when the smoke clears (2002). cri 893/nwcr893.
apocryphal stories (2004). albany/troy 626.
My barn having burned to the ground, I can now see the moon. (2011), albany/troy 1303.
weakness, forthcoming, albany. a recording of the opera "weakness" featuring sarah davis, soprano; with a bonus track of storyteller tom cowan performing his "macha" (the story that inspired the opera), along with some special guests.
repetition compulsion, forthcoming on a new cd by sqwonk:
before i was released i was in many things
articles and essays
“In Search of Silence.” Open Space Magazine, Fall
“‘I Am Not Making This Up!’—Part 2:
‘No, thanks, I’ll just
listen,’ Or, a Reception of Sorts (with a couple of lies, some—
boundary—issues, and a little too much information).” Open Space Magazine 8/9, Fall
“’I Am Not Making This Up!’—Part 1:
A Gender Identity Remix in
the Form of Some Appropriations, Avowals, Denials, and Inquiries (Or,
On Second Thought, a Palimpsest or Two).” Open Space Magazine,
"Making Mischief in the Melting Pot: The Eclectic Music of Don Byron," in Akin Euba and Cynthia Tse Kimberlin, eds., Intercultural Music 3 (Point Richmond, CA: MRI Press, 2001).
"Difference or Silence? Women
Composers Between Scyllaand
Indiana Theory Review 17, no. 1 (Spring 1996), 77-85.
reviews, smaller pieces
"Beyond Crossover: Akin Euba's Intercultural Opera" (review of compact disc recording of the opera Chaka). Intercultural Musicology, October 1999.
Review of "The Music of 'Star Trek': Profiles in Style," by Jeff Bond. Notes, June 2000.
Review of "Songs in the Key of Z: The Curious Universe of Outsider Music," by Irwin Chusid. Music Library Association Notes, September 2002.
Review Essay: "Audible Traces: Gender, Identity, and Music," ed. Elaine Barkin and Lydia Hamessley. Open Space Magazine, September 2002.
"Thank you, David Lewin."
of New Music, Vol. 42, No. 1 (Winter 2004).
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