CRITICAL MATRIX
INDEX TO BACK ISSUES
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Volumes: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
Volume 1
($1.00 per number)
1985
No. 1
Cornelia
Hughes Dayton, "Unequal in Transgression: The Double Standard
in Bastardy/Fornication Proceedings in Eighteenth-Century New England"
No. 2
James
E. Goodman, "The Origins of the 'Civil War' in the Reform Community:
Elizabeth Cady Stanton on Woman's Rights and Reconstruction"
No. 3
Mary
J. Harper, "Recovering the Other: Women and the Orient in Writings
of Early Nineteenth-Century France"
No. 4
Rachel
Weil, "'The Crown has Fallen to the Distaff': Gender and Politics
in the Age of Catherine de Medici, 1560-1589"
No. 5
Lorraine
Daston and Katharine Park, "Hermaphrodites in Renaissance France"
No. 6
Kari
Weil, "The Aesthetics of Androgyny in Balzac and Woolf, or The
Difference of Difference"
Volume 2
($7.50 per issue)
1986
Nos. 1-3: Rethinking Female Authorship
Carla
A. Hesse, "Reading Signatures: Some Legal Contingencies of Female
Authorship in France, 1750-1850"
Jayne
Lewis, "Compositions of Ill-Nature: Women's Place in a Satiric
Tradition"
Adriana
Rosman-Askot, "Out of the Shadows: Two Centuries of Argentine
Women's Voices"
Nos. 4-6
Siobhan
Kilfeather, "Beyond the Pale: Sexual Identity and National Identity
in Early Irish Fiction"
Linda
Lierheimer, "Rewriting Religious History: The Feminism of the
Seventeenth-Century Ursulines"
Melissa
A. Orlie, "What Difference Does Difference Make? The Politics
of Identity in Feminist Discourse"
Volume 3
($7.50 per issue)
1987
No. 1 (Spring)
Elizabeth B. Clark, "Matrimonial Bonds: Slavery, Contract, and the Law of Divorce in Nineteenth-Century America"
Leyla
Ezdinli, "Naming and Self-Naming: The 'Woman of Letters' in French
Romanticism"
Katherine
Stern, "The War of the Sexes in British Fantasy Literature of
the Suffragette Era"
No. 2 (Fall)
Gregory
Evans Dowd, "North American Indian Slaveholding and the Colonization
of Gender: The Southeast Before Removal"
Teresa
Sanchez-Lazer, "Feminism, Familism, and Chicana Politics"
Madeleine
Brainerd, "Translation and Politics"
Volume 4
($7.50 per issue)
1988
No. 1: Violence, Feminism, and the History of Sexuality (Special Issue, Spring)
Sharon
Holland, "'Which Me Will Survive?': Audre Lorde and the Development
of a Black Feminist Ideology"
Wayne
Koestenbaum, "The Shadow on the Bed: Dr. Jekyll, Mr. Hyde, and
the Labouchère Amendment"
Siobhan
Gibbons, "The Social Construction of Twentieth-Century Irish Women's
Emigration"
Begoña
Aretxaga, "The Death of Yoyes: Cultural Discourses of Gender and
Politics in the Basque Country"
Carol
Adams, "The Rape of Animals, the Butchering of Women"
Danny
Goldberg, "'Curing' the Rapist: Notes on the Treatment of Sex
Offenders in New Jersey"
No. 2 (Fall/Winter)
Holly
Dixon, "'Non-Time' and Woman: a Re-evaluation of the 'Eternal Feminine'"
Leslie
Peirce, "Shifting Boundaries: Images of Ottoman Royal Women in
the Sixteenth and Seventeenth Centuries"
Frederick
Tibbetts, "Irigaray and the Languages of Wittgenstein"
Volume 5
($7.50 per issue)
No. 1 (Fall/Winter 1989)
Catherine
E. Saunders, "Makers or Bearers of Meaning? Sex and the Struggle
for Self-Definition in Ralph Ellison's Invisible Man"
Martha
Hodes, "Illicit Sex Across the Color Line: White Women and Black
Men in the Civil War South"
Celeste
Fraser, "Stealing B(l)ack Voices: The Myth of the Black Matriarchy
and The Women of Brewster Place"
No. 2 (Spring/Summer 1990)
Jennifer
Hirsch, "Between the Missionaries' Positions and the Missionary
Position: Mexican Dirty Jokes and the Public (Sub)Version of Sexuality"
Cynthia
J. Cupples, "Pious Ladies and Methodist Madams: Sex and Gender
in Anti-Methodist Writings of Eighteenth-Century England"
Kirk
D. Read, "Louise Labé in Search of Time Past: Prefatory
Strategies and Rhetorical Transformations"
Poems
by Elizabeth B. Crowell, Hilary Persky, and Wendy Zierler
Volume 6
No. 1
($7.50 per issue)
1991
Erin
Mackie, "'The anguish, toil, and pain, Of gathering up herself
again': The Fabrication of Swift's Women"
Sylvia
Brown, "Margaret Cavendish: Strategies Rhetorical and Philosophical
Against the Charge of Wantonness, Or Her Excuses for Writing So Much"
Laura
Kellogg, "Boccaccio's Criseida and Her Narrator, Filostrato"
No. 2
($8.00 per issue)
1992
Cynthia
Davis, "Privileging Differences or Different Privileges?"
