Hellenic Studies

Designed to serve as an introduction to the language of modern Greece. Practice in speaking, grammatical analysis, composition, and graded reading. Four classes. No credit is given for HLS 101 unless followed by HLS 102.

A continuation of 101, aiming to develop the skills of listening, speaking, reading, and writing modern Greek in a cultural context. Classroom activities include videos, comprehension and grammar exercises, and discussions. Four classes.

Advanced grammatical analysis, composition, and graded reading, with further practice in speaking. An introduction to themes in the Hellenic tradition through readings in modern Greek literature. Four classes. Prerequisite: 102 or instructor's permission.

Advanced composition and oral practice aimed at developing idiomatic written and spoken style. Discussions entirely in Greek. Introduces students to contemporary Greek culture and literature through the study of works by Cavafy, Sikelianos, Seferis, Elytis, Ritsos, and Anagnostakis, among others. Readings from articles on current Greek topics. Four classes. Prerequisite: 105 or instructor's permission.

An introduction to the methods and some major texts of comparative literary study. It will focus on the Greco-Roman tradition, asking what it means to call a work a "classic": it will consider the outstanding characteristics of this tradition, how it arose and gained influence and attempt to place it in a global context. Readings will be divided into three topics: Epic Heroes (centering on Homer's Odyssey), Tragic Women (in ancient and modern drama), and the "invention" of modernity (Aeneid). Selected additional readings in non-Western literatures and in influential critical essays. Two lectures, one preceptorial.

Art and architecture of the Eastern Mediterranean and Eastern Europe ca. 600-1500. The course will focus on the art of the Byzantine Empire and its capital, Constantinople, and on its broad sphere of cultural influence (Russia, Armenia, Georgia, Sicily, Venice, Serbia, Bulgaria, Rumania). An examination of principal factors that shaped the artistic legacy of eastern Christendom during the Middle Ages. Offered in alternate years. For department majors, this course satisfies the Group 2 distribution requirement. Two lectures, one preceptorial.

Designed to introduce the student to the Greek contribution to the philosophical and scientific ideas of the Western world through study of works of Plato, Aristotle, Epicurus, and Lucretius in English translation. Topics in moral and political philosophy, as well as epistemology and metaphysics, will be included. Attention will be focused on the quality of the arguments presented by the philosophers. Two lectures, one precept.

This course will focus on the history of the later Roman Empire, a period which historians often refer to as "Late Antiquity." We will begin our class in pagan Rome at the start of the third century and end it in Baghdad in the ninth century: in between these two points, the Mediterranean world experienced a series of cultural and political revolutions whose reverberations can still be felt today. We will witness civil wars, barbarian invasions, the triumph of Christianity over paganism, the fall of the Western Empire, the rise of Islam, the Greco-Arabic translation movement and much more.

Stylish, seductive, surreptitious, and scorned, the ubiquitous art of persuasion will be the focus of this course. We will first approach rhetoric through the classical tradition, learning to recognize basic figures of speech and thought with an eye towards identifying what is persuasive and why. We will then consider how rhetoric continues to thrive, despite abundant moral and philosophical attacks, in public self-presentation, whether of household products, of politicians, or institutions such as Princeton.

A study of classical myths in their cultural context and in their wider application to abiding human concerns (such as creation, generation, sex and gender, identity, heroic experience, death, and transformations). A variety of approaches for understanding the mythic imagination and symbol formation through literature, art, and film. Two lectures, one preceptorial.

The Greek experience from Alexander the Great through Cleopatra. An exploration of the dramatic expansion of the Greek world into the Near East brought about by the conquests and achievements of Alexander. Study of the profound political, social, and intellectual changes that stemmed from the interaction of the cultures, and the entrance of Greece into the sphere of Rome. Readings include history, biography, religious narrative, comedy, and epic poetry. Two lectures, one preceptorial.

