0=no, 1=yes)_____ //V082 Police or D.A.’s office (0=no, 1=yes) _____ //V083 State or federal law enforcement (0=no, 1=yes) _____ //V084 Neighborhood assoc. (formal or informal) arising to oppose work (0=no, 1=yes) _____ //V085 Pre-existing neighborhood organization or association (0=no, 1=yes) _____ //V086 Pre-existing association organized around cultural issues (0=no, 1=yes) _____ //V087 Church or church-related association (Catholic) (0=no, 1=yes) _____ //V088 Church or church-related association (Jewish) (0=no, 1=yes) _____ //V089 Church/church-related association (Protestant) (0=no, 1=yes) _____ //V090 Church or Church-related association (other faith) (0=no, 1=yes) _____ //V091 Church or church-related association (interfaith) (0=no, 1=yes) _____ //V092 Church or church-related association (unspecified) (0=no, 1=yes) _____ //V093 Individual clergy (0=no, 1=yes) _____ //V094 Political party organization (0=no, 1=yes) _____ //V095 Civil liberties organization (0=no, 1=yes) _____ //V096 Artists organization (0=no, 1=yes) _____ //V097 Artists as individuals or informal association (0=no, 1=yes) _____ //V098 Racial or ethnic organization (0=no, 1=yes) _____ //V099 Women’s organization (0=no, 1=yes) _____ //V100 Parents association (0=no, 1=yes) _____ //V101 The press (0=no, 1=yes) _____ //V102 Formal coalition of several types of organizations _____ //V103 Other A _____________________ (0=no, 1=yes) _____ //V104 None (0=no, 1=yes) _____ //V105 No basis for inference (0=no, 1=yes) _____ //V106 37. Nature of Subsequent Actions Against Art Work(s) (binary) Complaint by elected public official (0=no, 1=yes) _____ //V107 Complaint by appointed public official (0=no, 1=yes) _____ //V108 Complaint by newspaper editorial (not op-ed) (0=no, 1=yes) _____ //V109 Termination of Work by responsible public official (in presenting organization, inc. public school teachers, principals) (0=no, 1=yes) _____ //V110 Termination of Work by responsible private administrator in presenting org., (inc. private-school teachers, admins.) (0=no, 1=yes) _____ //V111 Restriction of Access to work by responsible public official (i.e. in presenting organization) (0=no, 1=yes) _____ //V112 Restriction of Access to work by responsible private administrator (0=no, 1=yes) _____ //V113 Police action (0=no, 1=yes) _____ //V114 Civil action by public authority (0=no, 1=yes) _____ //V115 Private law suit (0=no, 1=yes) _____ //V116 Public meeting – speeches but no demonstration (0=no, 1=yes) _____ //V117 Public information campaign (0=no, 1=yes) _____ //V118 Petition drive (0=no, 1=yes) _____ //V119 Public demonstration (outside venue) (0=no, 1=yes) _____ //V120 Physical confrontation of customers or employees (0=no, 1=yes) _____ //V121 Citizen complaint to public official (0=no, 1=yes) _____ //V122 Boycott (0=no, 1=yes) _____ //V123 Secondary boycott (against businesses dealing w presenter) (0=no, 1=yes) _____ //V124 Spontaneous mass action (unplanned congregating at site of artwork, walkout, jeering, unplanned riot) (0=no, 1=yes) _____ //V125 Defacement/vandalization/theft of work ) (0=no, 1=yes) _____ //V126 Other __________________ (0=no, 1=yes) _____ //V127 No subsequent action mentioned (0=no, 1=yes) _____ //V128 38. How many kinds of subsequent actions were taken against the Art Work(s)? (count of "1"s in response to previous question, excluding "no subs. action") _____ //V129 39. What Actors Were Involved (as Antagonists of the Art Work) in Subsequent Actions in Case (binary codes) Individuals in presenting organization (0=no, 1=yes) _____ //V130 Elected Government officials (not police or D.A.) (0=no, 1=yes) _____ //V131 Appointed Government officials (not police or D.A.) (0=no, 1=yes) _____ //V132 Police or D.A.’s office (0=no, 1=yes) _____ //V133 State or federal law enforcement (0=no, 1=yes) _____ //V134 Neighborhood assoc. (formal or informal) arising to oppose work (0=no, 1=yes) _____ //V135 Pre-existing neighborhood