Ellis
Hanson, "Narcissism and Critique"
Paulette
Singley, "Living in a Glass Prism: the Female Figure in Ludwig
Mies Van der Rohe's Domestic Architecture"
Volume 7
($8 per issue)
No. 1
1993
Janet
Gray, "Access to Kangchenjunga"
Ann
Marie Hebert, "Rewriting the Feminine Script: Fay Weldon's Wicked
Laughter"
Joanne
Shen, "Dora: The Case for Hysteria"
Lydia
Douglas, "Reverse Angle," photo essay
Shireen
Carroll, Wendy Carse, Annette Trefzer, "Fashioning Professional
Selves"
Tracy
Seeley, "(Un)weaving the Shroud of the Fathers: 'A Woman's Sentence'
in Between the Acts"
No. 2: Special Issue: Cultural Studies
1993
From
the Editors: Feminism and Cultural Studies
Andrew
Ross, "Andrew Ross in Cultural Studies"
Joanne
Gottlieb and Gayle Wald, "Smells Like Teen Spirit: Riot Grrrls,
Revolution, and Women in Independent Rock"
Interview
by David Hawk, "Tricia Rose on Hip-Hop"
David
Lewis, "A Home for Murphy Brown's Son(s)"
Debra
Silverman, "Making a Spectacle, or, Is There Female Drag?"
David
Lewis, Lisa Lynch, Jeffrey Schulz, Bruce Simon, "Caught in Space?
The Configuration of a TwentySomething Generation"
Volume 8
($8.00 per issue)
1994
No. 1
From
the Editors: Interdisciplinarity, the Feminist Journal, and You
Lesley
Wheeler, "Poems: Her Heart in a Box, Dissertation
Proposal,Clouds Blow Over"
Christopher
Bracken, "Constance and the Silkweavers: A Discussion of Working
Women and Colonial Fantasy in Chaucer's 'The Man of Law's Tale'"
Susan
Nygaard, "Redecorating Dombey: The Power of 'A Woman's Anger'
versus Upholstery in Dombey and Son"
Craig
Dionne, "Shakespeare and Gender: Toward a Theory of Popular Cultural
Mediation"
Hawley
Russell, "Crossing Games: Reading Black Transvestism at the Movies"
Margaret
Coombs, "Wearing the Dog-Suit or The Irrelevance of Irigaray"
No. 2
From
the Editors: A Matrix of Critical Positions
Interview
by Felicia Kornbluh, "'What's Wrong with Raw, Carnal Lust?' Kristin
Luker on Sex, Welfare, and Feminist Scholarship"
Lauri
Umansky, "'The Sisters Reply': Black Nationalist Pronatalism, Black
Feminism, and the Quest for a Multiracial Women's Movement, 1965-1974"
Glyn
Hughes, "When Your Only Tool is a Hammer, Everything Looks Like
a Nail: AIDS (W)riting Dis-Easily"
Nevin
Mercede, "POSITIVE WOMEN: an excerpt"
Debra
Weinstein, "Poems from Rodent Angel"
Jennifer
Manlowe, "Seduced By Faith: Sexual Traumas and Their Embodied
Effects"
Michele
Rivkin-Fish, "Post-Communist Transformations and Abortion Politics:
Reflections on Feminist Strategies and 'Choice'"
Maggie
Hopp, "Photographs of the 42nd Street Art Project"
Volume 9
($8.00 per issue)
1995
No. 1
"'In
