Tintin and Alph-Art

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Tintin and Alph-Art (French: Tintin et l'alph-art) was the intended twenty-fourth and final book in the Tintin series, created by Belgian comics artist Hergé. It is a striking departure from the earlier books in tone and subject, as well as in some parts of the style; rather than being set in a usual exotic and action-packed environment this story is largely played out in the world of modern art.

Hergé worked on the book until his death in 1983, and it was published posthumously (despite its unfinished status) in 1986 by Casterman in association with La Fondation Hergé, and was republished in 2004 with further material. It will again be released in late 2010 with the original sketch pad as well as newly found notes and scripts recently discovered in a French Bank archive.



In 1976, a few months after the publication of Tintin and the Picaros, Hergé told the journalist and author Numa Sadoul that he was contemplating the next adventure of Tintin — setting an entire story in an airport departure lounge.[1] This idea was eventually dropped, and in 1978, he decided to set the story in the world of modern art. During later years Hergé had grown more and more interested in modern art, even attempting it a few times himself as a hobby; so he chose to incorporate his love of avant-garde artwork into the new story. Hergé was inspired by the Ferdinand Legros and Elmyr de Hory affair, and incorporated a second element, a new age sect and a phoney guru. He planned to cast Rastapopoulos as the villain, but according to Harry Thompson, dropped the idea in 1980 when he introduced the alphabet art element. Still, an idea exists that the villain Ramó Nash or his accomplice Enddane Akass may be Rastapopoulous in yet another of his disguises.

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