European Studies

The emergence of modern societies from the Europe of the Old Regimes. Emphasis on problems and themes, including the French and Industrial Revolutions, nationalism, science and its discontents, popular culture, the mass movements of revolution and war. Intended as an introduction to Europe for students with little background in history. Two lectures, one preceptorial.

This course will focus on current political, social, and cultural issues in Latin America and/or Spain, including social movements, new artistic developments, economic changes, environmental debates, globalization and culture, politics of memory, immigration and cultural conflicts, nationalist movements, etc. Each semester, the course will focus on one of two particular regions and countries, such as the Southern Cone, the Andean region, Central America, Brazil, Mexico and the borderlands, Spain, etc. This course will also strengthen the students' conversational skills through team discussion and oral presentations.

The critical developments of 20th-century Europe and the consolidation of democracy in European countries, including the legacy of the two world wars, Nazism, Stalinism, the Cold War, colonialism and decolonization, the birth and development of the European Community, the development of the welfare state, the problems confronting the European Union (immigration, enlargement, political institutions, military role), and the varieties of democratic institutions in Europe. Two lectures, one preceptorial.

An intensive introduction to the methods and practice of history, designed to prepare students for future independent work through the close reading of sources on three different topics in European history. This year these will be: 1) the Galileo affair; 2) the trial and execution of Louis XVI; and 3) the trials of Nazi leaders at Nuremberg. The class combines lecture with discussion, to introduce students to the basic vocabulary of European historiography and to develop their skills in the interpretation and analysis of documents, the framing of historical questions, and the construction of effective arguments.

Detailed study of important concerns shared by some modern pre-Kantian philosophers of different schools. Topics may include identity and distinctness, the theory of ideas, substance, the mind/body problem, time, and causation. Philosophers may include Descartes, Spinoza, Hobbes, Hume, or others. One three-hour seminar.

Readings in continental philosophy of the early modern period, with intensive study of the works of Descartes, Spinoza, and Leibniz. Topics to be specially considered include: Knowledge, understanding, and sense-perception; existence and necessity; the nature of the self and its relation to the physical world. Two 90-minute classes.

What is film? Is it a language? Can one speak of cinematic literacy? Does film transform perception? Is there filmic thinking? This seminar on the theory and poetics of cinema will examine the varieties of ways -- semiotic, psychoanalytic, narratological - that filmmakers, philosophers and critics have analyzed film form, the cinematic experience, the construction of cinematic subjectivity, questions of aesthetic politics and notions of medium specificity.

The evolution of Italian contemporary civilization through the study of historical, sociopolitical, and cultural topics. The approach will be interdisciplinary; each year a different topic will be selected and studied as portrayed in representative samples of slides, films, and pertinent reading material. One-hour lecture, two-hour precept. Prerequisite: a 200-level Italian course or instructor's permission. Offered in alternate years.

Language determines our expressive capacities, represents our identities, and connects us with each other across various platforms and cultures.This course introduces classical and contemporary approaches to studying language, focusing on three main areas: 1) language as a system of rules and regulations ("structure"), 2) language as a symbolic mechanism through which individuals and groups mark their presence ("identity") and 3) language as a means of communication ("sign"). In addition to this, the course examines various ways through which language molds our individual selves: from organizing dreams and desires to shaping autobiographies.

Modern Western literature in the perspective of its development since the Industrial Revolution. The peculiarity of "modernist'' style exemplified by various genres. Significant philosophical trends that define the parallel development of modern art and thought. Texts from English, German, French, and other literatures. Two lectures, one preceptorial.

Symbolic systems and social life in specific historical eras. Topics will vary. Recent courses include, for example, magic, art, and science in Renaissance culture, political discourse and nationalism, culture and inequality, history of technology, and the rhetoric of new media.

Symbolic systems and social life in specific historical eras. Topics will vary. Recent courses include, for example, magic, art, and science in Renaissance culture, political discourse and nationalism, culture and inequality, history of technology, and the rhetoric of new media.

The City of Light beckons. Beyond the myth, however, this course proposes to look at the real sides and "lives" of Paris. Focusing on the modern and contemporary period, we will study Paris as an urban space, an object of representation, and part of French cultural identity. To do so, we will use an interdisciplinary approach, through literature, history, sociology, art history, architecture, etc. To deepen our understanding, we will actually travel to Paris. Not only will students (re)visit the city, but also meet guest speakers and conduct personal projects they will have designed in Princeton. Prereq: FRE 207

The arts and the media in different cultures. Topics will vary, for example, history of the book, art/architecture and society, opera and nationalism, literature and photography, theater and politics.

The arts and the media in different cultures. Topics will vary, for example, history of the book, art/architecture and society, opera and nationalism, literature and photography, theater and politics.

Europe is at a crossroads. Political and economic integration in the European Union (EU) exceeds levels reached in the rest of the world. Economic integration affects trade, migration, agriculture, competition, regions, energy and money. Most euro area economies have been struggling with interlocking crises involving debt, banking and growth, which challenge the viability of monetary union. The EU is now facing a migration crisis. This course studies economic integration in Europe, the ongoing crises, and economic challenges facing EU member countries. It uses economic analysis to study policy issues. Two 90-minute lectures.