organization or association (0=no, 1=yes) _____ //V136 Pre-existing association organized around cultural issues (0=no, 1=yes) _____ //V137 Church or church-related association (Catholic) (0=no, 1=yes) _____ //V138 Church or church-related association (Jewish) (0=no, 1=yes) _____ //V139 Church/church-related association (Protestant) (0=no, 1=yes) _____ //V140 Church or Church-related association (other faith) (0=no, 1=yes) _____ //V141 Church or church-related association (interfaith) (0=no, 1=yes) _____ //V142 Church or church-related association (unspecified) _____ //V143 Individual clergy (any denomination) _____ //V144 Political party organization (0=no, 1=yes) _____ //V145 Civil liberties organization (0=no, 1=yes) _____ //V146 Artists organization (0=no, 1=yes) _____ //V147 Artists as individuals or informal association (0=no, 1=yes) _____ //V148 Racial or ethnic organization (0=no, 1=yes) _____ //V149 Women’s organization (0=no, 1=yes) _____ //V150 Parents association (0=no, 1=yes) _____ //V151 The press (0=no, 1=yes) _____ //V152 Formal umbrella coalition of several of above _____ //V153 Other A _____________________ (0=no, 1=yes) _____ //V154 None (0=no, 1=yes) _____ //V155 No basis for inference (0=no, 1=yes) _____ //V156 40. How many types of actors were involved in subsequent actions?_____ //V157 (count of "1"s in response to previous question, excluding "none" and "no basis") (-99 if V155=-99) 41. Was there Police Involvement in any of these Subsequent Actions? (code highest accurate value) _____ //V158 0= No police involvement mentioned 1= Police were present in course of normal duties but made NO arrests 2= Police were involved in an educational program 3= Police were present to monitor action or to preserve order but made NO arrests 4=Police monitored compliance with court order or civil agreement 5 = A subsequent was an informal police action (e.g., refusal to provide security or some other kind of job action) 6= Police made arrests (but this was not a raid) 7= The action itself was a police action (raid or other law enforcement) -98=There was no subsequent action -99= No inference possible on basis of evidence 42. Were reference made to any of the following types of police involvement in any of the Subsequent Actions? (binary form) No police involvement was mentioned (0=no, 1=yes) _____ //V159 Police were present in course of normal duties but made NO arrests (0=no, 1=yes) _____ //V160 Police were involved in an educational program (0=no, 1=yes) _____ //V161 Police were present to monitor action or to preserve order
but made NO arrests (0=no, 1=yes) _____ //V162 Police monitored compliance with court order or civil agreement (0=no, 1=yes) _____ //V163 A subsequent was an informal police action (e.g., refusal to provide security or some other kind of job action) (0=no, 1=yes) _____ //V165 Police made arrests (but this was not a raid) (0=no, 1=yes) _____ //V166 The action itself was a police action (raid or other law enforcement) (0=no, 1=yes) _____ //V167 There was no subsequent action (0=no, 1=yes) _____ //V168 43. Nature of Primary Grievance Against Art Work(s) involved in Precipitating Event _____ //V169 1= Indecent or pornographic (heterosexual or multiple types) 2= Indecent or pornographic (explicit primary focus on homosexual content) 3= Blasphemous or otherwise offensive to religious believers due to denigration of beliefs 4= Tends to impose a particular religious view on dissenting religious groups 5=Offensive to or exclusive of atheists, agnostics or religious skeptics 6= Aesthetically offensive 7= Harmful or offensive to racial/ethnic group 8= Harmful or offensive to women 9=Harmful or offensive to children or youth 10= Likely to incite to violence or criminal behavior 11= Politically offensive or harmful (other than on above grounds) 12= Lacks any redeeming social value 12= Profanity, Foul language but none of above) 13= Other ______________________ -99= Insufficient basis for