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Cornelia Hughes Dayton,
"Unequal in Transgression: The Double Standard
in Bastardy/Fornication Proceedings in Eighteenth-Century New England"
James E. Goodman,
"The Origins of the `Civil War' in the Reform Community:
Elizabeth Cady Stanton on Womans Rights and Reconstruction"
Mary J. Harper,
"Recovering the Other: Women and the Orient in Writings of
Early Nineteenth-Century France"
Rachel Weil,
"`The Crown Has Fallen to the Distaff': Gender and Politics in the Age of
Catherine de Medici, 1560-1589"
Lorraine Daston and Katharine Park,
"Hermaphrodites in Renaissance France"
Kari Weil,
"The Aesthetics of Androgyny in Balzac and Woolf, or The Difference of
Difference"
Carla A. Hesse,
"Reading Signatures: Some Legal Contingencies of Female Authorship in
France, 1750-1850"
Jayne Lewis,
"Compositions of Ill Nature: Womens Place in a Satiric Tradition"
Adriana Rosman-Askot,
"Out of the Shadows: Two Centuries of Argentine Womens Voices"
Siobhan Kilfeather,
"Beyond the Pale: Sexual Identity and National Identity in Early
Irish Fiction"
Linda Lierheimer,
"Rewriting Religious History: The Feminism of the Seventeenth Century
Ursulines"
Melissa A. Orlie,
"What Difference Does Difference Make? The Politics of Identity in
Feminist Discourse"
Elizabeth B. Clark,
"Matrimonial Bonds: Slavery, Contract and the Law of Divorce in
Nineteenth-Century America"
Leyla Ezdinli,
"Naming and Self-Naming: The `Woman of Letters' in French Romanticism"
Katherine Stern,
"The War of the Sexes in British Fantasy Literature of the Suffragette Era"
Gregory Evans Dowd,
"North American Indian Slaveholding and the Colonization of Gender:
The Southwest Before Removal"
Teresa Sanchez-Lazer,
"Feminism, Familism, and Chicana Politics"
Madeleine Brainerd,
"Translation and Politics"
Sharon Holland,
"`Which Me Will Survive?': Audre Lorde and the Development of a
Black Feminist Ideology"
Wayne Koestenbaum,
"The Shadow on the Bed: Dr. Jekyll, Mr. Hyde, and the
Labouchère Amendment"
Siobhan Gibbons,
"The Social Construction of Twentieth-Century Irish Womens Emigration"
Begoña Aretxaga,
"The Death of Yoyes: Cultural Discourses of Gender and
Politics in the Basque Country"
Carol Adams,
"The Rape of Animals, the Butchering of Women"
Danny Goldberg,
"`Curing' the Rapist: Notes on the Treatment of Sex Offenders
in New Jersey"
Holly Dixon,
"`Non-Time' and Woman: a Re-evaluation of the Eternal Feminine"
Leslie Peirce,
"Shifting Boundaries: Images of Ottoman Royal Women in
the Sixteenth and Seventeenth Centuries"
Frederick Tibbetts,
"Irigaray and the Languages of Wittgenstein"
Catherine E. Saunders,
"Makers or Bearers of Meaning? Sex and the
Struggle for Self-Definition in Ralph Ellison's Invisible Man"
Martha Hodes,
"Illicit Sex Across the Color Line: White Women and Black
Men in the Civil War South"
Celeste Fraser,
"Stealing B(l)ack Voices: The Myth of the Black
Matriarchy and The Women of Brewster Place"
Jennifer Hirsch,
"Between the Missionaries' Positions and the Missionary
Position: Mexican Dirty Jokes and the Public (Sub)Version of Sexuality"
Cynthia J. Cupples,
"Pious Ladies and Methodist Madams: Sex and Gender
in Anti-Methodist Writings of Eighteenth-Century England"
Kirk D. Read,
"Louise Labé in Search of Time Past: Prefatory Strategies
and Rhetorical Transformations"
Poems by Elizabeth B. Crowell,
Hilary Persky, and Wendy Zierler
Laura Kellogg,
"Boccaccio's Criseida and Her Narrator, Filostrato"
Sylvia Brown,
"Margaret Cavendish: Strategies Rhetorical and Philosophical Against the
Charge of Wantonness, Or Her Excuses for Writing So Much"
Erin Mackie,
"`The anguish, toil, and pain, / Of gathering up herself again':
The Fabrication of Swift's Women"
Cynthia Davis,
"Privileging Differences or Different Privileges?"