Over the past 3,000 years, texts written in Greek played a central role for how people in Western Eurasia understood themselves, their society, their values, and the nature of the universe. Over the same three millennia, the Greek language played a central role in a variety of political communities, including ancient Athens, the empire of Alexander, the Roman empire, Byzantium, and the modern nation state of Greece. In this course, we will trace the history of these two phenomena: the political life and fortunes of Greek speakers and the cultural life of texts written in Greek, seeking to understand the relationship between the two.

We will begin in 476 with the fall of Rome and will end in 1453, with the fall of New Rome (Constantinople). In between, we will trace the different trajectories that the area stretching from Iceland to Iran traveled along over the course of this fateful millennium. We will meet Northern barbarians, Arab armies, Vikings, Crusaders, Mongols, and the Ottomans; we will witness the birth of Islam and medieval Islamic civilization; Charlemagne's creation of the Western Roman empire; will see clashes between Popes and rulers and Caliphs and Muslim religious authorities. We will do all this and more, all the while asking: What were the Middle Ages?

In twelve weeks this course will examine major art works from the twelve centuries (300-1500 CE) that encompass the European Middle Ages. Presenting works from Europe and the Middle East, the course will introduce students to the art of Catholicism and Orthodoxy, Judaism and Islam; the great courts of the Eastern- and Holy Roman Empires, and the roving Vikings, Celts and Visigoths. Students will not only be invited to consider how art can represent and shape notions of sacred and secular power, but will also come to understand how the work of 'art' in this period is itself powerful and, sometimes, dangerous.

Where does medicine begin in the West? In this course, we will go back to the earliest medical texts written in ancient Greece that try to give an account of disease as a natural phenomenon that happens inside the biological body. Our aim is not simply to reconstruct the theories of health and disease that these authors put forth. It is also to see the kinds of questions and problems that arise when healers take responsibility for the care and treatment of bodies.

Readings will focus on historical, literary, philosophical, or religious texts with a range from the Hellenistic to the Byzantine periods. Two 90-minute seminars.

This course is a historical introduction to early Christian texts within and outside of the New Testament canon. We investigate how the Christian movement began, using ancient sources - Jewish, Greek, Roman, and Christian - about Jesus of Nazareth. We read the letters of the Apostle Paul and New Testament gospels, and the recently discovered gospels of Thomas and Mary. We will discuss the formation of the New Testament canon, views of Jesus, and attitudes toward gender, race and community. The course is accessible to students new to these sources, as well as to those familiar with them. Two lectures, one preceptorial.

We investigate what is known about Jesus from earliest gospels, Roman and Jewish sources, and "gnostic gospels;" letters between a Roman governor and emperor telling why they had Jesus' followers tortured and executed; first hand accounts of conversion, trials and martyrdom's; how pagans saw Christians, and how the movement emerged from Judaism; debates over virgin birth, resurrection, sexual practices, gender roles; and how emperor Constantine's conversion-and the work of Augustine-transformed the movement. Two lectures, one preceptorial.

Readings in translation from pre-Socratic philosophers and from Plato's dialogues, to provide a broad history of Greek philosophy through Plato. Topics covered will include: Socrates's method of dialectic, his conceptions of moral virtue and human knowledge; Plato's theory of knowledge, metaphysics, and moral and political philosophy. Two lectures, one precept.

Aristotle's most important contributions in the areas of logic, scientific method, philosophy of nature, metaphysics, psychology, ethics, and politics. Several of his major works will be read in translation. Aristotle's successors in the Greco-Roman period will be studied briefly. Two lectures, one precept.

A study of the fundamental questions of political theory as framed in context of the institutions and writings of ancient Greek and Roman thinkers from the classical period into late antiquity and the spread of Christianity in Rome. We will canvass the meaning of justice in Plato's "Republic", the definition of the citizen in Aristotle's "Politics", to Cicero's reflections on the purpose of a commonwealth, and Augustine's challenge to those reflections and to the primacy of political life at all in light of divine purposes. Through classic texts, we explore basic questions of constitutional ethics and politics. Two lectures, one preceptorial.