inference 44. Nature of Grievances invoked (binary coding) Indecent or pornographic (heterosexual etc.) (0=no, 1=yes) _____ //V170 Indecent or pornographic (homosexual content) (0=no, 1=yes) _____ //V171 Blasphemous or otherwise denigrating of religious beliefs (0=no, 1=yes) _____ //V172 Imposes particular religious views on dissenting religious groups (0=no, 1=yes) _____ //V173 Offensive to, excludes, atheists, agnostics, religious skeptics (0=no, 1=yes) _____ //V174 Aesthetically offensive (0=no, 1=yes) _____ //V175 Harmful or offensive to racially/ethnic group (0=no, 1=yes) _____ //V176 Harmful or offensive to women (0=no, 1=yes) _____ //V177 Harmful or offensive to children or youth (0=no, 1=yes) _____ //V178 Likely to incite to violence or criminal behavior (0=no, 1=yes) _____ //V179 Politically offensive or harmful (other than on above grounds) (0=no, 1=yes) _____ //V180 Lacks any redeeming social value (0=no, 1=yes) _____ //V181 Profanity, foul language (0=no, 1=yes) _____ //V182 Other ______________________ (0=no, 1=yes) _____ //V183 Insufficient basis for inference (0=no, 1=yes) _____ //V184 45. Number of grievances invoked (count of "1"s in response to Q44, excluding "insufficient basis") (code -99 if V172=1) _____ //V185 46. Group Primarily Depicted as Placed at Risk by Art Work(s) _____ //V186 1=General Public (or "society"; "everyone", etc.) 2=Children 3=Women 4=Families 5=Neighborhood residents 6= Religious People 7= Atheists, agnostics, religious skeptics 8=Ethnic or racial group 9=Lifestyle minorities 10=political dissenters 11= Public servants (police, fire, etc.) 12= Other __________________________ -99 = No specific depiction reported 47. Groups Allegedly Placed at Risk by Art Work(s) (Binary Coding) General Public (‘society"; "whole community" etc.) (0=no, 1=yes) _____ //V187 Children (0=no, 1=yes) _____ //V188 Women (0=no, 1=yes) _____ //V189 Families (0=no, 1=yes) _____ //V190 Neighborhood residents (0=no, 1=yes) _____ //V191 Religious People (0=no, 1=yes) _____ //V192 Atheists, agnostics, skeptics (0=no, 1=yes) _____ //V193 Ethnic or racial group (0=no, 1=yes) _____ //V194 Lifestyle minorities (0=no, 1=yes) _____ //V195 Political dissenters (0=no, 1=yes) _____ //V196 Public servants (police, fire, etc.) (0=no, 1=yes) _____ //V197 Other __________________________ (0=no, 1=yes) _____ //V198 No depiction of group at risk reported (0=no, 1=yes) _____ //V199 48. Number of groups allegedly placed at risk (count of "1"s in response to Q47, excluding "no depiction") _____ //V200 49. Were nonsubstantive or nonaesthetic grievances against art work(s) also noted? (0= No 1= Yes, but secondary 2=Yes, major grievances) _____ //V201 50. Were any of following grievances articulated by opponents? Noise (not tied to aesthetic content) (0=no, 1=yes) _____ //V202 Zoning violations (0=no, 1=yes) _____ //V203 Contractual default (0=no, 1=yes) _____ //V204 Bad characteristics of persons attracted to area (0=no, 1=yes) _____ //V205 Danger of crime (not tied to content of work) (0=no, 1=yes) _____ //V206 Wasteful expenditure of public funds (0=no, 1=yes) _____ //V207 Other (0=no, 1=yes) _____ //V208 No nonsubstantive, nonaesthetic grievances noted (0=no, 1=yes) _____ //V209 51. Number of nonsubstantive, nonaesthetric grievances articulated (Count of "1"s in response to Q50, excluding "no grievances") _____ //V210 52. Were Initiating Actions against work explicitly part of national movement? (0=no, 1=yes) _____ //V211 53. Were Initiating Actions articulated indirectly to national campaign (e.g. reference, involvement of actors, etc.)