| 090907 |
Mythical inversions and history in Bacchylides
5 |
|
Foivos Karachalios, Stanford University |
 |
Abstract - The purpose of this paper is
first to suggest that the mythical section of
Bacchylides 5 is governed by a certain literary
strategy, namely the inversion of social and literary
norms pertaining to gender as well as the heroic ideal.
Second, by looking at the historical context of the ode
I venture to demonstrate that, as presented in the
mythical section, the key inversion of external into
internal war might have had a concrete meaning for the
laudandus, Hieron of Syracuse. |
|
|
| 090906 |
Rudolf Pfeiffer. A Catholic Classicist in the
Age of Protestant "Altertumswissenschaft" |
|
Christian Kaesser, Stanford University |
 |
Abstract: The basic question this paper
addresses is the way in which Catholic classicist in
Germany’s south and Catholics in general reacted
to Wolf’s Altertumswissenschaft, which was
inspired by Prussia’s
‘Kulturprotestantismus’, developed by
Protestant scholars, and tied to the institutions of
Protestant Prussia. It approaches the question through
a case study of Rudolf Pfeiffer, who was one of very
few Catholic classicists who flourished within the
institutional framework of
Altertumswissenschaft. It identifies unique
features in Pfeiffer’s scholarship in comparison
to his Protestant colleagues and examines the extent to
which they can be explained by his Catholic upbringing
and the tradition of studying Classics it
inspired. |
|
|
| 090802 |
Causes and Cases. On the Aetiologies of
Aetiological Elegies |
|
Christian Kaesser, Stanford University |
 |
Abstract: The paper examines why at the
beginning of Callimachus’ Aitia, in
Propertius 4.1, and more indirectly in the proem to
Ovid’s Fasti there appear literary critics
(the Telchines, Horus, and Augustus), who charge the
aetiological poet for the quality of his work. It
points out that these charges, when translated into
Greek, are aitiai, and that the poets’
defenses, when translated into Latin, are
causae. It argues that the function of these
proems is to present the poet as the cause of his poem.
It is also interested in the way Propertius and Ovid
adapt Callimachus’ Greek conceit to the different
cultural and linguistic context of Rome. |
|
|
| 070801 |
Making Space for Bicultural Identity: Herodes
Atticus Commemorates Regilla |
|
Maud W. Gleason, Stanford University |
 |
Abstract: Herodes and Regilla built a number
of installations during their marriage, some of which
represented their union in spatial terms. After Regilla
died, Herodes reconfigured two of these structures,
altering their meanings with inscriptions to represent
the marriage retrospectively. This paper considers the
implications of these commemorative installations for
Herodes’ sense of cultural identity. |
|
|
| 060802 |
Vergil Translates Aratus: Phaenomena 1-2 and
Georgics 1.1.2 |
|
Joshua Katz, Princeton University |
 |
Abstract - This paper demonstrates that
Vergil engages in a kind of verbal one-upmanship with
Aratus by opening his Georgics with a
multifaceted—and till now entirely
overlooked—example of wordplay that is directly
indebted to Aratus’ “signature” at
the start of the Phaenomena. In all sorts of
ways, terram / uertere is a "translation" of
ἐῶμεν /
ἄρρητον. |
|
This paper has now been published in Materiali e
Discussioni per l'analisi dei testi classici 60
(2008), pp. 105-23. |
|
|
| 060801 |
Etymology (A Linguistic Window onto the History
of Ideas) |
|
Joshua Katz, Princeton University |
 |
Abstract - This short essay for a volume on
the classical tradition aims to give a basic, lively
account of the forms and development of etymological
practice from antiquity to the present day. |
|
|
| 120701 |
Footrace, Dance, and Desire: The
χορός of Danaids
in Pindar’s Pythian 9 |
|
Micah Y. Myers, Stanford University |
 |
Abstract - This paper offers a new
interpretation of Pindar’s Pythian
9.112-16, which relates the story of Danaos
marrying off his forty-eight daughters. Previously,
these lines have been understood as describing a
footrace by the daughter’s suitors to determine
which suitor would marry which daughter. By reanalyzing
Pindar’s diction I suggest that this passage also
depicts Danaos’ daughters in the marked terms of
choral performance. This interpretation not only
matches the representation of the Danaids as a
performing chorus in Phyrnicus’ Danaids
and Aeschylus’ Suppliants, but it also
further illuminates the way desire permeates and
organizes this particular Pindaric ode. |
|
This paper replaces version 1 (080702) originally
posted in August 2007. |
|
|
This paper has been published as follows: Myers, M.
