Dressed to Kill is a 1980 erotic crime thriller film written and directed by Brian De Palma. It stars Michael Caine, Angie Dickinson and Nancy Allen. The original music score is composed by Pino Donaggio. The film is marketed with the tagline "Brian De Palma, master of the macabre, invites you to a showing of the latest fashion... in murder." It centers on the murder of a housewife, and the investigation headed by the witness to the murder, a young prostitute, and the housewife’s teenaged son.
The film was the target of some backlash from the gay and transgender communities, who felt that its portrayal of transgender people was misguided and transphobic. In addition, De Palma was accused of being misogynistic by feminist groups.
Kate Miller (Angie Dickinson) is a sexually frustrated housewife who is in therapy with New York City psychiatrist Dr. Robert Elliott (Michael Caine). During an appointment, Kate attempts to seduce him, but Elliott rejects her advances. Kate goes to the Metropolitan Museum, where she has an unexpected flirtation with a mysterious stranger. Kate and the stranger "stalk" each other through the museum until they finally wind up outside, where Kate joins him in a taxi. They immediately begin to have sex in the cab, and continue at his apartment. Hours later, Kate awakens and decides to discreetly leave while the man, Warren Lockman, is asleep. Kate sits at his desk to leave Warren a note and finds a document indicating that he has contracted a sexually transmitted disease. Mortified, she leaves the apartment but on the way out realizes that she has left her wedding ring on the stranger's nightstand, and she returns to retrieve it. The elevator doors open on the figure of a tall, blonde woman in dark sunglasses wielding a straight razor. Kate is slashed to death in the elevator.
A high-priced call girl, Liz Blake (Nancy Allen), happens upon the body and catches a glimpse of the killer, therefore becoming both the prime suspect and the killer's next target. Elliott receives a bizarre answering machine message from "Bobbi", a transgendered person he is treating. Bobbi taunts the psychiatrist for breaking off their therapy sessions, apparently because Elliott refuses to sign the necessary papers for Bobbi to get a sex change operation. Elliott eventually visits Bobbi's new doctor and tries to convince him that Bobbi is a danger to herself and others. The police are less than willing to believe Liz's story, so she joins forces with Kate's revenge-minded son Peter (Keith Gordon) to find the killer. Peter is an inventor, and uses a series of homemade listening devices and time-lapse cameras to track patients from Elliott's office. They catch Bobbi on camera, and soon Liz is being stalked by a tall blonde figure in sunglasses.
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