PARADISO
 
Marsyas as figura Dantis: Paradiso 1.20
Robert Hollander (Princeton University, Emeritus) April 27, 2010
 
The "miglior voci" of Paradiso 1.35
Robert Hollander (Princeton University, Emeritus) November 30, 2005
 
Paradiso 4.14: Dante as Nebuchadnezzar?
Robert Hollander (Princeton University) May 17, 2005
 
“PESCE” in Par. V, 97-109: un acrostico inverso
Antonio Soro (University of Sassari) February 15, 2009
 
"Dischiuso" in Paradiso 7.102 e 14.138: ha il senso usuale di "aperto" o "espresso", non di "escluso"
Lodovico Cardellino (Independent scholar, Aosta, Italy) January 10, 2006
 
Par. 7.112: “Né tra l'ultima notte e 'l primo die”
Nicola Fosca (Independent Scholar) May 28, 2013
 
Par. VII.147: “... come l’umana carne fessi allora …”
Nicola Fosca (unaffiliated scholar, Turin) October 28, 2010
 
Paradiso 10.49-51, 133-138: Saint Siger
John A. Scott (The University of Western Australia) December 8, 2006
 
"Che tutto 'l mondo / Là giù ne gola di saper novella" (Par. 10.110-111)
David Gibbons (St John's College, Cambridge University) April 23, 1997
"L'avvocato de' tempi cristiani" (Par. 10.118-120):
AMBROSE OF MILAN RECONSIDERED
Otfried Lieberknecht (Berlin) September 17, 1996
La terzina tormentatissima: Par. 12.115-17
Dabney Park (Independent Scholar) February 28, 2014

A literary source for the Cross of Mars? (Par. 14. 103-108)
Fay Martineau (Harvard University) February 1, 2006

I "vivi suggelli" in Paradiso 14.133
Lodovico Cardellino (Independent Scholar, Aosta, Italy) February 23, 2006
“Superinfusa gratia Dei” (Par. 15.28-29)
Nick Fosca (Independent Scholar) May 25, 2014
La gloria è “lo fondo de la … grazia” (Par. 15.35-36)
Lodovico Cardellino (Independent Scholar, Aosta, Italy) July 28, 2007
Paradiso 15.26 "se fede merta": on Virgil's reliability
Fabrizio Franceschini (University of Pisa) June 30, 2008
Paradiso 16.34-39: una nota sulla data di nascita di Cacciaguida
Alberto Pimpinelli (Independent Scholar) March 12, 2012
Filigrane divine: Watermarks as Images in Dante's Paradiso
Gloria Allaire (University of Kentucky) September 19, 2002
The Sign of the Son: Crusading Imagery in the Cacciaguida Episode
Lawrence Warner (The Australian Academy of the Humanities) September 16, 2002
Paradiso 22.151: "L'aiuola che ci fa tanto feroci": Philology and Hermeneutics
John A. Scott (University of Western Australia) April 29, 2003
Paradiso XXIII: Do gigli (v. 74) and candori (v. 124) both refer to the apostles?
Robert Hollander (Princeton University, Emeritus) January 7, 2011
Paradiso 24.13-21: St. Peter’s Companions
Robert Hollander (Princeton University, Emeritus) May 08, 2006
"Al quale ha posto mano e cielo e terra" (Par. 25.2)
Robert Hollander (Princeton University) January 30, 1997

addendum to Par. 25.2
Robert Hollander (Princeton University, Emeritus) June 3, 2010

Par. XXXII.75: “sol differendo nel primiero acume”
Nicola Fosca (Independent Scholar) February 11, 2011
Par. XXVIII.109-110: “… si fonda l’essere beato nell’atto che vede”
Nicola Fosca (Independent Scholar) August 15, 2012
Par. 32.139: 'Ma perché 'l tempo fugge che t'assonna.'
Tony Cuzzilla (University of Sydney) March 15, 2003
The Sibyl in Paradiso 33.66 and in De civitate Dei 18.23
Robert Hollander (Princeton University, Emeritus) October 4, 2007