(2007) “Footrace, Dance, and Desire: The
χορός of Danaids in
Pindar’s Pythian 9.” SIFC 5.2:
230-47. |
|
|
| 080702 |
Footrace, Dance, and Desire: The
χορός of Danaids
in Pindar’s Pythian 9 |
|
Micah Y. Myers, Stanford University |
|
Revised December 2007. See entry 120701. |
|
|
| 070703 |
Dux reget examen (Epistle 1.19.23):
Horace’s Archilochean Signature |
|
Joshua Katz, Princeton University |
 |
Abstract - This paper compares Horace the
Honeybee to his iambic predecessor Archilochus the
Wasp. In particular, I argue that a hitherto
unrecognized way in which Horace promotes himself as
the Italicus Archilochus is through his
“signature” [qui sibi fidet, /]
dux reget examen (Epistle 1.19.23)
‘[Who trusts himself] will rule the swarm as
leader’ — an innovative Latin calque on the
Greek name Arkhí-lokhos, literally
“Rule-swarm.” |
|
This paper has now been published in Materiali e
Discussioni per l'analisi dei testi classici 59
(2007), pp. 207-13. |
|
|
| 070702 |
The Origin of the Greek Pluperfect |
|
Joshua Katz, Princeton University |
 |
Abstract - The origin of the pluperfect is
the biggest remaining hole in our understanding of the
Ancient Greek verbal system. This paper provides a
novel unitary account of all four morphological types
— alphathematic, athematic, thematic, and the
anomalous Homeric form 3sg.
ēídē ‘knew’
— beginning with a “Jasanoff-type”
reconstruction in Proto-Indo-European, an
“imperfect of the perfect.” |
|
This paper has now been published in Die
Sprache 46 (2006, publ. 2008), pp. 1-37. |
|
|
| 070701 |
The Epic Adventures of an Unknown
Particle |
|
Joshua Katz, Princeton University |
 |
Abstract - This paper, a mini-"Autour
de ‘ταρ
épique’," is above all a
contribution to the study of Homeric formulas and
compositional technique. I give an overview and expand
our understanding of the under-appreciated Homeric
particle tar, whose Cuneiform Luvian cognate
Calvert Watkins discovered over a decade ago and whose
essential Greek-ness M. L. West accepts in his Teubner
edition of the Iliad; demonstrate on linguistic
and stylistic grounds that tar is part of the
conjunction autár but not of the
semantically similar near-look-alike atár;
and explain why this unstressed and almost unknown
monosyllable is of unexpectedly wide interest, being
not just a bit of Homeric and Indo-European linguistic
trivia, but an important rhetorical device in the
description of ancient Greek ritual. |
|
This paper has been published in Greek and Latin
from an Indo-European Perspective, ed. Coulter
George, Matthew McCullaugh, Benedicte Nielsen, Antonia
Ruppel, & Olga Tribulato (Cambridge, Cambridge
Philological Society, 2007), pp. 65-79. |
|
|
| 060702 |
A Dove and a Nightingale:
Mahābhārata 3.130.18-3.131.32 and
Hesiod, Works and Days 202-13 |
|
A. T. Zanker, Princeton University |
|
Abstract - The Hesiodic Fable of The Hawk
and the Nightingale remains a scholarly problem,
but perhaps light can be shed on it by stepping outside
the Greek tradition and comparing it with a story from
the Indic Mahābhārata that involves
not merely a hawk and a dove, but also a king who
protects the latter. |
|
This paper has now been published in
Philologus 1531 (2009), pp. 10-25. |
|
|
| 050703 |
Literary Quarrels |
|
Susan Stephens, Stanford University |
 |
Abstract - Scholars have long noted Platonic
elements or allusions in Callimachus' poems,
particularly in the Aetia prologue and the 13th
Iambus that center on poetic composition. Following up
on their work, Benjamin Acosta-Hughes and Susan
Stephens, in a recent panel at the APA, and in papers
that are about to appear in Callimachea II. Atti
della seconda giornata di studi su Callimaco (Rome:
Herder), have argued not for occasional allusions, but
for a much more extensive influence from the
Phaedo and Phaedrus in the Aetia prologue
(Acosta-Hughes) and the Protagoras, Ion,
and Phaedrus in the Iambi (Stephens).
