Medieval Studies

An introduction to the history and culture of the Jews in the Middle Ages (under Islam and Christendom) covering, comparatively, such topics as the interrelationship between Judaism and the other two religions, interreligious polemics, political (legal) status, economic role, communal self-government, family life, and cultural developments. Two 90-minute classes.

An introduction to medieval Europe from late Antiquity to 1400, providing an entry way to the most important milestones of medieval history, theology, literature, art, and culture. Two 90-minute sessions.

Major developments of Western music up to about 1400, including some of the following: the origin and growth of chant, its liturgical context and musical properties; medieval secular song; early polyphony and Parisian organum; the French ars nova and Machaut; the Italian trecento; English medieval music. Prerequisite: a year of theory or instructor's permission.

Begins with the formation of the traditional Islamic world in the seventh century and ends with the first signs of its transformation under Western impact in the 18th century. The core of the course is the history of state formation in the Middle East, but other regions and themes make significant appearances. The course can stand on its own or serve as background to the study of the modern Islamic world. Two 90-minute classes.

This course is a historical introduction to early Christian texts within and outside of the New Testament canon. We investigate how the Christian movement began, using ancient sources - Jewish, Greek, Roman, and Christian - about Jesus of Nazareth. We read the letters of the Apostle Paul and New Testament gospels, and the recently discovered gospels of Thomas and Mary. We will discuss the formation of the New Testament canon, views of Jesus, and attitudes toward gender, race and community. The course is accessible to students new to these sources, as well as to those familiar with them. Two lectures, one preceptorial.

Poetry, prose, and drama of the Golden Age. Readings might include the works of authors such as Garcilaso, Saint Theresa, Saint John of the Cross, Góngora, Quevedo, Lope de Vega, and Calderón. Two 90-minute classes. Prerequisite: a 200-level Spanish course or instructor's permission.

Intensive study of the Inferno, with major attention paid to poetic elements such as structure, allegory, narrative technique, and relation to earlier literature, principally the Latin classics. Course conducted in English with highly interactive classes and preceptorials. An Italian precept will be offered. Two-hour lecture and one-hour precept.

An introductory survey of major representative Latin and vernacular texts in modern English versions, including hagiography, romance, lyric and philosophical poetry, allegory, religious and secular prose, and drama. Special attention will be paid to Christian transformations of classical traditions and to the emergence of the Continental vernaculars of the late Middle Ages. Lecture and preceptorials.

A study of the Middle English texts that span the period from the Norman Conquest to the Tudor Renaissance, with attention paid to Middle English as a language. Readings will be chosen from verse romance, drama, political and religious writings, romance and/or lyric. Two lectures, one preceptorial.

An intensive introduction to the English language spoken and written in the British Isles approximately 500 to 1100 C.E., leading to a critical survey of the literature. Attention is paid both to linguistic questions and to the cultural context of such poems as Beowulf and the Dream of the Rood. Two 90-minute seminars.

A study of Chaucer's art with reference to the intellectual, social, and literary conventions of the Middle Ages. The course introduces the student by this means to the characteristically medieval aspects of Chaucer's poetry. Two 90-minute seminars.

The subject of this course will be medieval Greek Romantic fiction. We will read translations of the four surviving novels written in twelfth-century Constantinople in a bid to answer questions about the link between eroticism and the novel, truth and invention in the middle ages, who read fiction and why, and what role, if any, did the medieval or Byzantine Romances have in the story of the European novel. Above all, we will seek to recover some of the pleasure felt by the medieval readers and audiences of these novels.

Exploration of German medieval literature. Topics may include medieval German Arthurian literature and the relationship between gender and power in the medieval epics.

The theoretical and ideological bases of the Western attitudes toward sex and gender categories in their formative period in the Greco-Roman world through the study of myth and ritual, archaeology, art, literature, philosophy, science, medicine, law, economics, and historiography. Selected readings in classical and modern texts.

A study of the emergence of a distinctive Western European civilization out of Christian, Greco-Roman, and Germanic institutions and ideas from the decline of the Roman Empire to about A.D. 1050. Two lectures, one preceptorial.

An analysis of typical institutions, social and economic structures, and forms of thought and expression from about 1050 to about 1350. Emphasis is placed on the elements of medieval civilization that have influenced the subsequent history of European peoples. Two lectures, one preceptorial.

An intensive seminar devoted to a particular aspect of European medieval life and culture. Topics change yearly. One three-hour seminar.

Topics in medieval art and/or architecture. Prerequisite: a course in the art of this period or instructor's permission. For department majors, this course satisfies the Group 2 distribution requirement. One three-hour seminar.

Intensive seminar on selective topics in Medieval art and theory from 400 to 1400.

A hands-on introduction to such basic genres of medieval scholarship as biography, history, tradition, and Koranic exegesis, taught through the intensive reading of texts in Arabic. The syllabus varies according to the interests of the students and the instructor.

Based on one specific text, the first term provides an introduction to language, metrics, manuscript tradition, and textual criticism. The second term deals with special topics in German literature between 1150 and 1450 or interdisciplinary topics such as orality and literacy, word and image.

Based on one specific text, the first term provides an introduction to language, metrics, manuscript tradition, and textual criticism. The second term deals with special topics in German literature between 1150 and 1450 or interdisciplinary topics such as orality and literacy, word and image.

To suit the particular interests of the students and the instructor, a subject for intensive study is selected from special topics such as chansons de geste, roman courtois, paleography and textual criticism, rhetorical theory, lyric poetry, the chronicles, and Provençal materials.

Source-critical, historical, and stylistic studies of one of the late medieval polyphonic repertories are studied.

As the late antique present began to dramatically assert its variance with the venerable Greco-Roman past, historical writing took on a significance hardly surpassed before, or after. Course surveys the diverse corpus of historiography in Greek from the 4th to the 7th centuries (and perhaps a bit beyond) when an unprecedented number of registers entered and enlarged the historiographic genre. Class reads texts in Greek (for accuracy and formal concerns) as well as in translation (for scope). Scholarship will buttress our weekly discussion.