Bill Brand, Professor of Film and Photography at Hampshire College, is a film/video maker and owner/operator of BB Optics, an optical printing and film preservation service specializing in small gauge films and films by artists.

Marion Faller is an artist and photographer who has taught photography studio and history courses for over thirty years, most recently at the State University of New York at Buffalo.

Su Friedrich is a filmmaker and Professor of Visual Arts in the Council of the Humanities at Princeton University.

Brian Henderson is a Professor of Media Study at SUNY, Buffalo. He is the author of "A Critique of Film Theory" and editor of "The Screenplays of Preston Sturges." He was a colleague of Frampton at the Center for Media Study in Buffalo.

Chrissie Iles is a curator at the Whitney Museum of American Art whose areas of focus include experimental film, moving image installation, and artists' films. She is also an adjunct professor at Columbia University, and on the faculty of the Center for Curatorial Studies at Bard College.

Bruce Jenkins is the Dean of Undergraduate Studies at the School of the Art Institute of Chicago. He was the co-curator with Susan Krane of the major survey of Hollis Frampton's non-film work "Recollections-Recreations," which was mounted by the Albright-Knox Museum in 1984.

Barbara Lattanzi is a digital artist and a Lecturer in Digital Media at Smith College in Northampton, Mass.

Scott MacDonald teaches at Bard and Hamilton Colleges and is currently finishing the fifth volume of the Critical Cinema project of interviewing independent filmmakers.

Annette Michelson is Professor Emerita of New York University and Founding. Editor of the journal OCTOBER. Among Frampton-related projects are her editorship of the Frampton memorial issues of OCTOBER and of the French language edition of his writings, published by the Centre Pompidou as "L'Ecliptique du Savoir."

Melissa Ragona is Visiting Assistant Professor of Art in the School of Art at Carnegie Mellon University in Pittsburgh, teaching critical theory, media and sound studies. She is completing a book on the uses of sound in experimental film work (1970 to present) as well as a project on the recordings of Andy Warhol.

Keith Sanborn is a videomaker, theorist, a Lecturer in the Program in Visual Arts at Princeton University and a Faculty Member of the Milton Avery Graduate School in the Arts at Bard College.

Malcolm Turvey is Assistant Professor of Film Studies at Sarah Lawrence College and an editor of OCTOBER.

Michael Zryd is Assistant Professor in the Department of Film & Video at York University in Toronto.