These papers are part of a preliminary study to
reformulate Callimachus' aesthetic theory. Included
herein is Benjamin Acosta-Hughes' "The Cicala's Song:
Plato in the Aetia." |
|
|
| 050702 |
Remapping the Mediterranean: The Argo adventure
Apollonius and Callimachus |
|
Susan Stephens, Stanford University |
 |
Abstract - This paper was written for
Culture in Pieces, a Festschrift in honor of
Peter Parsons. Callimachus and Apollonius were poets
writing in Alexandria, a newly established Greek city
on the north east coast of Africa that lacked defining
narratives of space, indigenous gods and heroes, or
founding families. I argue that both poets turned to
the legend of the Argonauts to link Libya and Egypt
with Greece as a strategy in crafting a legitimating
myth for the Ptolemaic occupation of Egypt. The textual
argument focuses on the gift of a clod of Libyan earth
to one of the Argonauts in Pindar’s
Pythian 4 and at end of the Argonautica,
and the Argonaut fragments at the beginning of
Callimachus’ Aetia. |
|
|
| 050701 |
Read on Arrival |
|
Richard P. Martin, Stanford University |
 |
Abstract: The poetics of traveling poets are
analyzed with the help of evidence from Greece (6thc
BCE to 6th c CE), West Africa, and Ireland. A detailed
explication of Aristophanes Birds 904-957 is used to
explore further the tropes used by bards and rules of
interaction with poeti vaganti. The Lives
of Homer tradition is shown to match up with
descriptions of cognate poetic performances (Greek and
other) in this regard. |
|
|
| 040701 |
Golden Verses: Voice and Authority in the
Tablets |
|
Richard P. Martin, Stanford University |
 |
Abstract: This paper attempts to read the
gold “Orphic” tablets found in tombs from
Thessaly to Sicily against the background of Homeric
epic. It introduces the notion of “speech
type-scene” and draws conclusions, from the
deployment of formulae and pragmatic situations, about
the “voice” one is supposed to hear behind
the tablet texts. It was originally delivered as a
paper at the Ohio State University conference Ritual
Texts for the Afterlife (April 2006), organized by
Fritz Graf and Sarah Iles-Johnston. |
|
|
| 030702 |
Religion in the Ancient Novel |
|
Froma I. Zeitlin, Princeton University |
 |
Abstract - This chapter of the forthcoming
Cambridge Companion to the Ancient Novel, ed.
