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  NOT QUITE CALADESI

The rocks had been turned over, the birds like daggers in the air.
The rain threw  itself against us,
Our round cheeks and bare legs.
It reached under the roof and drew us out.
The lightning flashed too close.

When we rounded the last turn of thigh-high grass and stunted beach-pines,
Paved ground gave way  in crumbling chunks
to jagged rocks and crushed shell.
Above us and beyond
A white, wild eye
Stared back from the horizon.

The birds flung themselves against the clouds
Against the water.
Coarse threads of hair thrashed,
Pulled themselves loose from their knot.

The heavy shoulder of sky,
Overcast, suffused with light,
Filled the lenses of my glasses.

I had an idea to kneel on the harsh rocks,
In my sandals, on my bare legs.
Gray feathers were held fast, stuck to the wooden planks of the shelter.

Standing in the thigh-high grass,
Hidden by the stunted trees,
I watched a car pull away.  A gray, sleek dolphin in the rain.
The rain pummeled its silver back,
Drove it from the sea.

--Pat Akhimie
 

  RAINSONG

Hot sands cool, coalesce into silence,
The desert burns with emptiness,
A Jackady song rises off the night cactus.

Your name perches hoarsely on my lips,
It is dry between us.

"Water!" The Jackady sings,
High and loud enough to shatter
The glass sky; smooth as obsidian,
River rock, the cool wet gleam of your smile.

I wing the rainsong on the night,
Alight my feet on shards of silence,
Roll and tumble

Like thunder in the arroyo.

-- Justin Nyberg
 

  STARING POEMS

 
JOUISSANCE

So the other day my friend is in the british museum
in that room kinda way back on the first floor with the temple
and the torso on a stick stuck like a popsicle
and so he sees this guy go up to one of those plaque things
like from the parthenon or something that are hanging on the wall
the ones with all the greeks or is it romans fighting centaurs
and this guy stands there and stares like for a Really
long time and my friend is thinking wow he must be like
a critic or an artist or some philosophic type cuz he’s really like
Experiencing this hunk of marble right the gaze and the aesthetic all of that
but then this guy like he must have been on Drugs or something
kinda just reaches up and sort of Feels on the leg of the greek guy
or is it roman but anyway who’s just practically  Naked
but it’s because this is like Classical and this Weirdo is actually
Touching the thing which is all ancient and priceless and everything
and come On I mean it’s Art this is a Museum you can’t just
put your Hands all over everything and this is worse cuz he’s not just
Touching it he’s like Molesting it like somebody should get a Guard
or some Alarm should like go off but this Guy he is just running his
Nasty hand real Slow and Sexy on this big white Muscley Thigh and is
going right up the leg to the toga-wrap and Who-Knows-What when my friend
almost jumps out of his Skin cuz this guy turns around and with
this Crazy Shocked-Pervert sort of look sees him there  staring
 

PAUL

we were deerstalking
and moonwatching
in the streets

the lampposts and the porchlights
lit up doorsteps lawns and driveways
where nothing moved

our approach inspired
automatic sensors
to create eerie arenas

still pools of artificial light
more beautiful than day

and you did cartwheels down a hill
your hands between the yellow lines

you fish-flopped in
pale-bellied backbends

making faces at the deer
who stood bewitched
and staring
from the spotlights
of alien lawns

-- Brooke Belisle
 

  MOTHER

I smell you on me from when we said goodbye on the train station platform.
I sniff my sleeves and sundry folds of clothes and still can't seem to find you--
only when I turn my head a certain way and inhale
do I feel you and your some-French-name perfume.

How strange now to both have you and miss you at once
when I always thought it was Father I really wanted.

-- Ana Berlin
 
 

  ARREST

I never helped to make
The click of marbles
Against the step.
My sisters’ hands smelled always
Of marbles.

The marbles stopped briefly
When Dad’s heart stopped, briefly.

To make him well,
They cut his chest
Like tissue paper.
We brought him tissue paper
Flowers in the hospital,
We brought him
Home,
And all I could hear
Was his heart-click
While my sisters played again outside.

--Aliza Fogelson
 

  OFF DARBY LANE
 

        we blow out the citron candle
and still the lights on the other side
of the lake sting like flashbulbs,
their artificial halos shadowing
the closest planets to which we assign names,
yours, mine

        I am pulling night grass
while you wave your invisible hands
and talk
that's our kite, our cross
we spell Cassiopeia wrong, give Orion a dog.

dew soft
on fingers, extinguished wax,
a flannel-lined sleeping bag.
        we watch the domed sky
warm with cloud,
muted winds inhaling them in,
the slow tread of breath.

--Jenny Yue
 

  RYAN MATTHEW PARKER, C.S.A.

A pale green cast-iron gate
lends the weeded slatestone path
a proper air. Both stone and metal
undone by a mad spring of furious life
as the smoky blindness consumed him
leaving his plowblade to the orchard,
its humming roar of propagation,
flowers to unfurl, fruit to fall.

Boy, gate, path, blade, apples
all run aground…

They said a rabbit ran before the Charge
and the ashen sea screamed "Faster!"
They grinned at the gates of Hell.
A rabbit ran before the grave;
I smiled and crept slowly home.

-- Tristan Snell