? (0=no, 1=yes) _____ //V212 54. Did national movement actors subsequently enter on side of opponents of the work? (0=no, 1=yes) _____ //V213 55. Nature of Opposing Responses to Actions against Art works (binary) Legal action to reinstate work (if restricted or censored) (0=no, 1=yes) _____ //V214 Administrative action to reinstate work if restricted or censored (0=no, 1=yes) _____ //V215 Legal action against police or D.A. (other than to reinstate work) (0=no, 1=yes) _____ //V216 Legal action against a private organization that restricted work (university, radio station etc) (0=no, 1=yes) _____ //V217 Legal action against private association that sought some other remedy (0=no, 1=yes) _____ //V218 Criticism of action against work in newspaper editorial (not op-ed) (0=no, 1=yes) _____ //V219 Public meetings to defend work (0=no, 1=yes) _____ //V220 Demonstration in support of work by cultural workers (0=no, 1=yes) _____ //V221 Demonstration in support of work by broader public (0=no, 1=yes) _____ //V222 Sympathetic display of presentation of similar work by other organizations (0=no, 1=yes) _____ //V223 Public statements by presenters or sponsors (0=no, 1=yes) _____ //V224 Public statements by third parties – experts (0=no, 1=yes) _____ //V225 Public statements by third parties --- elected officials (0=no, 1=yes) _____ //V226 Public statements by third parties --- civil liberties or arts groups (0=no, 1=yes) _____ //V227 Public statements by third parties --- religious organizations (0=no, 1=yes) _____ //V228 Funding of legal or other defense by civil liberties or arts groups (0=no, 1=yes) _____ //V229 Funding of legal or other defense by religious organizations (0=no, 1=yes) _____ //V230 Funding of legal or other defense by other groups __________ (0=no, 1=yes) _____ //V231 Other (0=no, 1=yes) _______________________ _____ //V232 No response noted (0=no, 1=yes) _____ //V233 56. Number of types of opposing responses (number of "1"s in response to Q55, excluding "no response noted") _____ //V234 57. What Actors Participated in Opposing Responses to Actions against Art Work(s) (i.e., in Defense of Work )(binary) Individuals in presenting organization (other than legal counsel) (0=no, 1=yes) _____ //V235 Legal Counsel for presenting or organization ____ (0=no, 1=yes) _____ //V236 Individuals in private funding or sponsoring organizations (0=no, 1=yes) _____ //V237 Representatives of local arts council (0=no, 1=yes) _____ //V238 Representatives of state arts agencies (0=no, 1=yes) _____ //V239 Artists or writers associations (0=no, 1=yes) _____ //V240 Civil liberties organizations (0=no, 1=yes) _____ //V241 Representatives of nonprofit cultural organization not directly involve (0=no, 1=yes) _____ //V242 Commercial trade associations or other business organizations not directly involved (0=no, 1=yes) _____ //V243 Elected Government officials (not police or D.A.) (0=no, 1=yes) _____ //V244 Appointed government officials (other than arts agencies) (0=no, 1=yes) _____ //V245 Police or D.A.’s office (not simply refraining from prosecution) (0=no, 1=yes) _____ //V246 Association formed to participate in the controversy (0=no, 1=yes) _____ //V247 Formal pre-existing association organized around cultural issues (not artists) (0=no, 1=yes) _____ //V248 Church or church-related association (Catholic) (0=no, 1=yes) _____ //V249 Church or church-related association (Jewish) (0=no, 1=yes) _____ //V250 Church or Church-related association (other) (0=no, 1=yes) _____ //V251 Political party organization (0=no, 1=yes) _____ //V252 Racial or ethnic organization (0=no, 1=yes) _____ //V253 Parents’ association (0=no, 1=yes) _____ //V254 Teachers organization (0=no, 1=yes) _____ //V255 Newspaper editorialists (not inc. op-ed) (0=no, 1=yes) _____ //V256 Groups organized around gender or sexual preference (0=no, 1=yes)_____ //V257 Formal coalition or umbrella group including more than one of the above categories (0=no, 1=yes) _____ //V258 Other A _____________________ (0=no, 1=yes) _____ //V259 No defenders mentioned (0=no, 1=yes) _____ //V260 58. How many types of actors participated in Opposing Responses to Actions against Art Work? (number of "1"s checked in response to Q57, excluding "no defenders mentioned") _____ //V261 59. Did national movement actors subsequently enter on side of