Tim Whitmarsh, (2007) surveys the pervasive presence of
religion and the sacred in the extant Greek and Roman
novels and addresses the much discussed issues of its
roles and functions, with an emphasis on the challenges
the topic poses to the interpretation of the genre's
core erotic ideology. It also explores instances of the
fictional imagination at work in absorbing, modifying,
and creatively refining a few selected religious
elements. |
|
This paper has now been published as "Religion" in
Tim Whitmarsh, ed. Companion to the Greek and Roman
Novel, Cambridge Univerity Press, 2008. pp
91-108. |
|
|
| 030701 |
A Narrator of Wisdom. Characterization through
gnomai in Achilles Tatius. |
|
Koen De Temmerman, Stanford University |
 |
Abstract: This paper contributes to the
study of characterization in Achilles Tatius by
offering an analysis of the many gnomai or
“wisdom sayings” in this ancient Greek
novel. After having illustrated the importance of
gnomai in literary characterization with some examples
from the text, I argue that a close reading of the
gnomai in Clitophon’s narrator text and character
text raises questions about Clitophon’s
reliability as a narrator. Whereas Clitophon uses
gnomai to portray himself as an expert in erotic
affairs before his narratee in Sidon, the gnomai used
by the protagonist and other characters within the
story suggest that, as a character in his own story,
Clitophon does not assume the authoritative position
that he claims to have in this field. |
|
|
| 110602 |
Performance, Text, and the History of
Criticism |
|
Andrew Ford, Princeton University |
 |
Abstract: I argue that the study of ancient
criticism is unduly narrow unless it combines an
awareness of the materiality of culture—of the
forms in which literary texts were produced,
circulated, stored up, and accessed—with an
appreciation for how strongly performance traditions
could shape the reception and valuation of such texts.
To illustrate, I analyze the 25th chapter of
Aristotle’s Poetics to show that the
theory behind “Problems and Solutions” was
less significant culturally than the many-formed game
of using poets in ethical debate. Also included is a
brief overview of work since Vol. 1 of the Cambridge
History of Literary Criticism (edited by George
Kennedy in 1989) that fruitfully confronts the idea of
the work of art as text with the reality of the work of
art as performance. |
|
|
| 110601 |
Die Katharsis im sokratischen Platonismus
(Katharsis in Socratic Platonism) |
|
Christian Wildberg, Princeton University |
 |
Abstract - In this paper, written in German,
I am exploring the concept of purification
(katharsis) in early Platonic dialogues. The
evidence suggests that this variant of
katharsis, which possesses a marked cognitive
dimension, might well have Socratic roots. More
importantly, however, its serves as a useful backdrop
for an understanding of Aristotle's enigmatic
conception of dramatic katharsis as broached in
the Poetics. Modern discussions of the latter
have so far largely ignored the Socratic-Platonic
precursor, with which Aristotle was undoubtedly
familiar. |
|
|
| 090607 |
Simplicius und das Zitat Zur Überlieferung des
Anführungszeichens |
|
Christian Wildberg, Princeton University |
 |
Abstract - This paper was published in a
somewhat inaccessible Festschrift for Dieter
Harlfinger. Taking the lead from an obscure passage in
Simplicius, which can only be understood if the
quotation marks in the medieval manuscripts are taken
into account, the paper surveys the usage of quotation
marks in the medieval in extant papyri and some
manuscripts. The evidence suggests that quotation marks
and other signs of interpunctuation were widely used in
late antiquity, and that it is a mistake of editors of
texts written in late antiquity to ignore such marks if
and when they appear in the manuscript tradition. The
paper observes in passing that the famous "Sentence of
Anaximander" is not marked as a direct quotation is the
extant Simplicius-manuscripts. |
|
|
| 090606 |
Herodotus and the Poets |
|
Andrew Ford, Princeton University |
 |
Abstract: This is an attempt to describe
Herodotus’ relation to Greek poets, both as
historical sources and as “cultural
capital.” It is a brief discussion (1500 words)
written for a general audience; but it may be of
interest as raising a matter not often considered
outside of the excellent and long study by Ph.-E.
Legrand in Vol. 1 of the Budé
Hérodote (pp. 147 ff.). |
|
|
| 090605 |
THE GENRE OF GENRES: Paeans and Paian in Early
Greek Poetry |
|
Andrew Ford, Princeton University |
|
No longer available as a working paper. This is now
published in the journal Poetica 38/3-4 (2006) pp.
