Flannery O'Connor

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Mary Flannery O'Connor (March 25, 1925 – August 3, 1964) was an American novelist, short-story writer and essayist. An important voice in American literature, O'Connor wrote two novels and 32 short stories, as well as a number of reviews and commentaries. She was a Southern writer who often wrote in a Southern Gothic style and relied heavily on regional settings and grotesque characters. O'Connor's writing also reflected her own Roman Catholic faith, and frequently examined questions of morality and ethics.

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Biography

O'Connor was born on March 25, 1925 in Savannah, Georgia, the only child of Edward F. O'Connor and Regina Cline. Her father was diagnosed with lupus in 1937; he died on February 1, 1941 when Flannery was 15. The disease was hereditary in the O'Connor family and Flannery O'Connor was devastated by the loss of her father.[2]

O'Connor described herself as a "pigeon-toed child with a receding chin and a you-leave-me-alone-or-I'll-bite-you complex."[3] When O'Connor was six, she taught a chicken to walk backwards, and this led to her first experience of being a celebrity. The Pathé News people filmed "Little Mary O'Connor" with her trained chicken, and showed the film around the country. She said, "When I was six I had a chicken that walked backward and was in the Pathe News. I was in it too with the chicken. I was just there to assist the chicken but it was the high point in my life. Everything since has been anticlimax.”[4]

O'Connor attended the Peabody Laboratory School, from which she graduated in 1942. She entered Georgia State College for Women (now Georgia College & State University), in an accelerated three-year program, and graduated in June 1945 with a Social Sciences degree. In 1946, she was accepted into the prestigious Iowa Writers' Workshop at the University of Iowa, where she first went to study journalism. While there she got to know several important writers and critics who lectured or taught in the program, among them Robert Penn Warren, John Crowe Ransom, Robie Macauley, Austin Warren and Andrew Lytle. Lytle, for many years editor of the Sewanee Review, was one of the earliest admirers of O'Connor's fiction. He later published several of her stories in the Sewanee Review, as well as critical essays on her work. Workshop director Paul Engle was the first to read and comment on the initial drafts of what would become Wise Blood.

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