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A Photographic Journey by Félix Bonfils, 1868–1875

When the French photographer Félix Bonfils first journeyed to Greece in 1868, the art of photography was not yet 30 years old. After studying photography in his native France, Bonfils established a studio in Beirut in 1867. There he served the growing commercial market for photographs of the Holy Land, Egypt, Greece, and other places attracting travelers (both on-site and armchair) in ever-increasing numbers. Bonfils photographed using the wet-collodion process. From his glass-plate negatives, exposed in the bright sunlight of Beirut, “La Maison Bonfils” produced thousands of large- or small-format sepia-tone albumen prints and stereoscopic views for sale or publication. His two trips to Athens between 1868 and 1875 resulted in the remarkable series of 42 photographs that are the focus of this exhibition and constitute most of the views that Bonfils made of the city.

The Athens series is part of a trove of more than 800 Bonfils photographs, which were printed from the original negatives, probably in the 1880s, then purchased by Rudolf Ernst Brünnow (1858–1917), who served as Professor of Semitic Philology at Princeton from 1910 until his death. The Library acquired the Bonfils photographs in 1921 as part of the Brünnow Papers,which were recorded as the gift of R. E. Brünnow. These materials are in now the Manuscripts Division of the Rare Books and Special Collections Department.

Viewed objectively, the Bonfils photographs provide valuable information about the condition of the ancient monuments and the urban landscape of Athens around 1870. In addition, they illustrate the most important stations on a traveler’s itinerary and the preferred points of view from which the monuments and city were to be seen. Taken together, the photographs construct an idealized city, more ancient than modern. For the nineteenth-century viewer such photographs evoked the Golden Age of classical Athens, which was depicted in accordance with established aesthetic principles shared by artists and photographers. The modern viewer is left alone in the light of ancient Athens and encouraged to discover an idyllic place, fixed in time and devoid of Athenians, where Hellas can tell her own story. Today we can appreciate such photographs both as beautiful compositions and as revealing documents of nineteenth-century cultural history.

Below is a list of the Bonfils photographs of Athens in the Brünnow Papers at Princeton.* Titles are translated from the French captions on the photographs, with the exception of the notations “Athens” and “Greece.” Additions in square brackets either identify the subjects for untitled photographs or provide corrected, updated, or supplementary information.

1–3. Panorama of Athens
4–5. Athens from the Acropolis
6. Parthenon, West Façade
7. Back of Parthenon, East Façade
8. Back of Parthenon, Northeast Corner
9. Parthenon, Bas-relief (Two Panels from Frieze)
10. Parthenon, Bas-relief (Two Panels from Frieze)
11. Temple of Erechtheion from the Southwest
12. Temple of Erechtheion from the East
13. Temple of Erechtheion from the West
14. Temple of Erechtheion, Caryatids
15. Temple of Erechtheion, North Porch
16. Temple of Erechtheion, Frieze (Part of the Wall Crown)
17. The Propylaia from the East, Interior
18. Temple of Athena Nike
19. The Propylaia from the West, Exterior
20. Theater of Dionysos
21. Theater of Dionysos, Throne of Priest
22. Theater of Dionysos, Bas-relief
23. Theater of Dionysos, Bas-relief
24. Odeion of Herodes Atticus, Façade
25. Odeion of Herodes Atticus, Interior
26. Odeion of Herodes Atticus
27. Crenellated Wall Constructed from Debris
28. Crenellated Wall Constructed from Debris
29. Prison of Socrates
30. The Pnyx
31. The Monument of Lysikrates
32. Temple of Zeus Olympios
33. Temple of Zeus Olympios and Mount Lykabettos
34. Temple of Zeus Olympios from the West
35. Temple of Zeus Olympios with Acropolis in Background
36. Tower of the Winds
37. Gate of Athena Archegetis, Roman Agora
38. Arch of Hadrian, Vertical View
39. Arch of Hadrian with Acropolis in Background, Long View
40. Temple of Hephaistos
41. Temple of Zeus Olympios with Acropolis in Background
42. Acropolis from the Theseion Plaza

* In another Princeton collection, there is a separate large-format Bonfils photograph of Athens, showing the Hill of the Nymphs and the Observatory.

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