277-296. |
|
|
| 090604 |
From “Socratic logoi” to
“dialogues”: Dialogue in Fourth-century
Genre Theory |
|
Andrew Ford, Princeton University |
 |
Abstract: This paper argues that we can only
have a just appreciation of the rise and early
development of philosophic dialogue in Greece by
bracketing the immense influence that the Platonic
version of the form has exerted and turning instead to
tracing how “Socratic logoi” came to be
recognized as a new prose genre in fourth-century
Athens. A consideration of the early terms used to name
the form suggests that dialogue should not be derived
from fifth-century mime or drama but should be
understood in the context of the burgeoning rhetorical
literature of the period; in particular, dialogue will
be shown to be one of many innovative kinds of
fictional speech-texts that were proclaiming new and
special powers for written prose. |
|
|
| 050601 |
Saving the Appearances: The Phenomenology of
Epiphany in Atomist Theology |
|
Jacob L. Mackey, Princeton University |
 |
Abstract: In this paper I propose an
approach to Epicurean theology that avoids the
stalemate of "realist" and "idealist" interpretations.
I argue that Epicurean theology is more
phenomenological than metaphysical, its purpose less to
ground and justify dogmatic commitment to whatever form
of existence the gods may enjoy than to account for a
prevalent aspect of ancient religious experience,
epiphany, and to assimilate that experience to
Epicurean philosophical therapeia. In the process I
reconstruct and reassess the equally epiphanic theology
of Democritus that forms a source for Epicurus'
theological thought. His theology has also been
unprofitably construed by modern scholars as a
reductive dismissal of the gods as mere psychological
effects or manifest fictions. Instead, Democritus was
at least as accommodating of the phenomena of religious
experience as Epicurus: his own theology is likewise
founded on epiphany and he too attempts a therapeutic
analysis of its attendant effects. |
|
|
| 030601 |
On not forgetting the “Literatur” in
“Literatur und Religion”: Representing the
Mythic and the Divine in Roman Historiography |
|
Denis Feeney, Princeton University |
 |
Abstract: Against recent attempts to argue
that generic distinctions between history and other
forms are not particularly relevant to analysis of how
the divine is represented, this paper argues that
generic distinctions are important from Herodotus on.
History has its own distinctive discursive practices,
however inventively historians work on the margins with
other genres such as epic and tragedy. |
|
This paper has now been published in A. Bierl, R.
Lämmle and K. Wesselmann (eds.), Literatur und
Religion: Wege zu einer mythisch-rituellen Poetik bei
den Griechen Vol 2 (Berlin, 2007), pp.
173-202. |
|
|
| 120517 |
Arrian the Personal Historian |
|
Kyle Lakin, Stanford University |
 |
Abstract: Current scholarship ignores the
personal nature of the second preface of Arrian's
Anabasis. This preface reveals that the
Anabasis can be read as a work about Arrian's
own personal identity. Arrian's biographical history
allows us to speculate that his identity was in flux
throughout his life. By understanding the
Anabasis as Arrian's way to claim to be a Greek,
we can better interpret his characterization of
Alexander. |
|
|
| 120512 |
The Palaikastro Hymn and the modern myth of the
Cretan Zeus |
|
Mark Alonge, Stanford University |
 |
Abstract: The Palaikastro Hymn—better
known as the Hymn of the Kouretes—does not
celebrate a god of pre-Hellenic pedigree, who is Zeus
in name only, as scholars have believed with virtual
unanimity. Rather, an understanding of the conventions
of Greek hymnic performance in its ritual context goes
far to elucidating many of the ostensibly peculiar
features of the Hymn. Moving out from Palaikastro, in
eastern Crete, to survey the island as a whole, I show
that the Cretan iconographic and epigraphic records
contradict the widely accepted theory of a special,
Minoan “Cretan Zeus.” |
|
|
| 120511 |
Military and political participation in
archaic-classical Greece |
|
Ian Morris, Stanford University |
 |
Abstract - In this paper I examine the
“bargaining hypothesis” about democracy by
calculating nd political participation ratios in Greece
(MPR and PPR). I find that high (>10%) MPR coincided
with high PPR, but was only one path toward state
formation. Except in extreme situations like the
Persian invasion of 480, high MPR and PPR depended on
specific patterns of capital accumulation and
concentration. In situations of high capital
