African American Studies

This course explores African American history from the Atlantic slave trade up to the Civil War. It is centrally concerned with the rise of and overthrow of human bondage and how they shaped the modern world. Africans were central to the largest and most profitable forced migration in world history. They shaped new identities and influenced the contours of American politics, law, economics, culture, and society. The course considers the diversity of experiences in this formative period of nation-making. Race, class, gender, region, religion, labor, and resistance animate important themes in the course. AAS Subfield: AACL

This course offers an introduction to the major themes, critical questions, and pivotal moments in post emancipation African American history. Traces the social, political, cultural, intellectual, and legal contours of the black experience in the United States from Reconstruction to the rise of Jim Crow, through the World Wars, Depression, and the Great Migrations, to the long civil rights era and the contemporary period of racial politics. Using a wide variety of texts, images, and creative works, the course situates African American history within broader national and international contexts. AAS Subfield: AACL

Assesses the value of religion and its impartations of the historical, ethical, and political in African American life. Courses will also critique African American religion from a broader contextual basis by establishing commonalities and differences across historical and cultural boundaries.

As articulated by Thelma Golden, postblack refers to the work of African American artists who emerged in the 1990s with ambitious, irreverent, and sassy work. Postblack suggests the emergence of a generation of artists removed from the long tradition of Black affirmation of the Harlem Renaissance, Black empowerment of the Black Arts movement, and identity politics of the 1980s and early 90s. This seminar involves critical and theoretical readings on multiculturalism, race, identity, and contemporary art, and will provide an opportunity for a deep engagement with the work of African American artists of the past decade. AAS Subfield: AACL, GRE

An introduction to the history of African American art and visual culture from the colonial period to the present. Artists and works of art will be considered in terms of their social, intellectual, and historical contexts. Students will consider artistic practices as they intersect with other cultural spheres, including science, politics, religion, and literature. Topics and readings will be drawn from the field of art history as well as from cultural studies, critical race theory, and the history of the Atlantic world. For department majors, this course satisfies the Group 3 distribution requirement. Two lectures, one preceptorial.

In this seminar we examine how the modern constructed categories of "race" and "religion" have interacted in American history and culture. We explore how religious beliefs and practices have shaped ideas about race and how American racialization has shaped religious experience. We consider the impact of religion and race on notions of what it means to be American and how these have changed over time. Topics include race and biblical interpretation; religion and racial slavery; religion, race, and science; popular culture representations; race, religion, and politics; and religious resistance to racial hierarchy.

From colonial settlement to the present, this course weaves a comprehensive history of American cities. Over centuries, cities have symbolized democratic ideals of "melting pots" and innovation, as well as crises of disorder, decline, crime, and poverty. Urban life has concentrated extremes like rich and poor; racial and ethnic divides; philanthropy and greed; skyscrapers and parks; violence and hope; downtown and suburb. The course examines how cities in U.S. history have brokered revolution, transformation and renewal, focusing on class, race, gender, immigration, capitalism, and the built environment. Two lectures, one preceptorial.

A historical overview of Black literary expression from the 19th century to present day. Will emphasize a critical and analytical approach to considering the social, cultural, and political dimensions of African American literature.

From "Chinese opium" to Oxycontin, and from cocaine and "crack" to BiDil, drug controversies reflect enduring debates about the role of medicine, the law, the policing of ethnic identity, and racial difference. This course explores the history of controversial substances (prescription medicines, over-the-counter products, black market substances, psychoactive drugs), and how, from cigarettes to alcohol and opium, they become vehicles for heated debates over immigration, identity, cultural and biological difference, criminal character, the line between legality and illegality, and the boundaries of the normal and the pathological.

This course will explore the works of contemporary authors of the African and Caribbean diaspora in Europe and North America in relation to the changing historical and cultural context of migration and globalization. The course will consider how these writers have represented the process of relocation, acculturation, and the transnational moment. What is the role of the imagination in the rethinking of identities lived across boundaries? Why and how do these authors use the term diaspora to describe their experiences? How do the works of a new generation of writers from Africa and the Caribbean transform theories of globalization?

This course examines culture's role in reproducing health inequalities in the United States. Different populations have very different levels of access to care, environmental exposures, and cultural beliefs about health and well-being. Institutional cultures also influence how different patients are treated, how evidence is used to determine treatments, and how healthcare priorities are articulated and funded. Additionally, this course explores how medical care is influenced at a national level by health policies. These factors ultimately impact population health and patients' experiences with life, death and chronic disease.

Apartheid, the political doctrine of separation of races in South Africa (1948-1990), dominated the (South) African political discourse in the second half of the 20th century. While it lasted, art and visual cultures were marshaled in the defense and contestation of its ideologies. Since the end of Apartheid, artists, filmmakers, dramatists, and scholars continue to reexamine the legacies of Apartheid, and the social, philosophical, and political conditions of non-racialized South Africa. Course readings examine issues of race, nationalism and politics, art and visual culture, and social memory in South Africa. AAS Subfield: GRE

A close study of the works of one or two authors. May include Austen, Dickinson, Wordsworth, George Eliot, Dickens, Melville, Faulkner, James, Stevens, or Woolf, among others. Two 90-minute seminars.

This course is an examination of the ways in which the media both cover and influence social issues. Specific content and approach vary from year to year, depending on the expertise of the professor. One three-hour seminar.

A close study of the works of one or two authors. May include Austen, Dickinson, Wordsworth, George Eliot, Dickens, Melville, Faulkner, James, Stevens, or Woolf, among others. One three-hour seminar.

This course critically examines the development of the southern Civil Rights Movement and the rise of the Black Power insurgency from the end of World War II through the end of the 1960s. We will examine historical research, oral histories, literature, documentaries and other kinds of primary and secondary documentation. AAS Subfield: AACL

Covers topical issues highlighting the impact of engineering on society through entrepreneurship. Topics and course format vary from year to year.

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This interdisciplinary seminar introduces graduate students from many departments to the African-American intellectual tradition. The perspective concentrates on African-America and the African Diaspora, with attention to issues of class and gender as well as race. A broad set of topics, including race, racism, religion, and slavery are discussed. The course presupposes a familiarity with issues in African-American studies.

The Harlem Renaissance (HR) of the 1920s is most often depicted as "the flowering of African American arts and literature." It can also be characterized as a period when diverse forms of African American religious expressions, ideologies, and institutions emerged. This course will explore the literature of the Harlem Renaissance, particularly the writings of Langston Hughes, to understand the pivotal intersection of race and religion during this time of black "cultural production."

In this interdisciplinary class, students of race and gender read deeply and broadly in academic journals as a way of learning the debates in their fields and placing their scholarship in relationship to them. Students report each week on the trends in the last five years of any journal of their choice, writing up the articles' arguments and debates, while also revising a paper in relationship to those debates and preparing it for publication. This course enables students to leap forward in their scholarly writing through a better understanding of their fields and the significance of their work to them.

This course provides a critical overview of the writings of Toni Morrison. Close reading, cultural analysis, intertextuality, social theory and the African American literary tradition are emphasized.

A survey of African-American narrative and critical traditions in the context of social and cultural change. Attention is also given to the changing status of black literature in the curriculum of American colleges and universities.

This seminar proceeds through a series of thematic and case studies ranging from Britain's early colonial expansion to the legacies of empire in contemporary art and museum practice. Topics include science and ethnography; the colonial picturesque; curiosity and collecting; slavery and visual representation; art and nationalism and readings are drawn from a range of disciplines.