Ellis Hanson,
"Narcissism and Critique"
Paulette Singley,
"Living in a Glass Prism: the Female Figure in Ludwig Mies Van der
Rohe's Domestic Architecture"
Janet Gray,
"Access to Kanchenjunga"
Ann Marie Hebert,
"Rewriting the Feminine Script: Fay Weldon's Wicked Laughter"
Joanne Shen,
"Dora: The Case for Hysteria"
Lydia Douglas,
"Reverse Angle," photo essay
Shireen Carroll, Wendy Carse,
Annette Trefzer, "Fashioning Professional Selves"
Tracy Seeley,
"(Un)weaving the Shroud of the Fathers: `A Woman's Sentence'
in Between the Acts"
From the Editors,
Feminism and Cultural Studies
Andrew Ross,
"Andrew Ross in Cultural Studies"
Joanne Gottlieb and Gayle Wald,
"Smells Like Teen Spirit: Riot Grrrls, Revolution, and Women in
Independent Rock"
Debra Silverman,
"Making a Spectacle, or, Is There Female Drag?"
David Lewis,
"A Home for Murphy Brown's Son(s)"
Interview by David Hawk,
"Tricia Rose on Hip-Hop"
David Lewis, Lisa Lynch,
Jeffrey Schulz, Bruce Simon, "Caught in Space?
The Configuration of a TwentySomething Generation"
From the Editors,
Interdisciplinarity, the Feminist Journal, and You
Lesley Wheeler, Poems:
"Her Heart in a Box," "Dissertation Proposal," "Clouds Blow Over"
Christopher Bracken,
"Constance and the Silkweavers: A Discussion of
Working Women and Colonial Fantasy in Chaucer's The Man of Laws Tale"
Susan Nygaard,
"Redecorating Dombey: The Power of `A Woman's Anger' versus
Upholstery in Dombey and Son"
Craig Dionne,
"Shakespeare and Gender: Toward a Theory of Popular Cultural Mediation"
Hawley Russell,
"Crossing Games: Reading Black Transvestism at the Movies"
Margaret Coombs,
"Wearing the Dog-Suit or The Irrelevance of Irigaray"
Afterword: From the Authors
From the Editors:
A Matrix of Critical Positions
Interview by Felicia Kornbluh,
"`What's Wrong with Raw, Carnal Lust?'
Kristin Luker on Sex, Welfare, and Feminist Scholarship"
Lauri Umansky,
"`The Sisters' Reply': Black Nationist Pronatalism, Black
Feminism, and the Quest for a Multiracial Women's Movement, 1965-1974"
Glyn Hughes,
"When Your Only Tool is a Hammer, Everything Looks Like a
Nail: Aids (W)riting Dis-Easily"
Nevin Mercede,
"POSITIVE WOMEN: an excerpt," art installation
Debra Weinstein,
Poems from Rodent Angel
Jennifer Manlowe,
"Seduced By Faith: Sexual Traumas and Their Embodied Effects"
Michele Rivkin-Fish,
"Post-Communist Transformations and Abortion
Politics: Reflections on Feminist Strategies and `Choice'"
Maggie Hopp,
"Photographs of the 42nd Street Art Project."
