| Example | First unnumbered example. |
| Example | Second unnumbered example. |
| Example | Third unnumbered example. |
| Example | Fourth unnumbered example. |
| Example 2 | Petrus dictus Palma ociosa, musical example of “contrapunctum” in Compendium de discantu mensurabili (c.1336). |
| Example 6a | Petrus dictus Palma ociosa, “the first mode of measured discant adorned with flowerets.” |
| Example 6b | note against note reduction of Petrus dictus Palma ociosa’s first mode of measured discant. |
| Example 7a | Philippe de Vitry, isorhythmic motet Firmissime fidem / Adesto / Alleluya (1310s). |
| Example 7b | reduction of sonorities per mensural unit in Vitry, Firmissime. |
| Example 8a | Philippe de Vitry, isorhythmic motet Petre clemens / Lugentium siccentur / [Tenor] (1342). |
| Example 8b | note against note reduction of Vitry Petre clemens. |
| Example 1 | Introit Resurrexi et adhuc tecum sum, from the Mass for Easter Sunday, with contraponti all’improuiso as printed in Chamateṛ di Negri, Li introiti (1574). |
| Example 4a | Johannes Tinctoris, Liber de arte contrapuncti (1477), III. iv, first musical example. |
| Example 4b | Johannes Tinctoris, Liber de arte contrapuncti (1477), III. iv, second musical example. |
| Example 5 | Johannes Tinctoris, Liber de arte contrapuncti (1477), II. xxi, first musical example. |
| Example 6 | Anonymous, Viri Galilei, LonBL Add. 17802-5 (Gyffard Partbooks), 65. |