concentration rulers could substitute high spending for
high MPR and PPR, preserving desirable social
arrangements. Through time, the importance of capital
concentrations grew. War made states and states made
war in ancient Greece, as in early-modern Europe, but
in different ways. |
|
|
| 120510 |
The collapse and regeneration of complex society
in Greece, 1500-500 BC |
|
Ian Morris, Stanford University |
 |
Abstract - Greece between 1500 and 500 BC is
one of the best known examples of the phenomenon of the
regeneration of complex society after a collapse. I
review 10 core dimensions of this process (urbanism,
tax and rent, monuments, elite power, information-
recording systems, trade, crafts, military power,
scale, and standards of living), and suggest that
punctuated equilibrium models accommodate the data
better than gradualist interpretations. |
|
|
| 120509 |
The growth of Greek cities in the first
millennium BC |
|
Ian Morris, Stanford University |
 |
Abstract - In this paper I trace the growth
of the largest Greek cities from perhaps 1,000- 2,000
people at the beginning of the first millennium BC to
400,000-500,000 at the millennium’s end. I
examine two frameworks for understanding this growth:
Roland Fletcher’s discussion of the interaction
and communication limits to growth and Max
Weber’s ideal types of cities’ economic
functions. I argue that while political power was never
the only engine of urban growth in classical antiquity,
it was always the most important motor. The size of the
largest Greek cities was a function of the population
they controlled, mechanisms of tax and rent, and
transportation technology. |
|
|
| 120508 |
The Athenian Empire (478-404 BC) |
|
Ian Morris, Stanford University |
 |
Abstract - In this paper I raise three
questions: (1) How, and how much, did the Athenian
Empire change Greek society? (2) Why did the Athenian
Empire (or a competitor state) not become a multiethnic
empire like Persia or Rome? (3) In the long run, how
much did the Athenian Empire’s failure matter? I
conclude: (1) The Athenian Empire increased the tempo
of state formation in classical Greece and is best
understood as an example of state formation not
imperialism. (2) Counterfactual analysis suggests that
Athens failed to become the capital of a multi-city
state because of human error, and as late as 406 BC the
most predictable outcome was that Athens would emerge
as capital of an Ionian state. (3) Not much. |
|
|
| 120507 |
The eighth-century revolution |
|
Ian Morris, Stanford University |
 |
Abstract - Through most of the 20th century
classicists saw the 8th century BC as a period of major
changes, which they characterized as
“revolutionary,” but in the 1990s critics
proposed more gradualist interpretations. In this paper
I argue that while 30 years of fieldwork and new
analyses inevitably require us to modify the framework
established by Snodgrass in the 1970s (a profound
social and economic depression in the Aegean c.
1100-800 BC; major population growth in the 8th
century; social and cultural transformations that
established the parameters of classical society), it
nevertheless remains the most convincing interpretation
of the evidence, and that the idea of an 8th-century
revolution remains useful |
|
|
| 120505 |
The Riddle of the 'sp(h)ij-': The Greek Sphinx
and her Indic and Indo-European Background |
|
Joshua Katz, Princeton University |
 |
Abstract - The name of the Sphinx,
the Greek female monster who had fun killing passers-by
who could not answer her riddle, has long been an
etymological conundrum. On the basis of literary,
linguistic, and anthropological evidence from, above
all, Greece and India, this paper comes to a novel
understanding of the Sphinx’ origin, concluding
that her oldest moniker, (S)Phí:k-, is related
to a newly uncovered Greek noun phíkis
‘buttocks’ and to a Sanskrit word for the
same body part, sphij-, a hitherto misunderstood
form of which appears, in turn, in a riddle in the
oldest Indic text, the Rigveda. This derivation
situates the Greek creature squarely in the
cross-culturally typically aggressive and sexually
charged genre of riddling. |
|
This paper is now published in La Langue
poétique indo-européenne: actes du Colloque de travail
de la Société des Études Indo-Européennes
(Indogermanische Gesellschaft / Society for
Indo-European Studies), Paris, 22-24 octobre 2003,
ed. Georges-Jean Pinault & Daniel Petit
(Leuven—Paris: Peeters, 2006), pp. 157-94. |
|
|
| 120504 |
What Linguists are Good for |
|
Joshua Katz, Princeton University |
 |
Abstract - Linguists are good for a lot.