"`In the Mess':
A Roundtable Discussion of Feminism and
Interdisciplinarity," transcribed and edited by Heather Hadlock
Marilyn Migiel,
"Olimpia's Secret Weapon: Gender, War, and Hermeneutics
in Ariosto's Orlando Furioso"
Sarah Teasley,
"(Anti)-Hysteric Glamour: Masquerade, Cross-Dressing, and
the Construction of Identity in Japanese Fashion Magazines"
sidney matrix,
"Experiencing Lesbian:Theory, Lesbian:Writing: A Personalist Methodology"
Natalie Grinnell,
"Griselda Speaks: The Scriptural Challenge to
Patriarchal Authority in `The Clerk's Tale'"
Stephen C. Behrendt,
"Anthologizing British Women Poets of the Romantic Period: The Scene Today"
Bethzabé Guevara,
"The Señorita Didn't Teach Me," translated
with an introduction, notes, and bibliography by Kathy S. Leonard
Cynthia Cupples,
Anne-Lise François, and Barbara Krauthamer, "`Working
on Truth': An Interview with Nell Painter"
Lydia Yukman,
"Isms"
Corinne Field,
"Breast-feeding, Sexual Pleasure, and Women's Rights:
Mary Wollstonecraft's Vindication"
Nan Byrne,
Poems from Uncertain Territories
Elizabeth B. Frierson,
"Unimagined Communities: Women and Education in the Late-Ottoman
Empire, 1876-1909"
Deborah Meadows,
"Mrs. Doc Warner: An Epistemological Western"
Wendy Hui Kyong Chun,
"A Case of Mistake[s i]n Identity: Bearing Witness to the Montreal Massacre"
Kelly Searsmith,
"The Ideal Daughter"
Martha Moulsworth's "Memorandum"
(1632)--one of the first autobiographical
poems in English--issues an early call for educational equality, provides
an inside view of the life of a Renaissance woman, and is one of the
few writings about widowhood by an early modern widow.
"The Birthday of My Self" offers
original and modernized texts of
Moulsworth's "Memorandum," notes and biographical background, and a broad
range of critical approaches to the poem by student contributors from
the first year of college to advanced graduate study.
Originating as an experiment in the
integration of pedagogy and
scholarship, this special issue of Critical Matrix is intended to
address students and teachers in women's history, literature surveys,
and advanced courses in literature and theory, to encourage the close
reading and analysis of works by other early women writers that have
missed the close attention they merit and reward, and to suggest how
professors and students can work together as collaborators and
colleagues.
Cosponsored by the National Council
on Public History.
Margit Dementi,
"Luminous Obscurity: Marguerite Yourcenar and the Academy"
Maya Hostettler,
"Summer Evening" (fiction)
Natalie Grinnell,
"The Other Woman in Chrétien de Troyes's Yvain"
Joseph Auner,
"Soulless Machines and Steppenwolves: Renegotiating
Masculinity in Krenek's Johnny Spielt Auf"
Benay Blend,
"Building a `House of Earth': Mary Austin, Environmentalist
Activist and Writer"
Elizabeth Fulton,
"On the Eve of Destruction: Technology, Nostalgia, and
the Fetishized Maternal Body"
Lesley Wheeler,
"Attitudes of Mothering: Review of Rita Dove's Mother Love"
Tamara Ketabgian,
"The Human Prosthesis: Workers and Machines in the Victorian Industrial
Scene"
Karen Beckman,
"Vanishing Women: Hitchcock, Harlan, and the Politics of Prestidigitation"
Thomas Strong,
"Blood/Money"
Jonathan Massey,
"Magic Flashes: Tattoo and Technical Reproduction"
Kristin Kalajainen,
"Mouth Heart Colon: Dissecting Kathie Lee Gifford's Organs of Speech"
Elena Filipovic,
"Immaculate Conceptions: Genitals, Mannequins, and the Exposition
Internationale du Surrealisme"
Gage McWeeny,
"The Primal Seen: Captain Cook and Cannibal Visions at Hawaii"
Julie Park,
"'no sex in ethereals': Making the Heart and Hymen Real in
Clarissa"
Wendy Nolan,
"The Other Eye: Assia Djebar's Bodily Gaze"
Ruth Larson,
"The Whore's Tale: Reading and Writing the Prostitute's Life"
Denise Brennan,
"Women at Work: Sex Tourism in Sosua, the Dominican Republic"
Lisa Parks,
"Watching the 'Working Gals': Fifties Sitcoms and the Repositioning of
Women in Postwar American Culture"
Valerie Karno,
"Between Victim and Offender: Aileen Wuornos and the Representation of
Self-Defense"
Deborah E. B. Weiner,
"Hull House and the Production of Women's Space in the Late Victorian
City"