The ballet features 30 dancers, all Princeton students, performing
in a stylized mechanical world of brightly colored spinning wheels,
gears, levers and a rotating conveyor belt representing factory life.
Exhibition accompanies performance
In connection with the performance, a new exhibition, "'Le Pas d'Acier' ('The Steel Step'): Re-Creating a Lost Ballet," is on display at the Milberg Gallery for the Graphic Arts in Firestone Library through Sept. 25.
The exhibition includes a model reconstruction of the ballet's set and photographs documenting the re-creation process, as well as photographs, children's books, costume designs and program covers from the period drawn from the holdings of the library's special collections.
Paula D. Matthews, music librarian and curator of the exhibition, will give tours at 5 p.m. Wednesday, April 6; 4 p.m. Thursday and Friday, April 7-8; and 3 p.m. Saturday and Sunday, April 9-10.
Hours for the exhibition, sponsored by the Friends of the Library, are: 9 a.m. to 5 p.m. Monday-Friday; 9 a.m. to 8 p.m. Wednesday; and noon to 5 p.m. Saturday and Sunday.
Photos: Denise Applewhite
Re-creating a lost ballet
Posted April 4, 2005; 03:03 p.m.
Final rehearsals are under way for "Le Pas d'Acier" ("The Steel Step"), one of the great lost ballets of the 20th century, which will be performed at 8 p.m. Thursday through Saturday, April 7-9, at the Berlind Theatre.
Scholars from Princeton and other institutions have painstakingly re-created the choreography, costumes and elaborate mechanical set of the work by legendary Russian composer Sergei Prokofiev.
The ballet was written as a celebration of Soviet industrialization, but budget constraints and a change in choreographers led to a scaled-down version that mocked industrial development being performed in 1927. The Princeton production will render the ballet -- for the first time -- exactly the way Prokofiev intended it.
"This is essentially a world premiere because the ballet was never performed the way Prokofiev conceived it," said assistant professor of music Simon Morrison, the mastermind behind the project, which has consumed him for the last three years.
The set was created with the help of theater historian Lesley-Anne Sayers, who spent eight years researching and creating models of the set. The ballet's choreography has been recreated using action cues and stage direction from the original musical score as well as drawings and photos discovered by Sayers in archives in Paris, London and Armenia.
The dancers will be Princeton students drawn from an advanced contemporary dance class taught by ballet reconstructionist Millicent Hodson, who is a visiting fellow of the Humanities Council, and Rebecca Lazier, a lecturer in the Humanities Council and theater and dance.
The costumes are being created by Ingrid Maurer, a New York City costume designer, using drawings and photographs from the 1927 production. The University Orchestra, under the direction of Michael Pratt, will perform Prokofiev's score.
The performances will open with several short pieces thematically related to the ballet, created by University composers and choreographers and others. Lazier has collaborated with Dan Trueman, assistant professor of music, on a piece called "Transparent Body," which will only be performed during the April 8 performance. Princeton theater and dance professor Ze'eva Cohen and music professors Paul Lansky and Barbara White have collaborated with outside artists on three other pieces titled "In the Moment," "Island" and "Repetition Compulsion."
A limited number of tickets are available; for information, call the McCarter box office at (609) 258-2787.