the Mess': A Roundtable Discussion of Feminism and Interdisciplinarity," transcribed
and edited by Heather Hadlock
Marilyn
"Olimpia's Secret Weapon: Gender, War, and Hermeneutics in Ariosto's Orlando Furioso"
Sarah
Teasley, "(Anti)-Hysteric Glamour: Masquerade, Cross-Dressing,
and the Construction of Identity in Japanese Fashion Magazines"
sidney
matrix, "Experiencing Lesbian: Theory, Lesbian: Writing - A Personalist
Methodology"
Natalie
Grinnell, "Griselda Speaks: The Scriptural Challenge to Patriarchal Authority in 'The Clerk's Tale'"
Stephen
C. Behrendt, "Anthologizing British Women Poets of the Romantic
Period: The Scene Today"
Bethzabé Guevara, "The
Señorita Didn't Teach Me," translated with an introduction,
notes, and bibliography by Kathy S. Leonard
No. 2
Cynthia
Cupples, Anne-Lise François, and Barbara Krauthammer, "'Working
on Truth': An Interview with Nell Painter"
Lidia
Yukman, "Isms"
Corinne
Field, "Breast-feeding, Sexual Pleasure, and Women's Rights: Mary Wollstonecraft's
Vindication"
Nan Byrne
"Poems from Uncertain Territories"
Elizabeth
B. Frierson, "Unimagined Communities: Women and Education in the
Late-Ottoman Empire, 1876-1909"
Deborah
Meadows, "Mrs. Doc Warner: An Epistemological Western"
Wendy
Hui Kyong Chun, "A Case of Mistake[s i]n Identity: Bearing Witness
to the Montreal Massacre"
Kelly
Searsmith, "The Ideal Daughter"
Volume 10
($8 per issue)
1996
Unnumbered Special Issue: "The Birthday of
My Self": Martha Moulsworth, Renaissance Poet, guest-edited
by Ann Depas-Orange and Robert C. Evans.
Martha
Moulsworth's "Memorandum" (1632)--one of the first autobiographical
poems in English--issues an early call for educational equality, provides
an inside view of the life of a Renaissance woman, and is one of the
few writings about widowhood by an early modern widow.
"The
Birthday of My Self" offers original and modernized texts of Moulsworth's "Memorandum," notes
and biographical background, and a broad range of critical approaches
to the poem by student contributors from the first year of college
to advanced graduate study.
Originating
as an experiment in the integration of pedagogy and scholarship, this
special issue of Critical Matrix is intended to address students and
teachers in women's history, literature surveys, and advanced courses
in literature and theory, to encourage the close reading and analysis
of works by other early women writers that have missed the close attention
they merit and reward, and to suggest how professors and students can
work together as collaborators and colleagues.
Cosponsored
by the National Council on Public History.
