Event details
Oct
24
Sardonic Dissonance in Xu Wei’s Parapaintings ca. 1573-1593
Without a discreet dis-aggregation of the pictorial image at the micro level of the brushtrace, literati parapainting’s seamless continuum of painting, calligraphy, and poetry could not have come into existence in the second quarter of the fourteenth century. In the late sixteenth century, the multitalented Xu Wei went much further, introducing a radically disjunctive dis-aggregation that opened up new avenues of sense-making, with far-reaching consequences for parapainting’s subsequent history.
Speakers
Jonathan Hay
University programs and activities are open to all eligible participants without regard to identity or other protected characteristics. Sponsorship of an event does not constitute institutional endorsement of external speakers or views presented.
View physical accessibility information for campus buildings and find accessible routes using the Princeton Campus Map app.
Date
October 24, 2024Time
4:30 p.m.Location
Friend Center, 101Audience
University Sponsors
Tang Center for East Asian Art