Hellenic Studies

The subject of this course will be medieval Greek Romantic fiction. We will read translations of the four surviving novels written in twelfth-century Constantinople in a bid to answer questions about the link between eroticism and the novel, truth and invention in the middle ages, who read fiction and why, and what role, if any, did the medieval or Byzantine Romances have in the story of the European novel. Above all, we will seek to recover some of the pleasure felt by the medieval readers and audiences of these novels.

Major classical historians, especially Herodotus and Thucydides, are studied in connection with the theory and practice of the art or science of history. Lectures and preceptorials treat the development of historical writing and its relationship to philosophy, politics, literature, and science, and problems such as that of fact and interpretation in historical writing. Two lectures, one preceptorial.

Classical mythology in the arts from Ovid to Shakespeare, from Zeuxis to Titian, with a particular emphasis on the subject of love. Introductory discussions on the nature of myth in its relation to the literary and visual arts. Readings will include major literary works from antiquity to the Renaissance integrated with the study of mythological painting, principally from 15th- and 16th-century Italy, including the works of Botticelli, Correggio, and Titian. One three-hour seminar.

The tragic vision as expressed by Greek, Renaissance, and modern writers who dramatize the relationship between human suffering and human achievement. Readings in Aeschylus, Sophocles, the Old Testament, Shakespeare, Milton, Chekhov, Ibsen, Sartre, Brecht, Beckett, and T. S. Eliot. One lecture, one two-hour seminar.

A period, problem, or theme in ancient history or religion with critical attention to the ancient sources and modern discussions. The topic and instructor vary from year to year. Format will change each time, depending on enrollment.

A classical genre or literary theme will be studied as it was handed down and transformed in later ages, for example, the European epic; ancient prose fiction and the picaresque tradition; the didactic poem. Two 90-minute seminars.

An analysis of political, economic, and social institutions with emphasis on the problems of continuity and change, the factors allowing for and limiting Ottoman expansion, and Ottoman awareness of Europe. Two 90-minute classes.

The development of moral philosophy in Greece. Intensive study of the moral theories of such philosophers as Socrates, Plato, Aristotle, Epicurus, the early Stoics, and Sextus Empiricus. Two 90-minute lecture-discussion classes.

The development of Greek legal traditions, from Homer to the Hellenistic age. The course focuses on the relationship between ideas about justice, codes of law, and legal practice (courtroom trials, arbitration), and the development of legal theory. Two 90-minute seminars.

A study of the emergence of a distinctive Western European civilization out of Christian, Greco-Roman, and Germanic institutions and ideas from the decline of the Roman Empire to about A.D. 1050. Two lectures, one preceptorial.

The Crusades were a central phenomenon of the Middle Ages. This course examines the origins and development of the Crusades and the Crusader States in the Islamic East. It explores dramatic events, such as the great Siege of Jerusalem, and introduces vivid personalities, including Richard the Lionheart and Saladin. We will consider aspects of institutional, economic, social and cultural history and compare medieval Christian (Western and Byzantine), Muslim and Jewish perceptions of the crusading movement. Finally, we will critically examine the resonance the movement continues to have in current political and ideological debates

In this class we will examine the history, function, theory and meaning of the icon. We will also examine the icon's influence upon the discourses of Modernism. A more practical aspect of this class is that participants in the course will work with the Princeton University Art Museum's icon collection and with its collection of icon painter's preparatory drawings. The class will provide participants with a broad grounding in questions pertaining to the icon.

Examines the rise of nationalism in the Balkans, beginning with an examination of Balkan society under the Ottomans and continuing up through the establishment of nation-states in the 19th and 20th centuries. Case studies will include Greece, Yugoslavia, Bulgaria, Romania, and Albania. Themes covered: social organization, prenational politics, imperialism, cultural and economic elites, the Ottoman heritage. One lecture, two preceptorials.

An aspect or period of modern Greek civilization since the War of Independence (1821) as it is illuminated by literary, historical, and other relevant sources. Emphasis will be given to the cross-cultural context of the topic, including the relation of modern Greece to Western, Eastern, or Balkan cultures, or the Hellenic diaspora in America and elsewhere.

An aspect of the civilization of the Eastern Roman (Byzantine) Empire, from 312 to 1453, as illuminated by literary, historical, and other relevant sources. Emphasis will be given to the cross-cultural context of the topic, including relations of the Byzantine Empire with Sassanid Persia, the Arabs, the Slavs, and Western Europe. Two lectures, one preceptorial.

The diachronic development of a theme, genre, or institution, with emphasis on the continuities and discontinuities between successive periods of Hellenic culture--ancient, Byzantine, and modern. The approach will be interdisciplinary and cross-cultural.

A special topic concerning the adaptation of one or more classical themes in contemporary culture through media such as literature, film, and music. Two 90-minute seminars.

The ancients were fascinated by dreams and debated a variety of views about the nature, origin, and function of dreams. Are dreams divine messages about the future, our souls' indications of impending diseases, or just distorted versions of earlier thoughts? Do dreams have meaning and if so, how can we understand them? We will explore ancient approaches to dreams and their enigmas in literature and philosophy, medical texts, and religious practices. Although our focus will be on Greek and Roman texts, we will also pay attention to earlier Near Eastern sources as well as modern dream theories from Freud to scientific dream research.

This course examines an emergent historical situation as it unfolds: the ongoing financial, social, and humanitarian "crisis" in Greece, including the "refugee crisis." It offers a comparative approach to current Greek cultural production, through literature and film of the past decade and writings drawn from history, anthropology, political science, economics, news sources, and political blogs. We also probe terms like "crisis," exploring how language shapes our understanding of events and how our perceptions of an unfamiliar culture, history, and society are mediated not just by linguistic translation but by market forces and media spin.

A period, problem, or theme in ancient history or religion with critical attention to the ancient sources and modern discussions. The topic and instructor vary from year to year. Format will change each time, depending on enrollment.

Introduces students to the methods and thinking of archaeologists and prehistorians. Topics include the concept of prehistory; ethnographic analogy and the interpretation of material remains; relating material culture to texts; schemes of cultural interpretation; and how to read an excavation report. This seminar is required for the Certificate in Archaeology. One three-hour seminar.

Topics of Greek art and architecture that will normally deal with the Hellenistic period (323-31 B.C.). Depending on student interest, special subjects may also be treated in relation to the Hellenistic period, such as classicism, or the course may concentrate on thematic studies, such as architectural sculpture. Two 90-minute seminars. Prerequisite: a course in ancient art or instructor's permission. For department majors, this course satisfies the Group 1 distribution requirement. Offered in alternate years.

Catastrophe reveals the fragility of human society. This course examines a series of phenomena--plague, famine, war, revolution, economic depression etc.--in order to reach an understanding of humanity's imaginings of but also resilience to collective crises. We shall look in particular at how political forces such as empire have historically both generated and resisted global disasters. Material dealing with the especially fraught centuries at the transition between the Middle Ages and the Early Modern Period will be set alongside examples drawn from antiquity as well as our own contemporary era.

Topics in medieval art and/or architecture. Prerequisite: a course in the art of this period or instructor's permission. For department majors, this course satisfies the Group 2 distribution requirement. One three-hour seminar.

The major Near Eastern abd Balkan diplomatic crises, the main developments in internal Near Eastern history, and the Eastern Question as perceived by the Great Powers. The focus will be on the possible connections between diplomatic crises and the process of modernization. One three-hour seminar.