Preface by Ann Depas-Orange and Robert C. Evans
Ann Depas-Orange, "Moulsworth's Life and Times"
"The 'Memorandum' of Martha Moulsworth"
Matthew Steggle, "Rhetorical Ordering in Moulsworth's 'Memorandum'"
Joseph Csicsila, "Numerological Structures in Moulsworth's 'Memorandum'"
Elaine Potts Stuart, "Poetically Apropos: Poetic Form and Martha Moulsworth's Portrayal of Her Father"
Joanne M. Gaudio, "Genealogy in Support of Unconventionality in Martha Moulsworth's 'Memorandum'"
Jimmy K. Hull, "Convention and Unconventionality in Moulsworth's 'Memorandum' and Hassal's Funeral Sermon"
Heather Hirshfeld, "Martha Moulsworth and Chaucer's Wife of Bath"
Roni Lias, "Biblical Allusions in Moulsworth's 'Memorandum'"
Jonathan Wright, "Moulsworth and the Fathers"
Mary Jane Humphrey, "Saving a Life"
Kevin Bowden, "An Archetypal Approach to the 'Memorandum' of Martha Moulsworth"
Bebe Barefoot, "Martha Moulsworth / Poet"
Kurt R. Niland, "Moulsworth and Recent Feminist Theory: The Example of Adrienne"
Karen Pirnie, "Moulsworth, Freud, and Lacan"
Mark Robson, "Day of the Dead"
"A Critical Kaleidoscope"
Michael W. Crocker, "Moulsworth's 'Memorandum': An Analytical Condordance"
Anne-Lise Francois and Heather Hadlock, Afterword
Nos. 1-2 Special Topic: (M)Other Nature
Margit
Dementi, "Luminous Obscurity: Marguerite Yourcenar and the Academy"
Maya
Hostettler, "Summer Evening"
Natalie
Grinnell, "The Other Woman in Chrétien de Troyes's Yvain"
Joseph
Auner, "'Soulless Machines' and Steppenwolves: Renegotiating Masculinity
in Krenek's Johnny Spielt Auf"
Benay
Blend, "Building a 'House of Earth': Mary Austin, Environmental Activist
and Writer"
Elizabeth
Fulton, "On the Eve of Destruction: Technology, Nostalgia, and the Fetishized
Maternal Body"
Lesley
Wheeler, "Attitudes of Mothering: Review of Rita Dove's Mother Love"
Volume 11
($12 per issue)
1997
No. 1 Body Parts
Tamara
Ketabgian, "The Human Prosthesis: Workers and Machines in the
Victorian Industrial Scene"
Karen
Beckman, "Vanishing Women: Hitchcock, Harlan, and the Politics
of Prestidigitation"
Thomas
Strong, "Blood / Money"
Jonathan
Massey, "Magic Flashes: Tattoo and Technical Reproduction"
Kristin
Kalajainen, "Mouth Heart Colon: Dissecting Kathie Lee Gifford's
Organs of Speech"
Elena
Filipovic, "Immaculate Conceptions: Genitals, Mannequins, and
the 1938 Exposition Internationale du Surréalisme"
Gage
McWeeny, "The Primal Seen: Captain Cook and Cannibal Visions at
Hawaii"
Julie
Park, "'no sex in ethereals': Making the Heart and Hymen Real
in Clarissa"
Wendy
Nolan, "The Other Eye: Assia Djebar's Bodily Gaze"
1999
No. 2 Gendered Labor, Labored Gender
Ruth
Larson, "The Whore's Tale: Reading and Writing the Prostitute's
Life"
Denise
Brennan, "Women at Work: Sex Tourism in Sosúa, the Dominican Republic"
Lisa
Parks, "Watching the 'Working Gals': Fifties Sitcoms and the Repositioning
of Women in Postwar American Culture"
Valerie
Karno, "Between Victim and Offender: Aileen Wuornos and the Representation
of Self-Defense"
Deborah
E. B. Weiner, "Hull House and the Production of Women's Space
in the Late Victorian City"
Volume 12
($15 per issue)
2001
Nos. 1 and 2 Making Sense
Aileen
Forbes, Making Sense: Introduction
Caroline
Levander, "'Informed Eyes': The 1890s Child Study Movement and Henry
James's The Turn of the Screw"
Robin
Bernstein, "'Too Realistic' and 'Too Distorted': The Attack on Louise
Fitzhugh's Harriet the Spy and the Gaze of the Queer Child"
Jennifer
Waldron, "Gaping upon Plays: Shakespeare, Gosson, and the Reformation
of Vision"
Gordon
Hughes, "The Painter of Mental Scenery: Robert Delaunay's Sensory
Abstraction and Modern Perceptual Theory"
Mark
Hansen, "Embodying Virtual Reality: Touch and Self-Movement in
the Work of Char Davies"
Timothy
Aubry, "White Noise Generation"
Volume 13
($15 per issue)
2002
No. 1 Camera Women
Marta
Weiss, "What's a nice girl like you doing in a place like this?