defenders of work? (0=no, 1=yes) _____ //V262 60. Nature of Defenses of Work (binary) Important social commentary (0=no, 1=yes) _____ //V263 Important political commentary (0=no, 1=yes) _____ //V264 Aesthetic value outweighs objections (0=no, 1=yes) _____ //V265 Expression of distinctive religious perspective (0=no, 1=yes) _____ //V266 Suppression violates establishment clause (0=no, 1=yes) _____ //V267 Expression of distinctive ethnic/racial perspective (0=no, 1=yes)_____ //V268 Expression of distinctive lifestyle perspective (0=no, 1=yes) _____ //V269 Work has good economic impact/suppression causes econ. hardship (0=no, 1=yes) _____ //V270 Pure free expression (chilling effect, slippery slope) (0=no, 1=yes) _____ //V271 Overly broad or vague prohibition _____ //V272 Work is consistent with community standards _____ //V273 Harmless recreation _____ //V274 Exposure of community to ridicule (0=no, 1=yes) _____ //V275 Other ___________ (0=no, 1=yes) _____ //V276 No specific defenses are mentioned (0=no, 1=yes) _____ //V277 61. How many defenses are mentioned? (Count of "1" in response to to previous question, excluding "no defenses mentioned") _____ //V278 62. Nature of Groups Depicted as Placed at Risk by Attacks on Work General Public ("society," "whole community," etc.) (0=no, 1=yes)_____ //V279 Children (0=no, 1=yes) _____ //V280 Women (0=no, 1=yes) _____ //V281 Families (0=no, 1=yes) _____ //V282 Neighborhood residents (0=no, 1=yes) _____ //V283 Religious People (0=no, 1=yes) _____ //V284 Atheists, agnostics, religious skeptics (0=no, 1=yes) _____ //V285 Ethnic or racial group (0=no, 1=yes) _____ //V286 Lifestyle minorities (0=no, 1=yes) _____ //V287 Political dissenters (0=no, 1=yes) _____ //V283 Artists, Creative People (0=no, 1=yes) _____ //V289 Businesspeople (0=no, 1=yes) _____ //V290 Other __________________________ (0=no, 1=yes) _____ //V291 No depiction of group at risk is reported (0=no, 1=yes) _____ //V292 63. How Many Groups depicted as placed at risk by attacks on work? (Count of number of "1"s in response to Q62, excluding "no depiction" _____ //V293 64. What actors participated in neutral roles in conflict? (binary) Elected officials (0=no, 1=yes) _____ //V294 Appointed government (0=no, 1=yes) _____ //V295 Religious leaders (0=no, 1=yes) _____ //V296 Business leaders (0=no, 1=yes) _____ //V297 Foundation officials (0=no, 1=yes) _____ //V298 Nonprofit organization officials (0=no, 1=yes) _____ //V299 Judiciary (by definition "neutral" in judicial role) (0=no, 1=yes) _____ //V300 Other ___________ (0=no, 1=yes) _____ //V301 No actors mentioned (0=no, 1=yes) _____ //V302 65. How many types of actors were involved in neutral capacity? (count of "1"s in response to previous question, excluding "no actors mentioned" _____ //V303 66. What activities did actors participating in neutral roles engage in? Counseling restraint (0=no, 1=yes) _____ //V304 Organizing neutral forums for discussion and airing of views (0=no, 1=yes) _____ //V305 Facilitating meetings between opponents – mediation (0=no, 1=yes)_____ //V306 Adjudicating legal claims (0=no, 1=yes) _____ //V307 Other A ___________ (0=no, 1=yes) _____ //V308 Not applicable (no such groups mentioned) (0=no, 1=yes) _____ //V309 67. In how many activities did neutral actors engage? (count of "1"s in response to previous question, excluding "not applicable") _____ //V310 68. Outcome of Controversy (by time of last mention) (binary coding) Work presented and remained in place (until planned termination of presentation, if any) (0=no, 1=yes, 8=n.a.) _____ //V311 Exhibition or presentation prevented from occurring (0=no, 1=yes)_____ //V312 Exhibition or presentation suspended or not renewed (0=no, 1=yes)_____ //V313 Access to exhibition or presentation limited to adults only (0=no, 1=yes) _____ //V314 Access to exhibition or presentation limited to other subset (0=no, 1=yes) _____ //V315 Location of exhibition or presentation changed (0=no, 