'Boris Godunov' premiere takes center stage
After months of inspired collaborations between Princeton scholars, students and artists, the curtain will rise on the University's world premiere production of "Boris Godunov" Thursday through Saturday, April 12-14, at the Berlind Theatre.
The sold-out performances are the culmination of a vast creative endeavor that has spanned the entire academic year and numerous departments across the University. The effort to bring new life to Alexander Pushkin's classic play features a cast of student actors in multiple roles as well as performances by the University Glee Club, University Orchestra and student dancers -- all on a flexible, dynamic set designed by graduate students in the School of Architecture. The project also includes a Firestone Library exhibition and several academic initiatives.
Directed by Tim Vasen, a lecturer in the Program in Theater and Dance, the Princeton production is inspired by Russian director Vsevolod Meyerhold's unrealized version of Pushkin's historical play. Meyerhold, one of modern theater's most innovative and influential figures, abandoned his "Godunov" production 70 years ago in the face of Stalinist Soviet politics. The Princeton performance will feature a score by famed composer Sergei Prokofiev that was commissioned by Meyerhold but never used for a live performance of the play.
The play dramatizes Godunov's rise to power, his increasingly tyrannical reign as czar from 1598 to 1605 and the challenge to his throne by Dmitry the Pretender, who claimed to be a son of Ivan the Terrible.
The "Godunov" project is managed by Caryl Emerson, chair of the Slavic languages and literatures department, and Simon Morrison, associate professor of music. It is sponsored by the University Center for the Creative and Performing Arts, along with several departments and offices across campus.
As an accompaniment to the production, scholars of Russian history, literature, theater and music will convene on campus for a series of scholarly events that are open to the public. They begin with a keynote address on "Meyerhold and His World (1929-1940)" by independent scholar Leonid Maximenkov at 4:30 p.m. April 12 in 101 McCormick Hall.
From 9 a.m. to 5:30 p.m. April 13, an international symposium will be held in McAlpin Auditorium, Woolworth Center of Musical Studies. Topics will include Russian modernist theater and set design, the challenge of translating a play like "Godunov" into English for a contemporary audience, and Prokofiev's incidental music for stage and film. The following day, a series of scholarly talks on topics related to Meyerhold and Prokofiev -- conducted only in Russian -- will be held from 9 a.m. to noon in the Graduate Seminar Room of the Mendel Music Library, Woolworth Center.
If seats for the sold-out performances become available through last-minute cancellations, they can be purchased at the McCarter Theatre Center box office prior to show times, which are 8 p.m. Thursday through Saturday with a 2 p.m. matinee Saturday.
For more information on the symposium and the "Godunov" project, visit the project website.