Diane Arbus at the Museum of Modern Art"
Kaira
Marie Cabañas, "Francesca Woodman's Interruption"
Michelle
A. Foa, "Meditations on Sally Mann's Immediate Family"
Meredith
Martin, "Contested Space and Female Subjectivity in Tracey Moffatt's
Laudanum"
Volume 14
($15 per issue)
2003
Spaces of Modernity
Suzanne
Hudson, "Feedback: Vito Acconci and the Space of His Public"
Laura
Rice, "Of Heterotopias and Ethnoscapes: The Production of Space
in Postcolonial North Africa"
Maria
Elena Versari, "Incubators for the New Youth: The Spectacularization
of Architecture and the Alteration of Social Canons in the Fascist
Seaside Camps for Children"
Sarah
Edwards, "'That Honeysuckle Rose will soon Encircle the Globe:'
A Reception History of The Country Diary of an Edwardian Lady"
Volume 15
($15 per issue)
Summer 2004
Disciplines and Disciplinarity
Cover
Illustration -- Marc Snyder, "Annie Jones and Joseph Beuys in
Times Square"
David
Ball and Johanna Burton, "Discerning Disciplines"
Evan Horowitz, "Prolegomena to any Future Interdisciplinarity"
Lisa
Fluet, "H.G Wells, Disciplinarity, and Cultural Studies"
Rena
Lederman, "Towards an Anthropology of Disciplinarity"
Jacqueline
Foertsch, "The Trials of Trialoging in Gay, Lesbian, and Feminist
Studies"
Volume 16
($15 per issue)
Fall 2007
Fates and Futures of Feminism
Preface, Carol Armstrong
"Introduction," Johanna Burton and Suzanne Hudson
"Pink," Carol Armstrong
"Securing a Future: Feminist Time Against Nation Time," Victoria J Hesford
"After Postmodernism: Feminism and Marxism Revisited," Gillian Howie
"Chic Radicals: Feminism as Authenticity in Women's Popular Culture," Marjorie Jolles
"In Cite of the Wall: Democracy, Poetry and the Public," Nicky Marsh
"Semisphere or Breast? Contradiction in the Art (History) of Eva Hesse," Kirsten Swenson
Volume 17 ~ SOLD OUT
($15 per issue)
Spring 2008
Arlene Raven's Legacy
Johanna Burton and Anne Swartz, "Introduction"
Arlene Raven and Jean Pieniadz, “Words of Honor: Contributions of a Feminist Art Critic”
Suzanne Lacy and Arlene Raven, “Travels with Mona”
Leslie King-Hammond, “Images from Agents of Change”
Anne Swartz, “She Is Who She Wants To Be: A Critical Biographical Essay on Arlene Raven”
Terry Wolverton, “The Art of Lesbian Relationship: Arlene Raven and the Lesbian Art Project”
Jerri Allyn, “Arlene Raven Tribute”
Tom Knechtel, “The Giant Lesbian Princess”
Suzanne Lacy, “The Artist Arlene Raven”
Jenni Sorkin, “Arlene Raven: Homecoming”
Carey Lovelace, “Arlene Raven and the Foresight of the Advocate Critic”
Tanya Augsburg, “From Blurred Genres to the Integrative Process: Arlene Raven’s Interdisciplinary Feminist Art Criticism”
Joanna Frueh, “All Queer”
Elizabeth Garber, “The Voice of Arlene Raven in Art and Visual Culture Education”
Maren Hassinger and Leslie King-Hammond, “Arlene Raven: Critic, Advocate, Arts Activist, and Friend”
Leslie King-Hammond, "Agents of Change: Women, Art, and Intellect"
Anne Swartz, “Arlene Raven: (In Progress) Chronology”
Sungmi Lee, Scent of Sumi
Volume 18
($15 per issue)
Fall 2009
Collaboration
Marcelline Block and Megan Heuer, "Introduction from the Editors"
Lara Blanchard and Kara Kenney, "Traces of Collaboration: Empress Yang’s Captions for Xia Gui’s Twelve Views of Landscape"
Veronica Alfano, "Generic Collaboration and Lyric Betrayal: A Reading of Tennyson’s The Princess"
Carl Fischer, "Unruly Mourning: Body and Remembrance in Pedro Lemebel’s Loco afán"
Joseph Maida, "Dream Factory: New Pictures from Japan"
Andrea Ferber, "Explicit Critique: Andrea Fraser’s Untitled"
Hilary Kaplan, "‘Rilke with Ice Cream’: Translating Poems from Angélica Freitas’s Rilke shake"
Volumes: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
CRITICAL MATRIX, matrix@princeton.edu
Program in the Study
of Women and Gender at Princeton University
