NEW OLD ARTS US

Number 5, April 1998

IN THIS ISSUE...

Reap
by Jon Soverow


Princeton Haikus
by Matt Gordon


Sunday Brunch
by Jenny Yue


Road to Spartanburg
by Richard Johnston


Sympathy for the Devil
by Bryan Walsh








SUNDAY BRUNCH

"Today is Sunday, November 23, 1997," he said.
"I am here with Nancy, Eric, Nathan
in this fine restaurant
on a beautiful afternoon."
You can hear his eyes pausing
at each place setting, gray fog settling in.
The man, in wrinkles and brown tweed,
does not sit at the head of the table.
Eric and Nathan, boys
who chose waffles and strawberries
over mussels and calamari
fidget when the waitress arrives.
"Regular, please," he says,
and she pours him coffee.
Nancy is nodding, fists
fititng a deeply clefted chin.

A white tape recorder centerpieces the table,
red light catching
glasses clinking, voices from behind a vented door.
He has hidden it
in between salt and pepper shakers,
spilled maple syrup on starched white.

Nancy is at the head of the table
while he sits facing the two boys,
the other end empty with a folded napkin.

The waitress has become uneasy,
noticed the little red light
and stutters when she recites the day's specials.
She likes to listen to customers' conversations,
ridicules them behind the door
when they leave her a small tip.
But this table has begun listening back.
She's rushing with their food.
And he keeps talking,
eyeing Eric and Nathan and Nancy
and never again includes
the restaurant, the weather, the day.
Somehow he's eating his mussels
and offers them to the boys
without a mark on the tape.
He's talking steadily
as if to foreign exchange students,
and Eric and Nathan are squirming in their seats
while Nancy is nodding, always nodding,
and the waitress is listening despite herself.

--Jenny Yue