Since its advent in the 19th century, photography has been a privileged figure in literature's efforts to reflect upon its own modes of representation. This seminar will trace the history of the rapport between literature and photography by looking closely at a number of literary and theoretical texts that differently address questions central to both literature and photography: questions about the nature of representation, reproduction, memory and forgetting, history, images, perception, and knowledge.

As fascism was rising in Europe in the 1930s, French writers, artists, and intellectuals expressed their opposition to this threat both in action, coalescing around militant groups with overt political positions, and in their work. This antifascist cultural mobilization was siphoned into the resistance during WWII. This highly interdisciplinary course explores works of literature, art, cinema, and photography that fought fascism before and during the war in France. Works will be situated within their historical context and framed by theory. The course will be complemented with a trip to France during break week.

In an effort to encompass the variety of responses to what is arguably the most traumatic event of modern Western experience, the Holocaust is explored as transmitted through documents, testimony, memoirs, creative writing, historiography, and cinema. In this study of works, reflecting diverse languages, cultures, genres, and points of view, the course focuses on issues of bearing witness, collective vs. individual memory, and the nature of radical evil. One three-hour seminar, plus weekly film showings.

Topics will range from the oeuvre and context of a single author (for example, Balzac, Baudelaire, or Beckett) to specific cultural and literary problems (modernism and the avant-garde, history as literature, women's writing). Prerequisite: a 200-level French course or instructor's permission.

A study of the Romantic movement in an age of revolutions: its literary culture, its variety of genres, its cultural milieu, and the interactions of its writers. Major figures to be studied include Wollstonecraft, Blake, Wordsworth, and Coleridge. Two 90-minute seminars.

This course examines an emergent historical situation as it unfolds: the ongoing financial, social, and humanitarian "crisis" in Greece, including the "refugee crisis." It offers a comparative approach to current Greek cultural production, through literature and film of the past decade and writings drawn from history, anthropology, political science, economics, news sources, and political blogs. We also probe terms like "crisis," exploring how language shapes our understanding of events and how our perceptions of an unfamiliar culture, history, and society are mediated not just by linguistic translation but by market forces and media spin.

The visual arts in Germany during the Weimar Republic (1918-1933). Works of art, cinema, and literature in historical context. Topics include: modernism and modernity; Expressionism, Dada, New Objectivity in painting, photography, cinema, and literature; historical conditions of bodily experience and visual perception; emergence of new artistic and technological media; expansion of mass culture; place of politics in art; experience and representation of metropolitan life; changes in the conceptualization and representation of individuality, collectivity, embodiment, race, class, gender, sexuality. Two 90-minute seminars, one film screening.

The flamboyant second generation of British Romantics: Keats, Percy Shelley, Mary Shelley, Byron, Hemans, Jewsbury. Careful attention to texts--ranging from novels, to odes, to romances, and modern epics--in historical and cultural contexts, with primary focus on literary imagination.

Study of a selected theme or topic in comparative literature. Subjects will range from historical and cultural questions (literature and politics, the literature of the avant-garde) to the study of specific literary themes or topics (feminine autobiography, the grotesque in literature).

What kind of public architecture is appropriate for a democracy? Should public spaces and buildings reflect democratic values - such as transparency and accessibility - or is the crucial requirement for democratic architecture that the process of arriving at decisions about the built environment is as participatory as possible? The course will introduce students to different theories of democracy, to different approaches to architecture, and to many examples of government architecture from around the world (the U.S., Germany, and China in particular), via images and films. Might include one or two field trips.

The course is primarily about War and Peace, framed by some earlier and later fiction and by Tolstoy's essays on art and religion. Tolstoy's radical ideas on narrative have a counterpart in his radical ideas on history, causation, and the formation of a moral self. Together, these concepts offer an alternative to "The Russian Idea," associated with Dostoevsky and marked by mysticism, apocalypse, and the crisis moment. To refute this idea, Tolstoy redefined the tasks of novelistic prose. Seminar.

Topics in 17th- and 18th-century art and architecture. For department majors, this course satisfies the Group 2 distribution requirement. Prerequisite: a course in the art of this period or instructor's permission. One three-hour seminar.

This team-taught seminar examines texts, objects, periods and themes from an interdisciplinary perspective. Although designed to be the capstone course for students pursuing a certificate in Humanistic Studies, it is open to other students if space is available. The specific topic varies each year depending on the focus of the faculty team.

This seminar explores the history of early modern European printing and its materials, with a focus on Albrecht Dürer. An underlying assumption of the course is that art-making materials and practices are linked to contemporary conceptions and theories of nature. From 1450 to 1850, the natural resources most commonly deployed for printing were wood, metal, and stone. Their use was shaped by environmental conditions, and had an impact on the ecology of their places of origin. While the course will focus on European print culture, and Albrecht Dürer when possible, it also will refer to early modern print materials and practices from East Asia.