This seminar addresses the social relations in which mental health, mental illness, and psycho-medical knowledge are entangled and produced. We will engage various cross-cultural approaches to mental conflicts and pathologies: psychoanalysis, ethnopsychology, biomedical psychiatry, transcultural psychiatry, and religious and "alternative" practices of diagnosis and healing. Drawing on ethnographic and clinical studies from Greek and other contexts, we will examine the role of culture in determining lines between normal and pathological, and consider the intertwining of psyche and body in human experience and behavior.

Art in late antiquity has often been characterized as an art in decline, but this judgment is relative, relying on standards formulated for art of other periods. Challenging this assumption, we will examine the distinct and powerful transformations within the visual culture of the period between the third and sixth centuries AD. This period witnesses the mutation of the institutions of the Roman Empire into those of the Christian Byzantine Empire. The fundamental change in religious identity that was the basis for this development directly impacted the art from that era that will be the focus of this course.

The subject of this course will be medieval Greek Romantic fiction. We will read translations of the four surviving novels written in twelfth-century Constantinople in a bid to answer questions about the link between eroticism and the novel, truth and invention in the middle ages, who read fiction and why, and what role, if any, did the medieval or Byzantine Romances have in the story of the European novel. Above all, we will seek to recover some of the pleasure felt by the medieval readers and audiences of these novels.

Major classical historians, especially Herodotus and Thucydides, are studied in connection with the theory and practice of the art or science of history. Lectures and preceptorials treat the development of historical writing and its relationship to philosophy, politics, literature, and science, and problems such as that of fact and interpretation in historical writing. Two lectures, one preceptorial.

Classical mythology in the arts from Ovid to Shakespeare, from Zeuxis to Titian, with a particular emphasis on the subject of love. Introductory discussions on the nature of myth in its relation to the literary and visual arts. Readings will include major literary works from antiquity to the Renaissance integrated with the study of mythological painting, principally from 15th- and 16th-century Italy, including the works of Botticelli, Correggio, and Titian. One three-hour seminar.

A classical genre or literary theme will be studied as it was handed down and transformed in later ages, for example, the European epic; ancient prose fiction and the picaresque tradition; the didactic poem. Two 90-minute seminars.

An analysis of political, economic, and social institutions with emphasis on the problems of continuity and change, the factors allowing for and limiting Ottoman expansion, and Ottoman awareness of Europe. Two 90-minute classes.

The development of moral philosophy in Greece. Intensive study of the moral theories of such philosophers as Socrates, Plato, Aristotle, Epicurus, the early Stoics, and Sextus Empiricus. Two 90-minute classes.

The development of Greek legal traditions, from Homer to the Hellenistic age. The course focuses on the relationship between ideas about justice, codes of law, and legal practice (courtroom trials, arbitration), and the development of legal theory. Two 90-minute seminars.

A study of the emergence of a distinctive Western European civilization out of Christian, Greco-Roman, and Germanic institutions and ideas from the decline of the Roman Empire to about A.D. 1050. Two lectures, one preceptorial.

The Crusades were a central phenomenon of the Middle Ages. This course examines the origins and development of the Crusades and the Crusader States in the Islamic East. It explores dramatic events, such as the great Siege of Jerusalem, and introduces vivid personalities, including Richard the Lionheart and Saladin. We will consider aspects of institutional, economic, social and cultural history and compare medieval Christian (Western and Byzantine), Muslim and Jewish perceptions of the crusading movement. Finally, we will critically examine the resonance the movement continues to have in current political and ideological debates

In this class we will examine the history, function, theory and meaning of the icon. We will also examine the icon's influence upon the discourses of Modernism. A more practical aspect of this class is that participants in the course will work with the Princeton University Art Museum's icon collection and with its collection of icon painter's preparatory drawings. The class will provide participants with a broad grounding in questions pertaining to the icon.

Examines the rise of nationalism in the Balkans, beginning with an examination of Balkan society under the Ottomans and continuing up through the establishment of nation-states in the 19th and 20th centuries. Case studies will include Greece, Yugoslavia, Bulgaria, Romania, and Albania. Themes covered: social organization, prenational politics, imperialism, cultural and economic elites, the Ottoman heritage. One lecture, two preceptorials.