This is a personal account of why departments of
Classics should embrace them (us). |
|
This has been published in Classical World
100 (2007), pp. 99-112. |
|
|
| 120503 |
Review of Joachim Latacz’s 'Troy and
Homer: Towards a Solution of an Old Mystery' |
|
Joshua Katz, Princeton University |
 |
Abstract - In this book, a translation of a
German bestseller, the most vigorous proponent of the
view that the Iliad is a reliable source of
information about the city of Troy in the Late Bronze
Age, presents the evidence from two very different
fields: archaeology and linguistics/philology. Though
especially sympathetic to the idea that certain
significant details in Homer reflect society as it was
long before the eighth century B.C., in a shared
Greco-Anatolian setting, this reviewer, a
linguist/philologist, is nevertheless dismayed by
Latacz’s presentation of the evidence. To take
just one egregious example of bias disguised as
fact—a “fact” that certain colleagues
are unfortunately already citing as gospel—there
is, pace Latacz and Frank Starke, no
evidence for the claim that an actual Hittite
document reveals as a forebear of the king of Ahhiyawa
(~ Achaia) a man by the name of Kadmos. |
|
This has been published in Journal of the
American Oriental Society 125 (2005), pp.
422-25. |
|
|
| 120501 |
The Function of Criticism ca. 432 BC: Texts and
interpretations in Plato’s 'Protagoras' |
|
Andrew Ford, Princeton University |
 |
Abstract: Plato’s Protagoras is
a unique text in the history of criticism, the only
extended example of practical poetic criticism that we
have from classical Greece. This long passage
(338E-347C) shows a group of fifth-century intellectual
luminaries debating the meaning of a dense lyric poem
by Simonides: the text is quoted at length and its
language examined closely and methodically and wildly.
My paper first attempts to pinpoint how this passage
— often written off as a parody or a joke or
misunderstood as a simplistic polemic against
“sophistry” — fits into the work. I
argue that Plato is more serious here than is usually
supposed, and that the passage gives his best account
of uses and limits of literary criticism. In a coda, I
consider an analysis of the passage by Glenn Most,
which suggests some reflections on recent developments
in academic literary criticism. |
|
|
| 050503 |
The Voices of Jocasta |
|
Richard P. Martin, Stanford University |
 |
Abstract: The poem contained in the Lille
Stesichorus papyrus presents several features that can
be usefully compared with aspects of characterization
and theme in the Oedipus Tyrannos of Sophocles.
If we assume that an Athenian audience in the later 5th
century knew the Stesichorean composition, the dramatic
choices made by Sophocles take on new meaning. This
paper is forthcoming in the proceedings of the
International Conference on Ancient Drama held at
Delphi, Greece (July 2002). |
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| 050502 |
Gnomes in Poems: Wisdom Performance on the
Athenian Stage |
|
Richard P. Martin, Stanford University |
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Abstract: An ethnography-of
speaking-approach to proverb-use lets us explore the
deployment of this genre as part of personal
self-projection and of social life. Greek drama, by
presenting proverbs in the mouths of its staged
characters, makes use of the ordinary performance value
of this “genre of speaking” while
constructing a broader theatrical event. Characters can
be judged on the basis of their skill at proverb-use,
and important junctures in the plays can be marked by
the employment of gnômai. Resistance to
proverbs, and misuse of the genre (whether or not
intentional) further mark speakers. This paper will
appear in the Festschrift for John
Papademetriou. |
|
|
| 020501 |
Ancient Theatre and Performance Culture |
|
Richard P. Martin, Stanford University |
|
No longer available as a working paper. This is now
published as "Ancient Theatre and Performance Culture,"
pp. 36-54 in M. McDonald and J.M. Walton (eds.) The
Cambridge Companion to Greek and Roman Theature,
Cambridge University Press, 2007. |
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