1=yes) _____ //V316 Hours of day or days of week of access to work changed (0=no, 1=yes) _____ //V317 Access otherwise limited (e.g., taking books off stacks in libraries) (0=no, 1=yes) _____ //V318 Responsible parties in presenting organization fired or resigned (0=no, 1=yes) _____ //V319 Presenting organization closed (0=no, 1=yes) _____ //V320 Other outcome ________________________ (0=no, 1=yes) _____ //V321 This controversy was about an uninstantiated genre so V296-V306 are not applicable (0=no, 1=yes) _____ //V322 Controversy unresolved as of last evidence source/ no inference possible as to outcome for whatever reason (0=no, 1=yes) _____ //V323 In following questions record names of natural persons and named organizations/ associations only, not references to classes of persons. Where a person participated as a representative of an organization, name both the organization and the person. 69. Actors Mentioned as Involved in Initiating Action against the Art Work (alphabetic: names of persons & organizations – for persons, indicated gender and organizational affiliation/title where available) ________________________//V324 ________________________//V325 ________________________//V326 ________________________//V327 ________________________//V328 70. Number of actors mentioned as participating in initiating struggle action against the Art Work in response to Q68 above _____ //V329 71. Actors Mentioned as Participating in Subsequent Actions against the Art Work (Alphabetical: names of persons & organizations – for persons, indicated gender and organizational affiliation/title where available) ________________________//V330 ________________________//V331 ________________________//V332 ________________________//V333 ________________________//V334 ________________________//V335 ________________________//V336 ________________________//V337 ________________________//V338 72. Number of other actors mentioned opposing work (in response to Q71) _____ //V339 73. Actors Mentioned as Displaying, Presenting, or Sponsoring Work (names of persons and organizations -– for persons, indicated gender and organizational affiliation/title where available ) __________________________ //V340 __________________________ //V341 __________________________ //V342 __________________________ //V343 __________________________ //V344 __________________________ //V345 __________________________ //V346 __________________________ //V347 __________________________ //V348 __________________________ //V349 __________________________ //V350 __________________________ //V351 __________________________ //V352 __________________________ //V353 __________________________ //V354 __________________________ //V355 __________________________ //V356 74. Number of actors mentioned as presenting, displaying or sponsoring work in response to Q73 above. _____ //V357 75. Actors Participating in Support or Defense of Work (Alphabetic: names of persons and organizations – for persons, indicated gender and organizational affiliation/title where available) ________________________//V358 ________________________//V359 ________________________//V360 ________________________//V361 ________________________//V362 ________________________//V363 ________________________//V364 ________________________//V365 ________________________//V366 ________________________//V367 76. Number of actors participating in support or defense (as recorded in response to Q75 above) _____ //V368 77. Actors Participating in Controversy in Neutral or Adjudicatory Role (Alphabetic: names of persons and organizations – for persons, indicated gender and organizational affiliation/title where available) ________________________//V369 ________________________//V370 ________________________//V371 ________________________//V372 ________________________//V373 ________________________//V374 78. Number of actors in neutral or adjudicatory roles (number recorded in response to Q77 above _____ //V375