An aspect or period of modern Greek civilization since the War of Independence (1821) as it is illuminated by literary, historical, and other relevant sources. Emphasis will be given to the cross-cultural context of the topic, including the relation of modern Greece to Western, Eastern, or Balkan cultures, or the Hellenic diaspora in America and elsewhere.

An aspect of the civilization of the Eastern Roman (Byzantine) Empire, from 312 to 1453, as illuminated by literary, historical, and other relevant sources. Emphasis will be given to the cross-cultural context of the topic, including relations of the Byzantine Empire with Sassanid Persia, the Arabs, the Slavs, and Western Europe. Two lectures, one preceptorial.

The diachronic development of a theme, genre, or institution, with emphasis on the continuities and discontinuities between successive periods of Hellenic culture--ancient, Byzantine, and modern. The approach will be interdisciplinary and cross-cultural.

A special topic concerning the adaptation of one or more classical themes in contemporary culture through media such as literature, film, and music. Two 90-minute seminars.

The ancients were fascinated by dreams and debated a variety of views about the nature, origin, and function of dreams. Are dreams divine messages about the future, our souls' indications of impending diseases, or just distorted versions of earlier thoughts? Do dreams have meaning and if so, how can we understand them? We will explore ancient approaches to dreams and their enigmas in literature and philosophy, medical texts, and religious practices. Although our focus will be on Greek and Roman texts, we will also pay attention to earlier Near Eastern sources as well as modern dream theories from Freud to scientific dream research.

This course examines an emergent historical situation as it unfolds: the ongoing financial, social, and humanitarian "crisis" in Greece, including the "refugee crisis." It offers a comparative approach to current Greek cultural production, through literature and film of the past decade and writings drawn from history, anthropology, political science, economics, news sources, and political blogs. We also probe terms like "crisis," exploring how language shapes our understanding of events and how our perceptions of an unfamiliar culture, history, and society are mediated not just by linguistic translation but by market forces and media spin.

Topics of Greek art and architecture that will normally deal with the Hellenistic period (323-31 B.C.). Depending on student interest, special subjects may also be treated in relation to the Hellenistic period, such as classicism, or the course may concentrate on thematic studies, such as architectural sculpture. Two 90-minute seminars. Prerequisite: a course in ancient art or instructor's permission. For department majors, this course satisfies the Group 1 distribution requirement. Offered in alternate years.

Introduces students to the methods and thinking of archaeologists and prehistorians. Topics include the concept of prehistory; ethnographic analogy and the interpretation of material remains; relating material culture to texts; schemes of cultural interpretation; and how to read an excavation report. This seminar is required for the Certificate in Archaeology. One three-hour seminar.

Catastrophe reveals the fragility of human society. This course examines a series of phenomena--plague, famine, war, revolution, economic depression etc.--in order to reach an understanding of humanity's imaginings of but also resilience to collective crises. We shall look in particular at how political forces such as empire have historically both generated and resisted global disasters. Material dealing with the especially fraught centuries at the transition between the Middle Ages and the Early Modern Period will be set alongside examples drawn from antiquity as well as our own contemporary era.

Topics in medieval art and/or architecture. Prerequisite: a course in the art of this period or instructor's permission. For department majors, this course satisfies the Group 2 distribution requirement. One three-hour seminar.

The major Near Eastern and Balkan diplomatic crises, the main developments in internal Near Eastern history, and the Eastern Question as perceived by the Great Powers. The focus will be on the possible connections between diplomatic crises and the process of modernization. One three-hour seminar.

An intensive interdisciplinary study of the evolution of a city, such as Athens, Constantinople, Thessaloniki, Alexandria, or Antioch, where Greek civilization flourished through successive periods, from antiquity to the present. A study of the form and the image of the city as seen in its monuments and urban fabric, as well as in the works of artists, writers, and travelers. Prerequisite: instructor's permission. Two 90-minute classes.