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Abstract: The death of Turnus, which is
depicted in terms evocative of sacrificial rite,
evinces a close interconnection between ritual and
poetics in Vergil’s Aeneid. By
reincorporating Juturna into the economy of sacrificial
imagery at the epic’s close, I argue that
Turnus’ sacrificial death should be seen as a
metapoetic act. Indeed, as suggested by an examination
of how time operates in the epic and especially in its
final scenes, time in the poem is structured like time
in ritual practice. The Aeneid thus engages the
reader in a process of ritually renewing the past. |